Strange cargo: things found in books

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The Secret Oral Teachings in Tibetan Buddhist Sects by Alexandra David-Neel & Lama Yongden, City Lights Books (1972).

One of the additional pleasures of buying old books besides finding something out-of-print (or, it has to be said, something cheap) occurs when those books still possess traces of their previous owners. A recent posting on The Other Andrew’s page concerned book inscriptions, something any book collector will be used to seeing. Less common are the objects which slip from the pages when you’ve returned home. There are several categories of these.

1: Bookmarks

I have a substantial collection of bookmarks proper, from embossed strips of leather to the more mundane pieces of card of the type that bookshops frequently give away. But I also make a habit of using odd inserts to mark a place as did the previous owners of these volumes. The City Lights book (above) came with a very fragile leaf inside it which may well be as old as the book. Another City Lights book I own, the Artaud Anthology from 1965, included a newspaper article about Artaud. Newspaper clipping inserts are discussed below.

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Gertrude Käsebier’s crystal gazer

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The Crystal Gazer (or The Magic Crystal, 1904).

The photographs of Gertrude Käsebier (1852–1934) seem to be popular with art directors; the picture above was used on the sleeve of the Spangle Maker EP by the Cocteau Twins in 1984 and her Silhouette of a Woman / A Maiden at Prayer (1899) appeared on the cover of the Nonesuch recording of Henryk Górecki’s Symphony no. 3 in 1991.

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The Spangle Maker by The Cocteau Twins (design by 23 Envelope).

Gertrude Käsebier at the Art of the Photogravure

Previously on { feuilleton }
Karl Blossfeldt
The Dawn of the Autochrome
Fred Holland Day
The Door in the Wall
Edward Steichen
Mark Twain and Nikola Tesla

Brandon Herman

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Ian with headphone.

Photographs by Brandon Herman at the David Gallery, Culver City, CA. The exhibition runs from September 8th–October 13th, 2007.

In BrandonHermanLand the subjects are absorbed in their own intensely private worlds, whether it be cleaning the pool, contemplating a baseball in bed, or skateboarding nude at night. Herman’s talent as a photographer lies in managing to get his subjects to bare their souls as well as their bodies to the viewer.

Via Towleroad.

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Untitled (Patrick swimming hole) (2006).

Olafur Eliasson’s BMW

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Your mobile expectations: BMW H2R project (2007).

A busy time for the artist this month with his design for BMW’s Art Car series (above) going on display for the first time in San Francisco. All the previous artists involved in this series have been content with merely painting on the body of the car. Eliasson’s creation is a considerable departure in that respect.

The new artwork was created on the hydrogen-powered H2R race car, after the artist replaced the body with a combination of steel mesh and reflective panels. The car was then sprayed with 530 gallons of water over the course of several days to create layers of ice.

It was constructed in situ at the San Francisco Museum of Modern Art, where it will remain in a display case with a special cooling unit from 8 September until 13 January next year, as part of the exhibition, Your Tempo: Olafur Eliasson.

According to BMW, the aim of this latest project was to transform an object of advanced industrial design into a work of art that reflects on the relationship between global warming and the car industry.

Continues here.

Gallery of photos

Previously on { feuilleton }
Olafur Eliasson’s Serpentine Pavilion
The London Oasis
New Olafur Eliasson
The art of Cai Guo-Qiang