Weekend links 497

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Poster by Zdenek Ziegler for Roma (1972), a film by Federico Fellini.

• At Dennis Cooper’s: a short history of Straight to Hell, a long-running fanzine launched by Boyd McDonald in 1971 dedicated to true stories of men having sex with other men. The post gives an idea of the contents but for a deep dive I’d suggest Meat (1994) at the Internet Archive, a collection of the best of the early editions of STH. Related: “Straight to Hell was an immensely popular underground publication. John Waters, William S. Burroughs, and Robert Mapplethorpe were fans; Gore Vidal called it ‘one of the best radical papers in the country.'” Erin Sheehy on Boyd McDonald’s determination to kick against the pricks.

• RIP psychedelic voyager and spiritual guide Richard Alpert/(Baba) Ram Dass. The Alpert/Ram Dass bibliography includes The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead (1964), an acid-trip manual written in collaboration with Timothy Leary and Ralph Metzner from which John Lennon borrowed lines for the lyrics of Tomorrow Never Knows. But the most celebrated Ram Dass volume is Be Here Now (1971), a fixture of countless hippy bookshelves whose first editions were all handmade.

• “An Einstein among Neanderthals”: the tragic prince of LA counterculture. Gabriel Szatan talks to David Lynch, Devo and others about the eccentric songwriter, performer and voice of Lynch’s Lady in the Radiator, Peter Ivers.

• For the forthcoming centenary of Federico Fellini’s birth Stephen Puddicombe offers suggestions for where to begin with the director’s “exuberant extravaganzas”. Related: Samuel Wigley on 8½ films inspired by .

• “I met resident Tony Notarberardino for the first time in 2015 and entering his apartment was like crossing into another dimension.” Collin Miller explores the Chelsea Hotel.

• “More green tea, professor?” The haunted academic, a reading list by Peter Meinertzhagen. Related: Our Haunted Year: 2019 by Swan River Press.

• “30 July, Yorkshire. Thunder, which is somehow old-fashioned.” Alan Bennett’s 2019 diary.

• More acid trips: Joan Harvey on the resurgence of interest in psychedelic drugs.

• At Lithub: Werner Herzog’s prose script for Nosferatu the Vampyre.

Tief gesunken, a new recording by Bohren & Der Club Of Gore.

In Heaven (1979) by Tuxedomoon | Die Nacht Der Himmel (1979) by Popol Vuh | Roma (1981) by Steve Lacy

Acid albums

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LSD (1966).

A handful of album covers, all for the vinyl equivalents of the books and magazines in the Acid covers post. The album-as-documentary/essay is one of those curiosities that no one would ever produce today but in the 1960s there were still many of them around. All of these albums have been plundered for samples in recent times.

Capitol Records’ LSD is in two parts: The Scene, examining the attitudes of the youthful acid trippers, and The Trip, which looks at the acid experience itself. Allen Ginsberg, Timothy Leary and Sidney Cohen offer expert testimony. Side two apparently features a 5-minute recording of a bad trip to balance the proselytising elsewhere. Discogs shows the interior art which typically depicts the trippers as looking far more freaked out than people usually do on these occasions. The drug that regularly turns people into mewling, puking, unhinged maniacs is called alcohol.

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The Psychedelic Experience (1966) by Dr. Timothy Leary, Ralph Metzner & Richard Alpert.

The album of the book of the same name from which John Lennon borrowed some lines for Tomorrow Never Knows. The cover shown here is from the CD which slightly altered the typography. Neither CD or vinyl have a credit for that nice piece of art. Side one is Going Out, side two is Coming Back.

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Turn On, Tune In, Drop Out (1966) by Dr. Timothy Leary.

Timothy Leary’s doctor status was very much to the fore until possession of LSD was made illegal and he became public enemy no. 1. Here he talks for two sides about the drug. Typical ESP Disk cover art which tends to the cheap and perfunctory.

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LSD (1966) by Dr. Timothy Leary.

And Leary again on the same subject. It’s hard to believe there might have been enough of a market for four spoken-word albums on the subject of LSD in one year alone but that’s what we have here. After 1966 there was no further need to instruct the public, acid was out in the culture at large, and no longer required support or qualification from voices of authority.

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
Acid covers
Lyrical Substance Deliberated
The Art of Tripping, a documentary by Storm Thorgerson
Enter the Void
In the Land of Retinal Delights
The art of LSD
Hep cats