Zeuhl Ẁortz!

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Kobaïa / Müh (1970), a single by Magma.

1: Zeuhl definitions

Zeuhl is an adjective in Kobaïan, the language written by Christian Vander, drummer and founder of the French band Magma.

Pronunciation: zEU(h)l, while the EU are like a French E with a slight U, and the (h) is a semi-silent letter which is an integrated part of the EU, totalling in a “syllable and a half”. (Prog Archives)

Zeuhl (pronounced [zœl]; lit. ’celestial’) is a music genre that is a hybrid of jazz fusion, symphonic rock and neoclassical music, established in 1969 by the French band Magma. The term comes from Kobaïan, the fictional language created by Magma’s Christian Vander and Klaus Blasquiz for Magma, in which Zeuhl Ẁortz means approximately ‘celestial force’.
[…]
Zeuhl is determined by several characteristic elements. Especially important are dominant rhythm fractions, usually in the form of a pumping bass guitar and sometimes sluggish or flexibly playing drum kits. Slow repetitive structures that serve to build a hypnotic atmosphere are just as prominent as solo passages of high technical finesse. Vocals are often widely present and can consist of polyphonic choral movements, such as Carl Orff’s Carmina Burana, or soloistically performed passages with shrill intonation. Zeuhl bands also often have solo guitarists or pianists that usually have a more than accompanying function, especially to emphasize the repetitive patterns. (Wikipedia)


2: The Birth of the Zeuhl

“1967,” he says. “The year John Coltrane died. It seemed to me that afterwards, it was as though music had to try to start all over again. Someone had to pick up the pieces, go on searching in the way that he had. Nobody could match him, but people could pick up the flame. It was almost impossible for anyone to do anything new after Coltrane, but you had to try, try to find other new directions. So that’s what I tried to do with Magma. I was a bit young at the time, but…”

Christian Vander describing the birth of Magma to Paul Stump, The Wire, July 1995


3: Zeuhl lists

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Weidorje (1978) by Weidorje. Cover art by Klaus Blasquiz.

Shindig! Magazine: Magma in seven records, and Deeper Underground: the best albums by the Magma family by Warren Hatter.

• Prog Is Alive and Well in the 21st Century: My Favourite Zeuhl Albums of All-Time by Drew Fisher.

• Bandcamp: There is No Prog, Only Zeuhl: A Guide to One of Rock’s Most Imaginative Subgenres by Jim Allen.

• Discogs: Zeuhl lists by Neit and ultimathulerecords.

• Prog Archives: Top 100 Zeuhl.


4: Live Zeuhl

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A poster by Jofre Conjota for a concert in Chile demonstrating that Zeuhl can exist without electricity.

Magma, Hippodrome du Pantin, Paris, 1977 (46 mins; a French TV film that captures one of the 70s lineups in peak form. Includes an almost complete performance of Mekanïk Destruktïẁ Kommandöh.)

Weidorje, French TV, 1979 (11 mins; Magma offshoot Weidorje were only active for a couple of years, this may be their only TV appearance.)

Magma, Théâtre Bobino, Paris, 1981 (A complete concert—1 hr 53 mins—from the group’s weird-funk period: Christian Vander leaves his drumkit to sing and rant at the audience, everyone is dressed in spacey glitter outfits, and some of the songs from the Merci album can’t be classed as Zeuhl at all. The musicians are all first rate, however.)

Magma play Köhntarkösz, 2005 (A fantastic 32-minute performance in a very cramped venue.)

Collectif PTÄH interprète Magma (12 mins; a Magma covers band playing in a village square.)


5: Cinematic Zeuhl

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Tristan et Iseult (1972): a French feature film with a score by Christian Vander and three members of Magma. The soundtrack album was later incorporated into the Magma official discography as Ẁurdah Ïtah.

Moi y’en a vouloir des sous (1973): a French satire in which Magma make a brief appearance as a way-out rock group.


6: Lovecraftian Zeuhl

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Les Morts Vont Vite (1986) by Shub Niggurath. Cover art: La Ballade de Lénore (1839) by Horace Vernet.

Liriïk Necronomicus Kanht (1978) by Magma.

Dagon (1980) by Eskaton.

La musique d’Erich Zann (1981) by Univers Zero (a Belgian group, originally named Necronomicon, which included former members of an earlier group named Arkham).

Yog-Sothoth (1986) by Shub Niggurath.


7: Comic Zeuhl

Magma’s Christian Vander and Klaus Blasquiz in a three-page comic strip from Pop & Rock & Colégram (1978), a collection of satirical music-themed pieces by Jean Solé, Alain Dister & Marcel Gotlib.

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Previously on { feuilleton }
Dune: some French connections
HR Giger album covers

Jean Giraud record covers

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Disc design for Eight Day Journal (1998) by Sam Rivers / Tony Hymas.

Continuing an occasional series about artists or designers whose work has appeared on record sleeves. I’ve used the artist’s full name (or his Earth name, if you prefer) in the title of this one to distinguish Moebius the comic artist and illustrator from Dieter Moebius of Cluster, Harmonia, et al. As with Harry Clarke, it’s taken a long time for Discogs to compile a substantial collection of these covers, and the catalogue there is still incomplete thanks to a lack of credits on some of the sleeves. Unlike other artists whose cover work tends to be a repurposing of existing art many of the Giraud/Moebius covers were created for the albums on which they appear.

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7 Colts Pour Schmoll (1968) by Eddy Mitchell.

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An album by a prolific French rock’n’roller. Giraud (as he was credited here) was no doubt hired on the strength of his Blueberry strips.

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Blueberry (1973) by Dadi.

And speaking of Blueberry… Jean Giraud drew the adventures of Jean-Michel Charlier’s Western anti-hero for 15 years under the name “Gir”. The character was very popular in France, hence this spin-off single by Marcel Dadi.

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Dadi’s Folks (1973) by Marcel Dadi.

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Jazz Septet (1973) by Ogoun Ferraille.

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Are You Experienced / Axis: Bold As Love (1975) by Jimi Hendrix.

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A gatefold sleeve for a series of four reissues of the Hendrix catalogue on the Barclay label. The other covers were by Philippe Druillet, Jean Solé and an artist unidentified on the link above but it looks to me like the work of Philippe Caza. I’ve got most of the music but I’d buy these for the covers alone.

Continue reading “Jean Giraud record covers”

Philippe Druillet album covers

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Docteur Faust (1971) by Igor Wakhévitch.

Philippe Druillet: album cover artist. As with John Martin, I’m surprised there aren’t more examples. Once again, Discogs.com proves incomplete so I’ve added a couple more including the first on this list, Docteur Faust. If you know of any others, please leave a comment.

Igor Wakhévitch’s berserk masterpiece is a cult item in this house, and something I’ve written about already. The cover art is the icing on an unclassifiable cake.

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Grail (1970) by Grail.

The cover is the opening page of The Wild Wind Isles, one of Druillet’s Lone Sloane stories. Produced by Rod Stewart; did you notice? “We are sailing…”

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Electric Ladyland (1975) by The Jimi Hendrix Experience.

A gatefold sleeve for a series of four Hendrix reissues on the Barclay label. The other covers were provided by Moebius, Jean Solé and an artist unidentified on the link above but it looks to me like the work of Philippe Caza.

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Black Sun (1978) by Black Sun.

Black suns are a regular feature of Druillet’s work (and mine, ahem) so the artist at least suits the title. The debut album of a short-lived French funk/soul group.

East/West (1980) by Richard Pinhas.

The French equivalent of Krautrock doesn’t have a name but Richard Pinhas is one of its leading practitioners. This is still my favourite among his solo works, not least because it’s more successfully musical than other albums which feature great slabs of guitar or synth doodling. In addition to a cover of David Bowie’s Sense Of Doubt there’s also science fiction author Norman Spinrad ranting through a vocoder on the opening and closing tracks. The great cover art is a page from Druillet’s 1980 adaptation of Flaubert’s Salammbô.

Continue reading “Philippe Druillet album covers”