The Far Tower: Stories for WB Yeats

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I said a couple of weeks ago that I had more cover designs waiting to be revealed, and this was one of them, arriving two years to the week after my earlier cover for The Scarlet Soul: Stories of Dorian Gray. Both books are collections of original fiction edited by Mark Valentine for Swan River Press, and both offer variations on works by Irish authors prominent during the 1890s:

“All Art that is not mere story-telling,
or mere portraiture, is symbolic…” — WB Yeats

Stories of magic and myth, folklore and fairy traditions, the occult and the outré, inspired by the rich mystical world of Ireland’s greatest poet, WB Yeats. We invited ten contemporary writers to celebrate Yeats’s contributions to the history of the fantastic and supernatural in literature, drawing on his work for their own new and original tales. Each has chosen a phrase from his poems, plays, stories, or essays to herald their own explorations in the esoteric. Alongside their own powerful qualities, the pieces here testify to the continuing resonance of Yeats’s vision in our own time, that deep understanding of the meshing of two worlds and the talismans of old magic.

Yeats had a career that extended beyond the fin de siècle, of course, and the title of The Far Tower alludes to The Tower, a collection of poems that Yeats published in 1928. (The first poem in the book, Sailing to Byzantium, is the origin of the phrase/title “no country for old men”.) Yeats’s poetry is very different to the Modernists, however, and remained infused with mystical resonances, something I tried to reflect in the cover design. In addition to the very Yeatsian symbol of the rose there are symbols for the four elements, and a pair of robed figures who can be taken as adepts of one sort or another, either the Golden Dawn (who Yeats was involved with for a time) or the various Theosophists and Rosicrucians of the period who fed his imagination.

The green-and-gold colour scheme matches the gold on green design that Thomas Sturge Moore created for the first edition of The Tower. Sturge Moore produced covers for a number of Yeats’s books but it was his splendid design for Axel by Auguste Villiers de L’Isle-Adam that gave me the nested circles and vertical division of the board. That edition happens to have a preface by Yeats so as an influence it isn’t too remote.

The Far Tower will be published in December but is available for pre-order now.

Previously on { feuilleton }
The Scarlet Soul: Stories for Dorian Gray
Form and Austin Osman Spare
Golden apples and silver apples
A Book of Images by WT Horton
The Savoy magazine

Weekend links 455

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• At Expanding Mind: Tarot expert Mary Greer talks with Erik Davis about Tarot artist Pamela Colman Smith, the Golden Dawn, the art of illustration, Jung’s active imagination, Smith’s musical visions, and the recent study of Smith’s life and work, Pamela Colman Smith: the Untold Story.

• Almost five years have passed since the last album from Earth (if you discount the Bug vs. Earth collaboration Concrete Desert) but the band will release a new album, Full Upon Her Burning Lips, in May. Cats On The Briar is a taster.

Charles Bramesco on Sergei Bondarchuk’s astonishing 7-hour adaptation of War and Peace. I watched the whole thing last weekend: all superlatives are justified.

• The History of the Future: James Conway on leaving Australia for a life in Berlin and publishing. Related: Where is Rixdorf?

• At Spoon & Tamago: Keisuke Aiso‘s artworks, including the Ubume sculpture that became the face of the Momo Challenge hoax.

• Mixes of the week: Secret Thirteen Mix 282 by Tourist Gaze, and Big Sister’s Scratchy Singles Vol 1 by radioShirley.

Alexander Rose on the 26,000-Year Astronomical Monument Hidden in Plain Sight.

Rebecca Cole and Janise Elie go in search of the Brocken spectre on Burley Moor.

M. John Harrison: Critical Essays, edited by Rhys Williams and Mark Bould.

Forest of Resonating Lamps – One Stroke, Cherry Blossoms by teamLab.

• Tour de France: Jonathan Meades selects 13 exercise-bike Classics.

• At Greydogtales: The Cthulhu Mythos for Beginners.

The Black Tower (1987), a short film by John Smith.

• At Dennis Cooper’s: Jean Rollin Day.

Ishmael Reed doesn’t like Hamilton.

Babylonian Tower (1982) by Minimal Compact | The Tower (Black Advance) (2007) by Mordant Music | The Tower (Empty Fortress) (2007) by Mordant Music