The art of Ismael Álvarez

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Sangre Virgen.

Yeah, trust me to pick the gore-drenched teen out of a gallery of otherwise wholesome drawings… Ismael Álvarez is a Spanish artist with a nice clean line, a sense of humour and an imagination that can encompass comic imagery like the pictures below or run to full-on erotica. Of the latter there’s a separate gallery replete with the Enormous Cocks that now seem de rigueur for a certain kind of gay art in the same way that Enormous Breasts are a feature of much straight erotica. I’m not complaining—heaven forbid!—merely acknowledging a trend. In addition to his art, Señor Alvarez also maintains a blog and creates his own YouTube broadcasts, all of which are of course in Spanish.

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My boy is a monster (cock).

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Oh My Cock.

Elsewhere on { feuilleton }
• The gay artists archive

A Trip to Mars

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A floating Martian city from Letters from the Planets (1890) by WS Lach-Szyrma. Illustration by Paul Handy.

In honour of the remarkable landing on Mars of the Curiosity Rover, a handful of random illustrations from the vast stock of imagery generated by the Red Planet over the past century-and-a-half. When it comes to Mars I’m afraid you can keep your terraforming and geodesic domes, I prefer the more fanciful scenarios involving air-boats, cloaks and actual canals. Paul Handy’s illustration above shows what I believe is a Venusian vehicle sailing past a Martian city, Lach-Szyrma’s book concerning a journey through the solar system. I only have small copies of these pictures in a book, so far they don’t seem to have turned up online.

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A Trip to Mars (1909) by Fenton Ash. Illustrations by WHC Groome.

Fenton Ash was the nom de plume of British author Francis Henry Atkins. A Trip to Mars concerns another exploratory journey taken this time by a pair of Edwardian schoolboys.

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Weekend links 119

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The BFI’s recent DVD release of Peter de Rome’s gay porn films has been mentioned here a couple of times already but I only bought a copy this week. It’s a remarkable release for a number of reasons, not least for showing how much attitudes towards pornography in Britain have changed in recent years. De Rome’s films are explicit enough to ensure that in the 1970s and 1980s anyone caught selling them in the UK might have been imprisoned. That you can now buy them uncut from a high street shop on a disc packaged with the usual care by the British Film Institute means another small part of our iniquitous past has gone for good. Among the extras there’s a documentary with the 88-year-old director discussing his work. This week he talked to BUTT magazine who also have one of his shorter films from the DVD, Hot Pants, on their site.

• “Reading this book, it is hard not to feel that the largest mental health problem – the really crazy thing – is society’s attitude to drugs in general and LSD in particular…” Phil Baker reviews Albion Dreaming: A Popular History of LSD in Britain by Andy Roberts.

• “Loved by aristocrats and immortalized in literature, Denham Fouts remains virtually unknown in his own hometown.” Richard Wall on The World’s Most Expensive Male Prostitute.

The very etiology of rabies is mythic: once the bite heals and the virus has traveled to the brain, “the wound will usually return, as if by magic, with some odd sensation occurring at the site.” Then there’s the fact that no definitive diagnosis can be made without taking a biopsy of the sick animal’s brain, leaving only one gory solution: decapitation.

Rabies is horror’s muse. In almost all iterations of the genre, those we most trust suddenly turn strange: a boyfriend morphs into a wolf at midnight, a fiancé turns out to be harboring a mad first wife in the attic, a friend is bit by a zombie and goes berserk.

Alice Gregory reviews Rabid: A Cultural History of the World’s Most Diabolical Virus by Bill Wasik and Monica Murphy.

• The Horror of Philosophy: Erik Davis talks to Eugene Thacker about Lovecraft, medieval mysticism, and thinking the world-without-us.

• Eagle Scouts Returning Our Badges: A Tumblr for those protesting the current anti-gay stance of the Boy Scouts of America.

• His Father’s Best Translator: Lila Azam Zanganeh on the late Dmitri Nabokov.

• Les Liaisons dangereuses: illustrations by Alastair (Hans Henning Voigt).

• Andrea Scrima looks at Robert Walser’s Der Spaziergang (The Walk).

• 10 Great Places to Meet Lesbians If You Have a Time Machine.

• Jesse Bering in Scientific American asks “Is Your Child Gay?”

• As Above, So Below (1981) by Tom Tom Club | Genius Of Love (1981) by Tom Tom Club | Mea Culpa (1981) by Brian Eno & David Byrne.

The End of Books, 1894

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More illustrations from Albert Robida, and a riposte to anyone thinking that the idea of the end of books is a recent thing. This article by bibliophile Octave Uzanne appeared in Volume 16 of Scribner’s Magazine (July–December 1894). The piece opens with a description of various scientists and artists at a Royal Society evening making predictions about life in the future. Among other proposals there’s that old saw of science fiction, the meal of condensed nutrients which would supposedly put an end to world hunger. Uzanne’s account of the future of the book involves authors speaking their works into recording devices. Despite Robida’s somewhat comic extrapolations Uzanne seemed to have been semi-serious; even if he wasn’t he made a good job of predicting audio books, and (after a fashion) television: those wanting illustrations would have images projected by one of Edison’s Kinetoscopes.

There will be registering cylinders as light as celluloid penholders, capable of containing five or six hundred words and working up on very tenuous axles, and occupying not more than five square inches; all the vibrations of the voice will be reproduced in them; we shall attain to perfection in this apparatus as surely as we have obtained precision in the smallest and most ornamental watches.

As to the electricity, that will often be found in the individual himself. Each will work his pocket apparatus by a fluent current ingeniously set in action; the whole system may be kept in a simple opera-glass case, and suspended by a strap from the shoulder.

As for the book, or let us rather say, for by that time books “will have lived,” as for the novel, or the storyograph, the author will become his own publisher. To avoid imitations and counterfeits he will be obliged, first of all, to go to the Patent-Office, there to deposit his voice, and register its lowest and highest notes, giving all the counter-hearings necessary for the recognition of any imitation of his deposit. The Government will realize great profits by these patents.

The full article may be read here.

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Le Vingtième Siècle by Albert Robida

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More 19th-century futurism from French illustrator and author Albert Robida. Le Vingtième Siècle was published in 1883, and is a far more comical look at life in the 20th century than La Vie Électrique, showing a future where most of the airships are shaped like enormous fish. This is a copiously illustrated volume of over 500 pages so the selection is again limited. These examples are taken from a copy at Gallica but some of the larger drawings can be seen in higher quality at this Flickr set.

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