Year by Angus MacLise

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The Ascension of St Rose of Lima (1896) by Aubrey Beardsley.

There’s something about the idea of renaming the calendar that I find very attractive even if this is only workable on a personal level. When the Gregorian calendar is a reinvention of the Roman calendar based around Christian holidays (and with the days of the week still alluding to Norse gods), it’s easy to feel at liberty to start again.

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Year (1962) by Angus MacLise.

The most famous example of calendrical reinvention is the French Republican Calendar which called upon a gathering of scientists, a mathematician and a gardener to rename the months and days of the year. In this system the 29th of July would be “Panic” (ie: the plant Switchgrass) in the month of “Thermidor” which runs from July 19th to August 17th. (For the record, this is the year 221 in French Republic time.) The French Republican Calendar may have been an inspiration for the Pataphysical Calendar invented by Jarryites (or Ubuists) which is also French, and a sight more complicated:

The pataphysical era (EP) started on 8 September 1873 [Alfred Jarry’s birthday.] The week starts on a Sunday. Every 1st, 8th, 15th and 22nd is a Sunday and every 13th day of a month falls on a Friday. Each day is assigned a specific name or saint. For example, the 27 Haha (1 November vulg.) is called French: Occultation d’Alfred Jarry or the 14 Sable (14 December vulg.) is the day of French: Don Quichote, champion du monde.

The year has a total of 13 months each with 29 days. The 29th day of each month is imaginary with two exceptions:

• the 29 Gidouille (13 July vulg.) is always non-imaginary
• the 29 Gueules (23 February vulg.) is non-imaginary during leap years

So today, July 29th, would be 16th Tatane (“Shoe” or “Being worn out”), Transfiguration de St V. van Gogh, transmutateur, in the Pataphysical Year 140.

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Month XI from Year by Angus MacLise.

After the Pataphysical Calendar, Year by percussionist/composer/poet Angus MacLise (1938–1979) comes as a relief. This is a poetic renaming of the days of the year which MacLise published in a now very rare booklet edition in 1962. I’ve known about this for years but still haven’t seen a full text so it was a surprise to discover that the cover illustration was The Ascension of St Rose of Lima by Aubrey Beardsley, one of the artist’s later pieces which tends to Catholicism despite being used to illustrate his unfinished erotic novel, Under the Hill. It’s difficult to say why this was chosen by MacLise or his publisher, but it pre-empts the renewed attention that Beardsley’s work received from 1966 on. MacLise’s names for the days are beautifully evocative, and infinitely preferable to the many days which few in this country bother about:

smoke of the shore
day of the inner lid
day of the magic child
day of bessie smith
day of anna
rose over the cities
the fire is a mirror
hrungirs heart

The full text for November and December can be found on this page. If anyone knows of an online source for the full text of MacLise’s Year then please leave a comment. For those with Android phones, there’s a page here offering a Pataphysical Calendar app. Bosse-de-Nage says “Ha ha”.

Weekend links 170

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Owl portrait by Iain Macarthur.

• “Ghost Box is a glance through a window seeing something running alongside our version of reality. Like, what if Paul McCartney had made records with the Radiophonic Workshop?” Ghost Box designer and Mr Focus Group, Julian House is interviewed.

• “…that book with the girl with the hatchet in her head…” Dave Tompkins remembers Denis Gifford’s A Pictorial History of Horror Movies (1973), a formative influence of mine, and that of many other people, it seems.

Salvador Dalí’s 1946 illustrated edition of Macbeth. Related: From Macbeth to the Wizard of Oz: New exhibition explores the erotic side of witchcraft.

I do not want to live in a world where the government and a select few conservative feminists get to decide what we may and may not masturbate to, and use the bodies of murdered women or children as emotional pawns in that debate. It is supremely difficult to achieve radical ends by conservative means. Feminists and everyone who seeks to end sexual violence should be very cautious when their immediate goals seem to line up neatly with those of social conservatives and state censors.

Laurie Penny on the recent Tory policy of attempting to limit online pornography.

The Facebook page for The Wicker Man has details of the pursuit for a complete print of the film. A Blu-ray edition will be released in October.

Anne Billson visited the Hotel Thermae Palace in Ostend, the columnated location of Daughters of Darkness.

Kenneth Anger on how he made Lucifer Rising. The ICA in London is screening his films this weekend.

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Roy Krenkel illustrates Tales of Three Planets by Edgar Rice Burroughs, 1964.

The Electric Banana Blows Your Mind: The soundtrack library alter ego of The Pretty Things.

• Mix of the week: an ambient (in the 90s’ sense of the word) DJ set by Surgeon.

Bernie Krause shares the happiest sounds he’s heard in nature.

• RIP Walter De Maria, sculptor and musician.

Sexodrome by Asia Argento with Morgan.

• Metabolist: Identify (1980) | Curly Wall (1980) | Ymuzgo/Pigface (1981)

Keramic Studio

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A recent addition to the Internet Archive, Keramic Studio was a monthly American ceramics magazine whose first number dates from May, 1899. If you’re like I am these days, and always looking out for new sources of period design, this is a useful title for the large number of decoration templates. The examples here from the first bound collection are designs based on older decorative styles by Adelaide Alsop-Robineau and Ann B. Leonard. Almost all the contributors to the early issues are women, ceramics (and decorative art in general) being one of the few areas in 1900 where women were allowed to indulge their creativity. Collections of the magazine up to the year 1918 may be browsed or downloaded here.

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Continue reading “Keramic Studio”

Light Leaks

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A scattered array of fifty mirror balls reflect light from three projectors, filling a room completely with small reflections, casting patterns that fill the visitor’s peripheral vision. Creating a curious space that alternates between a meditative state, and an uneasy imbalance. An experiment in combining a found object with computer vision to create a profound and unusual experience.

I’ve always liked mirror balls so Kyle McDonald’s combination of the traditional mirror-ball effect (multiplied fifty times) with three-dimensional computer mapping has an obvious appeal. The pictures here link to a small promo video. I’d love to see this in situ; I also wonder what it might look like in a mirrored room like those created by Yayoi Kusama. There’s more at Wired where McDonald discusses the technical aspects.

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