{illustrators} – Page 153

More Arabian Nights

Louis Rhead (1916).

Continuing from the weekend’s book discovery, a browse at the Internet Archive reveals many scanned editions of the Arabian Nights. No surprise given the enduring popularity of the stories, and no surprise either that the texts are of variable quality, most of them diluted from the earthy and inventive originals to the status of the mildest fairy tales. The exotic settings make for some fine illustrations, however, a selection of which follow. Edmund Dulac’s edition of Sindbad the Sailor is a typically masterful adaptation by one of the great illustrators.

HJ Ford (1898).

Walter Paget (1907?).

The Brothers Dalziel (1865).

Edmund Dulac (1914).

Elsewhere on { feuilleton }
• The illustrators archive
• The etching and engraving archive

Previously on { feuilleton }
• Edward William Lane’s Arabian Nights Entertainments

Edward William Lane’s Arabian Nights Entertainments

This weekend’s book purchase looks like an expensive volume but was actually pretty reasonably-priced for a book that’s 126 years old. This is no. III of a three-volume set of the Thousand and One Nights translated by Edward William Lane, published by Chatto & Windus in 1883. I bought it mainly for the copious wood engraving illustrations by William Harvey although the book itself is a beautiful, if battered, work of art: gold edging on the boards, marbled endpapers (something we did at Savoy for Lucy Swan’s novel) and marbling on the paper edges (Lucy’s book had gold edging). Like many fine old books the heavy boards and thick paper stock means it’s very heavy and it’s these quality materials which have helped it survive this long.

I wasn’t going to put this through the flatbed scanner so a few photo snaps follow.

Continue reading “Edward William Lane’s Arabian Nights Entertainments”

John Bickham’s Fables and other short poems

Or Fables and other short poems : collected from the most celebrated English authors : the whole curiously engrav’d for the practice & amusement of young gentlemen & ladies in the art of writing to give its full title, a children’s primer from 1731 and another free title available at the Internet Archive. John Bickham was one of the famous family of engravers among whom George the Elder is particularly celebrated for his own stunning penmanship in The Universal Penman (1740), a book which is still in print. The moral fables here are mostly single-page verse pieces with titles such as The Lady and the Wasp or The Spaniel and the Camelion. One short piece, On Liberty, is especially pertinent following the weekend when the Convention on Modern Liberty declared its mission to resist the rise of the Total Surveillance State.

Oh Liberty! thou Goddess heav’nly bright,
Profuse of bliss, and pregnant with delight;
Eternal pleasures in thy presence reign,
And smiling Plenty leads thy wanton train.
Eas’d of her Load, Subjection grows more light,
And Poverty looks chearful in thy Sight.
Thou mak’st the gloomy face of Nature gay,
Giv’st Beauty to the Sun, and pleasure to the Day.

Elsewhere on { feuilleton }
• The illustrators archive
• The etching and engraving archive

Previously on { feuilleton }
• Letters and Lettering
• Studies in Pen Art
• Flourishes

Butterfly women

The Flapper by Frank X Leyendecker, Life magazine (1922).

When I posted this splendid cover last July I said that I ought to make a post of Butterfly Women, so here is one. Don’t expect this to be at all comprehensive, women with butterfly wings are as legion as mermaids, these are merely a couple of favourites.

Loïe Fuller by Koloman Moser (1901).

The ultimate butterfly woman must be Loïe Fuller (1862–1928) whose Serpentine Dance inspired a host of fin de siècle paintings and sculptures and was also filmed by the Lumière brothers in 1896. The Internet Archive has a tinted copy of the latter while Europa Film Treasures has an Italian short from 1907, Farfale (Butterflies) with a troupe of dancers (also hand-tinted) imitating the Fuller style.

Life magazine cover by Wladyslaw Benda (1923).

These two pictures were discovered via the wonderful Golden Age Comic Book Stories who always has the best scans of vintage art. The Life covers are from the humour periodical which expired in 1936, not the later photojournalism magazine. For more Life covers, look here.

Dragonfly by Alberto Vargas (1922).

Okay, so it’s called Dragonfly but those look more like butterfly wings to me. A delicate piece of Vargas cheesecake which echoes the flapper theme of the Leyendecker picture. This Flickr user has a whole set of butterfly girl cigarette cards but we don’t get to see them properly without paying. If anyone has seen them elsewhere, please leave a comment.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Mermaids
• Wladyslaw Benda
• Vintage magazine art II
• Vintage magazine art

Darwin at 200

Man is But a Worm by Edward Linley Sambourne (1882).

Happy birthday Charles Darwin. The reaction to Darwin’s work from Punch and other journals was typical. While his studies remain controversial among those who believe there were dinosaurs on Noah’s Ark, his life and work are now celebrated on the Bank of England’s Ten Pound Note (but with the wrong kind of bird, it seems). Dogmatists take note: the Vatican is no longer on your side:

Father Giuseppe Tanzella-Nitti, Professor of Theology at the Pontifical Santa Croce University in Rome, said that Darwin had been anticipated by St Augustine of Hippo. The 4th-century theologian had “never heard the term evolution, but knew that big fish eat smaller fish” and that forms of life had been transformed “slowly over time”. Aquinas had made similar observations in the Middle Ages, he added.

He said it was time that theologians as well as scientists grappled with the mysteries of genetic codes and “whether the diversification of life forms is the result of competition or cooperation between species”. As for the origins of Man, although we shared 97 per cent of our “genetic inheritance” with apes, the remaining 3 per cent “is what makes us unique”, including religion.

“I maintain that the idea of evolution has a place in Christian theology,” Professor Tanzella-Nitti added.

Edward Linley Sambourne provided Punch with many caricatures of Victorian notables including the famous one of Oscar Wilde undergoing his own process of evolution by turning into a sunflower.

• Dawkins on Darwin

Previously on { feuilleton }
• “Weirdsley Daubery”: Beardsley and Punch
• The Poet and the Pope