Weekend links 178

bantjes.jpg

Pretty Pictures, a new book by designer Marian Bantjes, is out on October 1st.

• A writer admired by Angela Carter, Michael Moorcock, Harlan Ellison, Anthony Burgess, Jonathan Meades and Iain Sinclair; a “writer’s writer…[whose] best stories bear comparison with the Ficciones of Jorge Luis Borges”; a writer with an “unsettling quality to his writing, a whiff of brimstone that links him to fin-de-siècle occult figures such as HP Lovecraft—and even, at a further remove, Aleister Crowley”. David Collard explains why you may want to read something by Gerald Kersh (1911–1968), four of whose books are being republished.

• The Eccentronic Research Council and Maxine Peake pay homage to Delia Derbyshire’s The Dreams project with a new single out at the end of the month (Pye Corner Audio and Carol Morley appear on the flip). Ms Peake’s barm-cake reverie may be heard here.

• “Applying for grants, writing artist statements, showing up to openings—artists have to do far more than just make art if they want to find an audience for it.” Jen Graves on lies and deception in the art world.

The material does not make the work. The life does not make the art. Exactly the opposite. The work creates the material. The art creates the life. Did Trinidad exist before Naipaul? Did cargo ships exist before Joseph Conrad? Did Newark and the New Jersey suburbs exist before Philip Roth? Did women in playgrounds in New York City exist before Grace Paley? See how the writer invents the material? These places did not exist as literary subjects. They were invisible to literature. The magic of a great book is that it makes its own subject seem inevitable. The danger is, it makes the subject seem like the source of power in the work.

Phyllis Rose on life and literature.

• Mix of the week: Secret Thirteen Mix 087, 40 minutes of original electronic music by Geistform (Rafael Martinez Espinosa).

• “You’ve Got This“, an It Gets Better-style video support campaign for people recently diagnosed with HIV.

• At Dangerous Minds: Babalon Working: Brian Butler’s trippy occult odyssey with Paz de la Huerta.

Manfred Mohr‘s computer-created artwork, from the 1960s to the present.

Robert Macfarlane on the strange world of urban exploration.

Rick Poynor on Bohumil Stepan’s Family Album of Oddities.

• Oli Warwick talks to Martin Jenkins, aka Pye Corner Audio.

• The 384-page BUTT calendar for 2014 is now on sale.

• Pye Corner Audio: We Have Visitors (2010) | Toward Light (2011) | The Mirror Ball Cracked (2012)

Compass Road by Iain Sinclair

sinclair.jpg

I was hoping to get my delayed 2011 calendar launched today but other work needed completing so here’s an interim post.

Think of your journey through mortality as a sequence of valid movies and the pain is ameliorated. Forget the tedious 60-minute division of the lecture hall or dead television (quartered by adverts): arrange just enough markers for the 90-minute slots of Golden Age cinema. And then it’s only a question of nominating the eight guides, culture-figures who will dominate your thoughts (and reveries) for as long as you stay upright. The road is endless, you aren’t. Iain Sinclair

There may be a recession on but people still keep putting out the luxury goods; maybe the bankers are buying all this stuff with their unwarranted bonuses. Compass Road is a limited edition wristwatch from Mr Jones Watches, London, and sports a design commissioned from writer Iain Sinclair, a somewhat surprising choice given that these things are more usually farmed out to those individuals we have to call celebrities. Sinclair is too intelligent and interesting to be a mere celebrity and consequently designs a watch I’d probably buy if I had an excessive income. The watch middle and the hands are based on the British road signs designed by Margaret Calvert and Jock Kinneir while the typeface used for the compass points is Calvert and Kinneir’s Transport (below) which is also used across Britain’s road signs. For the destinations Sinclair has chosen eight writers with London associations: John Clare, Gerald Kersh, Bram Stoker, Joseph Conrad, William Blake, HG Wells, JG Ballard and Louis-Ferdinand Céline. The last seems an odd choice but he did work in London for a while.

transport.jpg

Sinclair’s design is a flexible enough to be applied to other literary cities which raises the question of which names you’d choose for Paris, say, or New York. And which signage systems? Subways or the local roads? Compass Road meanwhile can be yours for £145.