Category: {illustrators}

Illustrators

Witness my hand and official seal

signing_sheet.jpg

Anxious purchasers of the lavish Lovecraft art book from Centipede Press may like to know that the European signing sheets have arrived here safely ready to be scrawled upon by yours truly. I was surprised to find that these are big pages which means this book is going to be a real monster in all senses of the word, and certainly worth every dollar of its considerable cost. And I was pleased to find myself listed on the same sheet as the great Ian Miller, an artist I had the pleasure of meeting some years ago and whose Lovecraft covers for the Panther Horror series in the Seventies went some way to inspiring my own efforts a few years later.

Now if you’ll excuse me, there’s still a lot more sheets to sign…

Hugh Ferriss and The Metropolis of Tomorrow

ferriss1.jpg

Philosophy from The Metropolis of Tomorrow (1929).

I’ve procrastinated for an entire year over the idea of writing something about Hugh Ferriss and now this marvellous Flickr set has forced my hand. Ferriss (1889–1962) was a highly-regarded architectural renderer in the Twenties and Thirties, chiefly employed creating large drawings to show the clients of architects how their buildings would look when completed. But he was also an architectural theorist and his 1929 book, The Metropolis of Tomorrow, which lays out his ideas for cities of the future, was a major influence on the work I produced for the Lord Horror comics during the 1990s. Ferriss’s book appeared two years after Fritz Lang’s Metropolis but bears little resemblance to Lang’s simplistic tale, despite superficial similarities. Rather than a science fiction warning, The Metropolis of Tomorrow was a serious proposal for the creation of Art Deco-styled megacities.

hch5bw.jpg

Lord Horror: Hard Core Horror #5 (1990).

Continue reading “Hugh Ferriss and The Metropolis of Tomorrow”

George Du Maurier’s Christmas Dream

gdm.jpg

A Little Christmas Dream (Punch Magazine, December 26th, 1868).

Mr. L. Figuier, in the Thesis which precedes his interesting work on the world before the Flood condemns the practice of awakening the youthful mind to admiration by means of fables and Fairy Tales, and recommends in lieu thereof, the study of the Natural History of the World in which we live.

Christmas would be a bit more worthwhile with a few of these things patrolling the streets. George Du Maurier (1834–1896) gave the world the character of Svengali is his novel Trilby (1894) and that character’s name lives on even if the novel goes largely unread today. He turned to writing late when his eyesight failed and he was no longer able to maintain his career as an illustrator. Post-Beardsley, those illustrations and satires of Victorian life can seem rather stilted but VTS has examples of his more imaginative work, including this piece.

{ feuilleton } will be quiet for a couple of days while I visit family but, as is the custom here, the archive feature will be enabled to throw up random samples from the past.

Elsewhere on { feuilleton }
• The illustrators archive

The art of Stella Langdale, 1880–1976

langdale1.jpg

Nocturne (aquatint; no date).

One of Callum‘s recent book postings alerted me to the work of Stella Langdale, an artist and illustrator I hadn’t come across before. Judging from online listings her obscurity would seem to be a result of not having being as productive as some of her contemporaries, and her drawings are a deal more gloomier than the delicate pen-and-ink style that was common in book illustration at the time. But it’s her brooding charcoal masses which I find appealing. As with the better Gustave Doré illustrations, they adumbrate more than they depict by the use of careful composition. Some of her other works are aquatints, a form of etching which allows for similar effects to the graded atmospheres of charcoal.

Continue reading “The art of Stella Langdale, 1880–1976”