Weekend links 804

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Poster for The Phantom of the Opera, 1925. The first Universal horror film, and the best screen adaptation of Gaston Leroux’s novel, was released 100 years ago this month.

• “Evolution seems to have a thing for mind-bending molecules here on planet Earth. Psychedelics are more widespread in nature than you might think. These remarkable compounds, which can profoundly alter consciousness, arose repeatedly across evolutionary time, stretching back at least 65 million years. To date, some 80 species of fungi, at least 20 plants, and a species of toad have been documented to produce psychoactive molecules. And scientists continue to identify new ones.” Kristin French presents a trip around our surprisingly psychedelic planet.

• “There was no condescending sense with Potter —all too present today as then—that the public were idiots who needed to be intellectually housetrained, by their enlightened ‘betters’. […] Television was not treated as a particularly serious medium, something Potter upended not by performing ‘seriousness’ but by bringing out the possibilities few had believed it contained.” Darran Anderson on the television plays of Dennis Potter.

• At Public Domain Review: AD Manns on a possible origin for the occult lore presented in Charles Godfrey Leland’s Aradia, Or the Gospel of the Witches, a founding text for the witchcraft revival of the 20th century.

• New music: Implosion by The Bug vs Ghost Dubs; Herzog Sessions by Mouse On Mars; VHS Days Vol. 1 by Russian Corvette.

• At Wyrd Britain: A link to a video interview in which the great Ian Miller about his long illustration career.

• At the BFI: David West selects 10 great Hong Kong action films of the 1980s.

• Mix of the week: DreamScenes – November 2025 at Ambientblog.

• At The Wire: Stream the new album by Ann Kroeber & Alan Splet.

Seb Rochford’s favourite records.

• RIP Tatsuya Nakadai, actor.

Phantom Lover (2010) by John Foxx | Phantom Cities (2020) by The Sodality Of Shadows | Phantom Melodies (2018) by Cavern Of Anti-Matter

Weekend links 798

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Atlantis (1971) by Bartolomeu Cid dos Santos.

• “Given the workaday settings of many of his movies (a hotel, a summer camp, a science fair), their mortal stakes may come as a surprise, or at least as a paradox—yet paradox is at the heart of his entire body of work.” Richard Brody explores the New Yorker roots of Wes Anderson’s The French Dispatch.

• “The power of the Kelmscott Chaucer is in how all the elements harmonise to create something visually spectacular.” Michael John Goodman on William Morris and his reinvention of book design.

• At Smithsonian Mag: “What actually sparks Will-o’-the-Wisps? A new study traces the science behind the mysterious, wandering lights“.

• At Dennis Cooper’s: A chronology of 26 things with Clive Barker’s name on them and what he thinks about that.

• At Wormwoodiana: The novels of Derek Raymond and the type of crime fiction he called “The Black Novel”.

• At Colossal: Untamed flora subsumes abandoned greenhouses in Romain Veillon’s Secret Gardens.

• At The Wire: Read an extract from James Tenney: Writings and Interviews on Experimental Music.

• The Strange World of…Mulatu Astatke.

• RIP Patricia Routledge.

The Garden (1981) by John Foxx | The Secret Garden: Main Title (1993) by Zbigniew Preisner | Secret Garden (2011) by Sussan Deyhim

Weekend links 781

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Orphée aux Enfers (1896) by Jean Delville

• “Yes, there was a riot, but it was great”: Cabaret Voltaire on violent gigs, nuclear noise – and returning to mark 50 years.

• At Public Domain Review: Matthew Mullane on George Wightwick’s The Palace of Architecture (1840).

• New music: Dissever by Emptyset; Quiet Pieces by Abul Mogard; Analogues by Lawson & Merrill.

• At Spoon & Tamago: Artist Yukiko Suto finds beauty in Japanese residential neighbourhoods.

• At The Quietus: A Condition of the Space: Mary Anne Hobbs interviewed.

• At Baja el Signo de Libra: The homoerotic photography of Yves Paradis.

• Mix of the week: Bleep Mix #303 by Abul Mogard.

• At Dennis Cooper’s: Stan Brakhage Day.

• RIP Edmund White.

Brakhage (1997) by Stereolab | Brakhage (2002) by Robert Poss | Barbican Brakhage (2009) by John Foxx

Weekend links 744

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Postage stamp design by Dario Canovas celebrating Argentina as guest of honour at the 2010 Frankfurt Book Fair.

Sideways Through Time, Joe Banks’ book of Hawkwind interviews, was initially available as an exclusive supplement with the special edition of Days of the Underground, Joe’s essential history of Hawkwind’s first decade. From the end of October both books will be available as separate editions from Strange Attractor, with the interview collection being republished in a revised and expanded edition.

• “Two heads are better than one”: Another extract from Two-Headed Doctor: Listening For Ghosts In Dr John’s Gris-Gris by David Toop.

• “Rammellzee was an electric presence”: Thurston Moore on NYC’s graffiti-writing hip-hop pioneer.

• New music: Long Tail Of The Quiet Gong by Robert Rich, and Neostalgia by Heiko Maile, Julian Demarre.

• At Colossal: Postage stamp designs by Tùng Nâm showing portraits of endangered animals.

• At Public Domain Review: Edwin D. Babbitt’s Principles of Light and Color (1878).

• At Print magazine: An interview with design anthropologist Keith Murphy.

• At Unquiet Things: Tristan Elwell’s visual spellcraft.

• Mix of the week: Bleep mix 287 by Sarah Davachi.

Mariam Rezaei’s favourite music.

Over Under Sideways Down (1966) by The Yardbirds | Stepping Sideways (2003) by John Foxx & Harold Budd | Trip Sideways (2010) by The Time And Space Machine

Weekend links 731

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The Electrical Experimenter, Vol. 5, no. 1. April, 1918. Electrical cover art by Vincent Lynch.

• Coming soon from Rocket 88 Books: Electricity and Ghosts, a collection of art and graphic design by John Foxx/Dennis Leigh. The book itself has been designed with a regular Foxx collaborator, Jonathan Barnbrook. Last year I put together a post collecting Dennis Leigh’s book covers.

• At Strange Flowers: Lavinia Schulz and Walter Holdt, their Expressionist dance costumes, and their short, tempestuous lives. There’s more about the couple’s costumes and dances here.

• New music: Road to Mandalay by Laurie Anderson; Panorama (French Soundtracks & Rarities) by Various Artists; The Passage Of Time by Cosmos In Collision.

• At Public Domain Review: Raffaele Mainella’s illustrations for Nos Invisibles (1907), a Spiritualist text by Clotilde Briatte (writing as Charles d’Orinio).

Dennis Cooper’s favourite fiction, poetry, non-fiction, film, art, and internet of 2024 so far. Thanks again for the link here!

John Cale’s favourite music. Also The Records That Made Me by Carsten Nicolai/Alva Noto.

The mysterious mirrored monolith returns.

• RIP Donald Sutherland.

BBC Sound Effects.

Electricity (1967) by Captain Beefheart & His Magic Band | Electricity (1980) by Orchestral Manoeuvres In The Dark | Electricity (1995) by Pet Shop Boys