Weekend links 286

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One of Faig Ahmed‘s melted Azerbaijani rugs.

• “I asked [William Burroughs] about the future of typography and he said that letterforms would go back to hieroglyphs, similar to the ancient Egyptians.” Jonathan Barnbrook discussing the thinking behind his design for blackstar, the new David Bowie album.

• “…a thick, yellow fog fills the air, sinks, crawls on the very ground; at 30 paces a house or a steam-ship look like ink-stains on blotting paper.” PD Smith review London Fog, a history of the capital’s lethal pea-soupers by Christine Corton.

• At Rue Morgue: Dejan Ognjanovic asks seven writers and editors why HP Lovecraft is still relevant. Related: big thanks to Paul Gallagher for plugging my Lovecraft calendar at Dangerous Minds.

• Some end-of-year weirdness from Moon Wiring Club: Into The Chattering Ground, a sample of the new releases available at the MWC website.

Elaine Lustig Cohen: accidental graphic designer. Related: book covers and other designs by Elaine Lustig Cohen.

• The tomb that architect John Soane built for his wife inspired the shape of Gilbert Scott’s red telephone box.

• Mix of the week: Stephen O’Malley at the controls of Stuart Maconie’s Freak Zone on BBC Radio 6.

• At Dirge Magazine: S. Elizabeth talks to Alice Rogers about art and occultism.

Simon Callow on taking 25 years to write a three-volume life of Orson Welles.

Todd Haynes on Cate Blanchett, Saul Leiter and Queer Cinema.

Le Freak (1978) by Chic | Freak (2003) by LFO | Jovan Freak (Rune Lindbaek Nomaden Mix) (2012) by Georges Vert

Italian villas and their gardens

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As the gilded panel proclaims, this book is a collaboration between Edith Wharton and Maxfield Parrish. Italian Villas and their Gardens was published in 1904, and includes many photos of the houses and their grounds in addition to Parrish’s illustrations. The Parrish pictures look at times like unpopulated scenes from his illustrations for children’s books.

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Continue reading “Italian villas and their gardens”

Weekend links 284

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Les Hanel I by Pierre Molinier. There’s more at The Forbidden Photo-Collages of Pierre Molinier.

• Western anti-hero Josiah Hedges, better known as Edge, was the creation of prolific British author Terry Harknett. The famously violent Edge novels, credited to “George G. Gilman”, were ubiquitous on bookstalls in the 1970s. They were Harknett’s most successful works, and are still collectible today; if you’re interested there are 61 of them to search for. Amazon Originals have just launched Edge as a new TV series although anything for a mass audience is unlikely to retain the exploitative qualities of novels that often sound like pulp precursors of Blood Meridian.

Related: Terry Harknett discusses the creation of the Edge series at Drifter’s Wind; Ben Bridges on Harknett’s career, including a look at the writer’s many other Western and thriller novels; Bill Crider on Edge, Harknett and the British group of Western novelists known as “The Piccadilly Cowboys”.

• Boyd McDonald’s queer-eye film guide, Cruising the Movies: A Sexual Guide to Oldies on TV (1985), has been republished by Semiotext(e) in an expanded edition. Related: True Homosexual Experiences: Boyd McDonald and Straight to Hell by William E. Jones.

• “…a film that plumbs the dark recesses of all our imaginations: dangerous, glorious, absurd, vivid and terrifying by turns.” Charlotte Higgins on her favourite film, The Red Shoes (1948).

Art Forms from the Abyss, a new collection of illustrations by Ernst Haeckel for the report of the HMS Challenger expedition (1872–76). Related: Silentplankton.com

• “The biggest kick I ever get is to find myself pursuing some group of images without knowing why,” says M. John Harrison in conversation with Tim Franklin.

• “Plots didn’t interest him much. They were just pegs on which to hang characters and language.” Barry Day on Raymond Chandler.

• “Zdeněk Liška’s music thrived in unrealities,” says David Herter in a lengthy appraisal of the great Czech film composer.

• At Dirge Magazine: S. Elizabeth delights in the dark decor of Dellamorte & Co.

• Nabokov scholar Brian Boyd selects his ten favourite Nabokov books.

• Mix of the week: The Ivy-Strangled Path Vol. XIII by David Colohan.

Take me to the cosmic vagina: inside Tibet’s secret tantric temple.

• Pour Un Pianiste (1974) by Michèle Bokanowski | 13’05” (1976) by Michèle Bokanowski | Tabou (1992) by Michèle Bokanowski

Graft by Matt Hill

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UK edition.

This latest cover design has been made public much sooner than some of the other things I’ve been working on this year. Graft is another cover for Angry Robot, a novel set in near-future Manchester by local author Matt Hill. The title plays on the multiple meanings of the word “graft”, not only the colloquial term for work (honest or otherwise) but also the sense of a medical graft. Once again, Barnes & Noble have provided a convenient précis:

Manchester, 2025. Local mechanic Sol steals old vehicles to meet the demand for spares. But when Sol’s partner impulsively jacks a luxury model, Sol finds himself caught up in a nightmarish trans-dimensional human trafficking conspiracy.

Hidden in the stolen car is a voiceless, three-armed woman called Y. She’s had her memory removed and undertaken a harrowing journey into a world she only vaguely recognises. And someone waiting in the UK expects her delivery at all costs.

Now Sol and Y are on the run from both Y’s traffickers and the organization’s faithful products. With the help of a dangerous triggerman and Sol’s ex, they must uncover the true, terrifying extent of the trafficking operation, or it’s all over.

Not that there was much hope to start with.

A novel about the horror of exploitation and the weight of love, Graft imagines a country in which too many people are only worth what’s on their price tag.

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US edition.

The challenge with this one was to create something that might be read as futuristic yet also included elements of the real Manchester. All the buildings are worked up from photos of my own, many of them taken during a long day out spent wandering around the Cornbrook area and Salford Quays. The latter has been extensively redeveloped in recent years so there’s a lot of new architecture out there, including the new BBC headquarters. The elegant pylons are the supports of the Lowry Bridge which can be raised to allow ships into the docks.

I couldn’t settle on a final colour scheme for this one so I made a number of variations then let author and publisher decide. This resulted in three covers: the UK edition, US edition and e-book. It took a while but I think I’m happiest now with the blue-and-purple version. Matt Hill talks about Graft here.

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E-book.

Urbatecture

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Spotted at Neatorama this week, Cédric Dequidt‘s Urbicande lamp, a cubic design which appears to be sinking into the table. The Neatorama people don’t seem aware that the name of the lamp refers to Fever in Urbicande (1985), a comic book by François Schuiten and Benoît Peeters, and the second volume in the masterful Cités Obscures series.

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Fever in Urbicand: Urbatect Eugen Robick ponders the properties of the strange cube which is invulnerable yet able to grow through solid materials.

The mysterious para-dimensional cube and its effects on the divided city of Urbicande have been described here already. Fever in Urbicande is my favourite of the core stories by Schuiten and Peeters, and it seems to be one of the more popular of Schuiten’s creations to judge by the lamp and some of the spin-off works that follow.

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Fever in Urbicand: Several months later, and the cube has burgeoned into a city-spanning “Network”.

Continue reading “Urbatecture”