Hawkwind – Page 18 – { feuilleton }

More Barney Bubbles

For those who’ve been eagerly awaiting Paul Gorman’s Barney Bubbles monograph, here’s the latest. Readers in the UK may also like to know there’s a feature about the book in the current issue of The Word. By coincidence, if you turn the page in the magazine there’s another feature about the Rob Gretton book I designed recently, 1 Top Class Manager. And for coincidence overload, designer Peter Saville turns up in both volumes.

Reasons To Be Cheerful: The Life and Work of Barney Bubbles
By Paul Gorman

“Barney Bubbles is the missing link between pop and culture” Peter Saville

REASONS TO BE CHEERFUL is a lavishly illustrated celebration of the creative legacy of one of the most mysterious yet influential figures in graphic design: Barney Bubbles.

Bubbles – who died 25 years ago – links the colourful underground optimism of the 1960s to the sardonic and manipulative art which accompanied punk’s explosion a decade later.

Producing extraordinary artwork under the shroud of anonymity and a number of pseudonyms, in the 60s Bubbles created early posters for the Rolling Stones, brand and product design for Sir Terence Conran and psychedelic lightshows for the Pink Floyd.

He was also responsible for the art direction of underground magazines Oz and Frendz and the masthead for rock weekly the NME, and is best known for a plethora of stunning record sleeves, logos, insignia and promo videos for musicians and performers, from counter-culture collective Hawkwind to new wave stars Elvis Costello, Ian Dury, Nick Lowe, Graham Parker, The Damned, Billy Bragg, Squeeze, Depeche Mode and The Specials.

Meticulously researched with 600 images, REASONS TO BE CHEERFUL is the first and definitive investigation into Bubbles’ life and work, with interviews and contributions from family and close friends, college pals and workmates as well as collaborators including pop artist Derek Boshier, author Michael Moorcock and photographer Brian Griffin.

Incorporating many previously unpublished images, REASONS TO BE CHEERFUL is also the only comprehensive collection of Bubbles’ output over a 30-year period: every important record sleeve, poster and advertisement as well as examples of his excursions into abstract portraiture, book design and furniture, supported by student sketchbooks, working drawings, film proposals and personal photographs and correspondence.

Singer-songwriter Billy Bragg has contributed the foreword, graphic designer Peter Saville an essay on the significance of Bubbles’ oeuvre and his contemporary Malcolm Garrett a personal memoir.

REASONS TO BE CHEERFUL is published on December 4 2008.

Trim size: 280mm x 230mm
Binding: Hardback
Pages: 224
Words: 55,000
Images: 600
RRP: £24.99

And while we’re on the subject, Barney Bubbles enthusiasts Rebecca & Mike left news on the original BB posting about a forthcoming exhibition of work by photographer Brian Griffin.

On show will be the newspaper ‘Y’, the books ‘Copyright 1978′ and ‘Power’, and associated posters, including the ‘coat hanger and scarf’ poster for Brian’s photo show in 1980. All of these (apart from ‘Power’) will be available to buy too (we think)… so, if you want to, you can bag yourself an early Christmas present (and help put some turkey on Brian’s table!)

Here’s the details: Brian Griffin, 15 November – 8 December 2008 , Monday – Saturday 11 – 6, at ‘England & Co.’, 216 Westbourne Grove, London W11 2RH.

The ‘Y’ newspaper’s got a real chunky red button on the cover (in a little plastic bag); symbolic of the nuclear button we-thinks, and there’s a great concentric circle graphic on the cover too, which is reminiscent of a few things, like the back of the not-used Dury ‘4000 Weeks Holiday’ LP sleeve design and also the front of the never released ‘Station BPR’ LP sleeve (which was due to be the second release on Billy Bragg’s ‘Utility’ label). There’s also an illustration in ‘Y’ by Nazar Ali Khan of ICU fame.

The ‘Copyright 1978′ booklet is cool too; with nearly every one of Brian’s photos in it being accompanied by thumbnail graphics by Barney, which contain cryptically encoded comments. The one that always sticks in our mind is the one that questions whether it is good or bad to receive awards for your work.

Previously on { feuilleton }
• Reasons To Be Cheerful, part 2
• Reasons To Be Cheerful: the Barney Bubbles revival
• Barney Bubbles: artist and designer

The faces of Parsifal

Parsifal by Jean Delville (1890).

Continuing the occasional series of posts examining the evolution of a particular design or image, this one begins with a mystical charcoal drawing by Belgian Symbolist, Jean Delville (1867–1953), our object of concern being that entranced or dreaming face.

My first encounter with Delville’s image wasn’t via the original but came with this Seventies’ version produced for a Charles Williams paperback cover by illustrator Jim Lamb. (And this copy is the only one I can find, reused on a recent audiobook of Williams’ novel. If anyone has a link to a larger copy of the paperback cover then please post it in the comments.) Yes, this is tenuous but when I eventually got to see Delville’s picture it made me think immediately of Lamb’s illustration. Many Dimensions is one of my favourite books by Williams and unusually for him it deals with Islamic rather than Christian mysticism; in that case if Lamb was borrowing from Parsifal then it’s a case of the right image for the wrong book.

Jim Lamb is another illustrator from this period who now works mainly as a landscape artist.

Continue reading “The faces of Parsifal”

Reasons To Be Cheerful, part 2

Four Hawkwind badges and a Nik Turner badge based on designs by Barney Bubbles. From the Coulthart archives.

Readers who’ve been waiting for Reasons To Be Cheerful, Paul Gorman‘s landmark study of the life and work of artist and designer Barney Bubbles, may like to know that Paul was in touch today with the suggestion that some pages of the book be previewed here closer to the release date on November 7th. I’d be more than happy for that, of course, so thought I’d mention it now in order to whet the appetite. As mentioned earlier, the book is published by Adelita and its launch will be accompanied by an exhibition at London Print Studio opening on October 23rd. Watch, as the saying goes, this space.

Also this week, Yvonne at Nemeton picked { feuilleton } as one of her nominations for the I Love Your Blog award. While I’m going to sidestep the difficult choice of having to pass the award on (which would require nominating a new group of people) I can at least add Nemeton—described as “musings on philosophy, politics, mysticism, geeky stuff, literature, news and ideas”—to the blogroll. Thanks Yvonne!

Previously on { feuilleton }
• Arte y pico award
• Reasons To Be Cheerful: the Barney Bubbles revival
• Barney Bubbles: artist and designer

Reasons To Be Cheerful: the Barney Bubbles revival

My long and rambling post about the work of Barney Bubbles in January 2007 generated a considerable flurry of renewed interest in the great designer and ended by saying “We’re overdue a decent book-length examination of his work and his influence.” Just over a year later, here we are…. Paul Gorman was one of the contributors to the lengthy comments thread and I’m really pleased to see him take up the challenge to bring Barney’s work to a wider and, one hopes, new audience. Reasons To Be Cheerful (title borrowed from an Ian Dury song) is scheduled to be published by Adelita in November 2008.

left: Doremi Fasol Latido by Hawkwind (1972).
right: Ian Dury & the Blockheads logo design (late 70s).

“He was so good I couldn’t have really competed with him.”
Sir Peter Blake

Reasons To Be Cheerful is a celebration of the life and work of one of the greatest designers of recent times: Barney Bubbles.

Bubbles—real name Colin Fulcher—was a giant of graphic design whose prodigious output is revered by musicians, artists, fellow designers and music and pop culture fans.

Reasons To Be Cheerful is published November 2008 to coincide with the 25th anniversary of the artist’s death. Author Paul Gorman is also curating a companion exhibition with Sir Paul Smith.

Barney Bubbles’ body of work included early posters for the Rolling Stones, brand and product design for Sir Terence Conran, psychedelic art with poster maestro Stanley Mouse, layouts for underground magazines OZ and Friends and collaborations with many bands and performers, from counter-culture collective Hawkwind to new wave stars Elvis Costello, Ian Dury, Nick Lowe, Graham Parker, The Damned and Billy Bragg.

Bubbles links the colourful underground optimism of the 60s to the sardonic and manipulative art which accompanied punk’s explosion from 1976 onwards, and influenced a generation of design talent including Neville Brody, Malcolm Garrett and Peter Saville.

The lavishly illustrated Reasons To Be Cheerful will contain hundreds of images and many full-colour plates.

About the Author
Paul Gorman is a popular culture historian and author of The Look: Adventures in Rock & Pop Fashion, and the top ten bestselling Straight with Boy George.

• Paul Gorman’s The Look: Adventures in Rock and Pop Fashion

Previously on { feuilleton }
• Barney Bubbles: artist and designer

New things for July

Motorway City by Hawkwind, Flicknife Records single (1983).

This month’s issue of Record Collector magazine has a feature about Hawkwind which featured my Motorway City sleeve among its illustrations. It was odd seeing this again, being a single it doesn’t turn up so often and it has the distinction of being one of the oldest of my works in print. Although the single was released in 1983, the drawing was done in 1980 (I was 18 at the time) and it ended up with Dave Brock somehow.

The A-side is taken from the Zones album, which sports one of my more successful cover illustrations for the band, and the song is a Ballardian eulogy to driving on motorways at night. Despite their reputation for being a bunch of spaced-out hippies, Hawkwind were frequently drawn to the harder side of things (Lemmy used to shout “Die! Die!” at their tripping audience and was proud of freaking people out), and this song isn’t even science fiction, despite my flat futuristic cityscape in the background. Before he finished with the band for good, singer Robert Calvert wrote two songs based on JG Ballard books, High Rise and the punk- and Crash-derived thrash piece Death Trap, both on the PXR5 album from 1979. Motorway City was written around the same time and it’s a shame it didn’t have Death Trap on the B-side instead of yet another version of Master of the Universe. My drawing was done as black on white but the record company smartly (for once) reversed out the design which I always felt made it look a lot better, as well as fitting more with the night-driving theme.

Also this month, I’m in the process of reworking the website a bit which means making more prints of artwork available. I’ve started with some of the Lovecraft pictures, which is always the most popular stuff but I’ll gradually be working through everything and setting up PayPal facilities for other items. Many pictures and designs can already be had as prints at CafePress but that system is best for t-shirts and other goods, it lacks the personal touch which people often want from a signed print.

Previously on { feuilleton }
• Hawkwind: They’re still feeling mean
• Barney Bubbles: artist and designer