The London Oasis

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The London Oasis, first seen on Clerkenwell Green last summer, has been resurrected at the Chelsea Flower Show.

London Oasis opened on 19th June 2006 as a temporary structure on Clerkenwell Green.

Designed by architect Laurie Chetwood, the Oasis is a demonstration of sustainability and renewable energy working with architecture to provide a tranquil oasis for London.

The 12 metre high kinetic structure mimics the design of a growing flower: its photovoltaic “petals” open and close in response to the sun and the moon utilising daylight to generate power. This is supplemented by a hydrogen fuel cell and wind turbine to make it self-sufficient. It even uses rainwater it has collected for irrigation and cooling.

At the base, the Oasis has five “pods” inside which people are secluded from the noisy and polluted city surroundings, enjoying cleaner cooled air and relaxing sounds. There are also five further areas providing social rendezvous and venues for entertainment.

The Oasis is “smart” in that it interacts with the environment around it. It senses time, the weather and people, and responds accordingly. At night, it uses energy stored during the day to power a beacon in the form of a light show which responds to the movement of people around.

Official site
Guardian feature
Flickr photos

The art of Lucio Bubacco

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Devils and Angels.

There’s been plenty of speculation over the past twenty-four hours concerning the nature of the post-mortem torments that might await Jerry Falwell now that his soul has departed its corpulent container. Various suggestions I’ve seen run the gamut from the fanciful—being buggered for eternity by purple Teletubbies—to the semi-serious—finding himself in the Third Circle of Dante’s Inferno along with the rest of the gluttons who, so Dante tells us, lie in continual hail and rain whilst eating their own excrement. For a man who spent most of his life talking shit, the latter would seem to be a fitting end.

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Devils and Angels (details).

Which disrespectful preamble brings us to another Italian, Lucio Bubacco, and his glass artworks. Bubacco is a Venetian and Venice has long been a centre of excellence in glass-blowing and sculpture. Yet Bubacco excels even by the standards of his birthplace, and his work is a deal more witty, imaginative and finely-crafted than the dull porn glassworks Jeff Koons had produced (by Italians also) for his Made in Heaven series in 1991. Of the work on Bubacco’s site my favourites are those in the “Transgressive” section which includes the marvellous Devils and Angels tableaux shown above, where a complement of masculine angels and demons are arranged about the central pillar in a Kama Sutra of celestial copulation. Not all his work is this outrageous, some is merely sweetly subversive like The Kiss showing an amorous encounter between a satyr and a naked man. That’s still enough to upset Falwell’s Puritan pod people but then they’re beyond our salvation, aren’t they?

Official site | Lucio Bubacco on MySpace

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
The art of ejaculation
Czanara’s Hermaphrodite Angel
Angels 4: Fallen angels
Angels 1: The Angel of History and sensual metaphysics
The glass menagerie

Harry Smith revisited

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Harry Smith in the middle of the Twentieth Century with some of his drawings.

The first European exhibition of work by artist, writer, filmmaker, collector, Kabbalist, ethnographer…okay, polymath Harry Smith, opens today at the Reg Vardy Gallery, Sunderland. The exhibition runs from 2nd May–8th June 2007. In addition, there’s a companion exhibition, Harry Smith Anthology Remixed, at alt.gallery from 8th May–30th June. Among his many accomplishments, Smith compiled the landmark Anthology of American Folk Music and the latter showing features 84 musical and non-musical artists responding to each of the 84 songs which comprise that collection.

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Heaven and Earth Magic (1962).

Harry Smith: Hobbies and films

2nd May–8th June 2007

Reg Vardy Gallery
School of Arts, Design, Media & Culture
University of Sunderland
Ashburne House
Ryhope Road
Sunderland
SR2 7EF

Reg Vardy Gallery is proud to host the first European exhibition devoted to Harry Smith’s films and hobbies.

Smith, who died in 1991, was a polymath of the highest order. With his coke bottle glasses, slight hunchback and long, bony tobacco-stained fingers, Smith dedicated himself to a life of seemingly infinite interests. He collected Seminole patchworks and painted Ukranian Easter eggs. He was a leading authority on string figures (such as the ‘cat’s cradle’) and made a study of the underlying principles of Highland tartans. He recorded the peyote songs of the Kiowa Indians and in a project entitled “Materials for the Study of Religion and Culture in the Lower East Side”, made vast live recordings of traffic noises, children’s jump-rope rhymes and city birdsong, as well as the drug talk of junkies and the death-rattles and prayers of hobos in Bowery flophouses (where he himself lived in poverty for some time).

He was one of the most influential figures in avant-garde film, developing new and ingenious methods of animation, and he collected thousands of folk records which later formed the basis for the work he is best remembered for—the Anthology of American Folk Music—the seminal collection of early music recordings that was in a large part responsible for triggering the folk music revival of the 1950s and 60s.
George Pendle

This exhibition includes a variety of Smith?s eccentric ethnographic collections, or what he called “Encyclopaedias of Design” such as string figures, Pysanky (Ukrainian Easter eggs), early sound recordings, and a range of his hand-painted, stop-motion and collaged animations such as Early Abstractions, and Late Superimpositions. The exhibition will also include documentation of Smith?s paper airplane collection. This unusual and rare collection is comprised of hundreds of paper airplanes found by Smith on the streets of New York City from the late 1960s to the early 1980s. This exhibition of the hobbies and artistry of Harry Smith has been organised in collaboration with the Harry Smith Archives and Anthology Film Archives, New York. George Pendle writes for Frieze, Cabinet, and the Financial Times . His most recent book Strange Angel (Weidenfeld & Nicolson, 2005) traces the life of the eccentric rocket scientist John Whiteside Parsons. Both Parsons and Harry Smith were heavily involved with the occult fraternity—the Ordo Templi Orientis.

Harry Smith Anthology Remixed

8th May–30th June

alt.gallery
61/62 Thornton Street
Newcastle Upon Tyne
NE1 4AW

anthology.jpgThe exhibition brings together the work of 84 leading artists and musicians, who have been invited to make a visual artwork in response to 1 track each from the groundbreaking music release the Anthology of American Folk Music. The Anthology was edited by seminal New York artist, musicologist and experimental filmmaker Harry Smith, and first published by Folkways in 1952.

The Anthology is comprised entirely of recordings issued between 1927 (the year electronic recording made accurate reproduction possible) and 1932 when the Depression stifled folk music sales. Harry Smith used the new LP technology to create an unbroken sequence of songs, divided into three colour coded sets, which represented three elements: air, fire and water. The Anthology is considered to be one of the most important collections of information in modern society, creating a folk canon and contributing to numerous folk revival movements.

This exhibition aims to create a new visual collection of the Anthology, to continue the collective history and revival of the work, as seen through the eyes of contemporary visual artists and musicians. The exhibition includes artists from the Europe, Japan and the US reflecting a diverse and exciting range of practice including: visual art, outsider art, comic book, design, craft and illustration.

Exhibition curated by Rebecca Shatwell. A specially commissioned essay by David Keenan accompanies the exhibition and can be downloaded here.

Harry Smith Anthology Remixed includes work by: Dave Allen, Jonathan Allen, Diane Barcelowsky, Marcia Bassett, Eric Beltz, Hisham Bharoocha, Jesse Bransford, Vashti Bunyan, Jelle Crama, Jaron Childs, Rob Churm, Marcus Coates, Karen Constance, Christian Cummings & Jed Lackritz, Dearraindrop, Arrington di Dionyso, Graham Dolphin, Bill Drummond, Jorn Ebner, Espers, Peter J Evans, Yamataka Eye, Jad Fair, Feathers Family, Kyle Field, Alec Finlay, Devin Flynn, Iain Forsyth and Jane Pollard, Luke Fowler, Chris Graham, Susie Green, Doug Harvey, A Hawk And A Hacksaw, Rama Hoffpauir, Dan Howard-Birt, Zoe Irvine, Rich Jacobs, Juneau Projects, Seth Kelly, Jeffrey Lewis, Linder, Derek Lodge, Lone Twin, Robert AA Lowe, Ant Macari, The Matinee Orchestra, Maya Miller, Gean Moreno, Heather Leigh Murray, Michael Nyman, Dylan Nyoukis, John Olson, John Orth, Paper Rad, Mike Paré, Plastic Crimewave, Dave Portner, Devin Powers, Adam Putnam, The Rebel, Ginnie Reed, Clare E Rojas, Chris Rollen, Arik Roper, Giles Round, Royal Art Lodge, Mathew Sawyer, David Sherry, Ross Sinclair, DJ Spooky, Andre Stitt, Philip Taaffe, Vernon & Burns, Daryl Waller, Flora Whiteley, Michael Wilson, Simon Woolham, Andrew Jeffrey Wright, C. Spencer Yeh, Yokoland, zoviet*france

The Harry Smith Archives
American Magus: Harry Smith—A Modern Alchemist

Previously on { feuilleton }
Meshes of the Afternoon by Maya Deren
Jodorowsky on DVD
Jordan Belson on DVD
The art of Arik Roper
Wallace Burman and Semina
The art of Cameron, 1922–1995
Kenneth Anger on DVD…finally
Ten films by Oskar Fischinger
Lapis by James Whitney
The art of Harry Smith, 1923–1991
La Villa Santo Sospir by Jean Cocteau
Expanded Cinema by Gene Youngblood
The Invasion of Thunderbolt Pagoda

The art of ejaculation

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left: Sperman (2007) by Cary Kwok; right: Here Cums the Spider (2007) by Cary Kwok.

NSFW, as if you need to be told. It’s almost a commonplace of contemporary art that there are so many artists around today, producing such a volume of work, that any newcomer (as it were) has to find a niche and stay there if they want their efforts to stand out from the crowd. Cary Kwok’s niche seems to be the seminal emission which he depicts in a variety of ways, including showing various well-known comic-book characters shooting their respective loads. Kwok’s work has been shown recently at the Herald Street gallery, London, and Hard Hat, Geneva.

I like Kwok’s drawings, they’re carefully-done and funny, and serve to remind one that the cum shot is under-represented in art. Despite various Biblical prohibitions, women have been subject to no end of sexual display throughout art history, from copulations with gods in the form of animals to Danaë’s impregnation by Zeus as a literal golden shower. But male sexuality, especially at its most essential moment, has rarely been depicted outside the pages of pornography. The irony of this, as with arguments against erections in art, is that if it wasn’t for ejaculations we wouldn’t be here to discuss their pros and cons. Gay artists have been in the vanguard of addressing the sperm-drought, possibly because they have more than a passing interest in these matters; Michael Petry’s work earlier this year took a lateral view. There’s another sample (as it were) of Cary Kwok’s work below the fold plus some other seminal (as it were) artworks through the ages.

Update: Jack-Off Sculpture Sells For $15 Million.

Continue reading “The art of ejaculation”

The art of Jean Benoît

More French weirdness, and another Bertrand…

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The Necrophile (dedicated to Sergeant Bertrand) (1964–65).

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The Eagle, Miss…

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Adam and Eve.

A site about Jean Benoît
Another site about Jean Benoît

And speaking of the lonesome necrophile, Bret Wood’s film, Psychopathia Sexualis, features a shadow puppet rendering of the case of Sergeant Bertrand and his nocturnal grave-ravagings. You can watch an extract from it here.

Elsewhere on { feuilleton }
The fantastic art archive

Previously on { feuilleton }
L’Amour Fou: Surrealism and Design
The Surrealist Revolution
Surrealism at the Hayward