steampunk – Page 2 – { feuilleton }

The man who wasn’t Tesla

Searching through old emails last week reminded me that a couple of years ago I’d supplied some art for use in a steampunk-themed bar in Gran Canaria. I would have mentioned this before now but, as is often the way with freelance commissions, once the negotiations were over I dispatched the art then heard nothing more about the project.

A search for the bar this week revealed a number of things: the place in question is the Tesla Steampunk Bar in Las Palmas de Gran Canaria; the artwork did indeed get used to prominent effect, with the main elements of my picture being positioned behind the bar itself; and it wasn’t immediately obvious whether the place was still open. Subsequent searching (and some Google translating of the bar’s Facebook page) further revealed that the bar has been closed but is in the process of relaunching itself.

As to the artwork, this was adapted from the second version of a design I produced for Jeff VanderMeer in 2008 to illustrate a semi-serious steampunk slogan of Jeff’s devising. Ten years ago steampunk was still a very minor subgenre, and one with few visual signifiers. I quickly hacked together a piece using imagery taken from the Dover Pictorial Archive series, a collection of books which are useful but whose engraved illustrations have since been plundered endlessly for this type of work.

When I’m collaging things today I try and avoid using too much from the Dover books so I’ve been pained that this particular design, especially the goggle-wearing head, has proved so popular. Even when people haven’t asked to use the head itself I’ve been asked to do something similar, as was the case with the Aether Cola can I designed in 2012. The Tesla people used a stripped-down version of the colour design which I scaled to very large size. They also have a picture of the flying man on their wall but I’ve not found any good photos of him.

The original head, meanwhile, was used again last year in a new design for yet another business. Dr Pieper is a steampunk-themed chip shop (yes, really) in Amsterdam, a place with very nice antique decor by the looks of their Instagram page. My variant designs may be seen in the window and in their advertising graphics.

The head itself was found in Men, one of several collections of engraved illustrations edited for Dover Publications by Jim Harter. Some of Harter’s other books identify the pictures but not this one, so the identity of the portrait was unknown until, in my attempts to avoid the Dover books, I found a picture of Joseph Edgar Boehm in Hill’s Album of Biography and Art (1882). Boehm was a sculptor of a rather staid and respectable kind, being commissioned for royal portraiture among other things. I can’t imagine he’d be thrilled to find his posthumous image looking down on a drinking house and a chip shop, but sculptors often seem to be more easily forgotten than painters so he’s doing better than many of his contemporaries.

And while on the subject of steampunk, I ought to note that there’s a steampunk convention taking place in Morecambe at the beginning of June. I won’t be in attendance (they did ask) but I said I’d mention the event here.

Previously on { feuilleton }
• The George Dower Trilogy by KW Jeter
• Steampunk in the Tank
• More vapour trails
• Steampunk catalogued
• Steampunk: The Art of Victorian Futurism
• Steampunk Calendar
• Words and pictures
• Nathanial Krill at the Time Node
• Fiendish Schemes
• Ghosts in Gaslight, Monsters in Steam
• Steampunk Revolution
• The Bookman Histories
• Aether Cola
• Crafting steampunk illustrations
• SteamPunk Magazine
• Morlocks, airships and curious cabinets
• The Steampunk Bible
• Steampunk Reloaded
• Steampunk overloaded!
• More Steampunk and the Crawling Chaos
• Steampunk Redux
• Steampunk framed
• Steampunk Horror Shortcuts

Weekend links 348

The Masque of the Red Death (1932) by John Buckland Wright.

• Thanks to MeadesShrine I’ve been working my way through Jonathan Meades’ television essays so this is timely: The Plagiarist in the Kitchen, an “anti-cookbook” by the man with forthright opinions.

• “‘Decopunk’ deserves to be bigger than Steampunk,” says Sam Reader. I consider my work on Bruce Sterling’s Pirate Utopia to be more Futurist than Deco but the period is right.

• “Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!”: 366 Weird Movies

But Fascism is also a political and economic system. Why, then, cannot we have a clear and generally accepted definition of it? Alas! we shall not get one—not yet, anyway. To say why would take too long, but basically it is because it is impossible to define Fascism satisfactorily without making admissions which neither the Fascists themselves, nor the Conservatives, nor Socialists of any colour, are willing to make. All one can do for the moment is to use the word with a certain amount of circumspection and not, as is usually done, degrade it to the level of a swearword.

George Orwell discussing the imprecise application of the “F” word

• At The Psychedelic Museum, a report on this month’s art show, Alice’s Adventures in Underground Culture.

• M. John Harrison announces a new story collection which will be published later this year by Comma Press.

• Mixes of the week: Iceland: Foreboding Joy by Abigail Ward, and Secret Thirteen Mix 211 by Fluxion.

• Daisy Woodward on how LSD adventures inspired John Waters’ Multiple Maniacs.

• More Moomins: Graeme Miller talks to Patrick Clarke about his soundtrack music.

• Some recent cultural highlights as chosen by Timothy J. Jarvis.

• Benge presents a list of his favourite electronic albums.

• Is this the underground Everest?

• Strange Things Are Happening (1968) by Rings & Things | Strange Magic (1975) by Electric Light Orchestra | Strange (1977) by Wire |

The George Dower Trilogy by KW Jeter

My latest covers for Angry Robot are a return to the world of steampunk, and also a return to the novels of KW Jeter, the man who not only wrote some of the pioneering novels of the sub-genre but also invented the term steampunk in the first place. Infernal Devices was one of the pioneering texts, and it’s a book that’s been very good to me in its earlier Angry Robot edition, with a cover design that’s been well-received around the world. (It still pops up regularly on the front page of Goodreads.)

The brief for the republication was to create fresh covers for Infernal Devices and for its two sequels; the second of these, Fiendish Schemes, was first published by Tor with (at the author’s request) another cover of mine that matched the Angry Robot design. Grim Expectations is a new novel which makes George Dower’s adventures in an alternate-history Britain into a trilogy. The request for the new designs was to avoid the detailed Victoriana of the earlier editions in favour of something that would suit the content but be a little more restrained. Mention was made of the Picador covers for Italo Calvino that Gary Day-Ellison designed with the Quay Brothers in the 1980s. Those covers are personal favourites so I was happy to use a similar vertical division with small illustrative elements, the details of which relate to the stories but without being too literal. My designs are a lot more florid in comparison to the Calvinos but then the content demanded a shift of emphasis. After having created a lot of steampunk art emblazoned with cogs of all shapes and sizes the one thing I didn’t want to do was use more cogs on these covers. So the background pattern for Infernal Devices is cog-like but is actually an abstract design I found in a book of 19th-century decoration. Similarly, the circle motifs at the top of each cover are also cog-like but are more Victorian embellishments.

All three books will be published in June 2017; a long time to wait but there’s more about the new novel—and the series as a whole—at Tor.com.

Previously on { feuilleton }
• Steampunk in the Tank
• More vapour trails
• Steampunk catalogued
• Steampunk: The Art of Victorian Futurism
• Steampunk Calendar
• Words and pictures
• Nathanial Krill at the Time Node
• Fiendish Schemes
• Ghosts in Gaslight, Monsters in Steam
• Steampunk Revolution
• The Bookman Histories
• Aether Cola
• Crafting steampunk illustrations
• SteamPunk Magazine
• Morlocks, airships and curious cabinets
• The Steampunk Bible
• Steampunk Reloaded
• Steampunk overloaded!
• More Steampunk and the Crawling Chaos
• Steampunk Redux
• Steampunk framed
• Steampunk Horror Shortcuts

More Things to Come

The organisers of the Things to Come exhibition at the Petach Tikva Museum of Art, Israel, sent me their photos of the show earlier this week. As with the other recent exhibitions that I haven’t managed to attend it’s good to see how everything looks in situ, and also see some of the other exhibits.

The art pieces are all related to science fiction old and new, with my airship illustration (as seen in The Steampunk Bible) and a couple of other works representing the old (or new-as-old) side of things. I’m not used to seeing my work enlarged to such a huge size so this was a treat. The only larger reproductions have been a window display for one of the Cradle of Filth album covers which filled a whole window of Tower Records, London, in 2001, and stage backdrops for Cradle of Filth and Melechesh. I can’t identify any of the other exhibits until the catalogue arrives but I really like the iridescent metal construction that’s lying on the gallery floor. All the photos are by Elad Sarig, and are shown courtesy of the Petach Tikva Museum of Art. My thanks again to Doreet LeVitte Harten for selecting my work, and to Avshalom Suliman for dealing with the printing and other details.

Continue reading “More Things to Come”

Things to Come

Things to Come is a science fiction-themed art exhibition opening this week at the Petach Tikva Museum of Art, Israel. Among the works on display there will be a large print of the fish-shaped dirigible that I created for Jeff VanderMeer and SJ Chambers, editors of The Steampunk Bible, back in 2010. After publication I reworked the picture slightly, adding a frame and trying out various tints, the idea being to produce a large version for print sales. I still haven’t got round to making prints available but I did let the museum have a copy of the framed version so its appearance at Petach Tikva is a first.

My thanks to Doreet LeVitte Harten for selecting this piece, and to Avshalom Suliman for dealing with the printing and other details. The exhibition runs to 20th August, 2016.

Previously on { feuilleton }
• Steampunk in the Tank