Joe Orton Online

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Joe Orton by John Haynes.

Last April I wrote that pioneering gay playwright Joe Orton was poorly represented on the web, unaware at the time that an official Orton site was being planned. Now web designer Alison Forsythe has written to say that the site was launched yesterday on what would have been Orton’s 75th birthday.

Joe Orton Online is exactly the resource I’d been looking for, with detailed information about the writer and a wealth of biographical material, reminiscences from collaborators and enthusiasts and a collection of ephemera. It’s especially good to be able to see the library books which Orton and his partner Kenneth Halliwell defaced (I’d say improved) for their own amusement, and which led to them receiving short prison sentences for vandalism.

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Two of the defaced library books.

Also present are a number of manuscript extracts, including samples of his very early works, and some of the “Edna Welthorpe” letters, another Joe and Ken wheeze which adopted the persona of a priggish middle-aged woman to poke fun at the Welthorpes of the world by agreeing with their petty outrages.

For those impatient with the written word, there’s a fair amount of Orton-related material on YouTube, including what appears to be all of Prick Up Your Ears. (Buy the DVD you cheapskates!) Most fascinating and valuable for Ortonites is a section of a documentary about Kenneth Williams which discusses the actor’s association with Orton and features a rare TV appearance by the man himself.

Previously on { feuilleton }
• The lost boys: Brian Epstein, Joe Orton and Joe Meek
• Joe Orton

The art of Sadao Hasegawa, 1945–1999

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(No title) from Sadao Hasegawa 01 (1990).

It’s good to be able to finish the year with another artistic discovery. I’d not come across Sadao Hasegawa’s work before but this page has an extensive (complete?) selection of his paintings and drawings. This is gay erotica with a twist, being Japanese in origin yet incorporating figures and symbolism derived from Indian or Thai mythology, detailed psychotropic invention and the kind of angular motifs common in much illustration and design of the 1980s. A heady brew, in other words, and quite unique as a result, which makes it all the more tragic that he committed suicide in 1999. At least one of his books, Paradise Visions, is still available in Japan but a decent collection of his work for a western audience is obviously long overdue.

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Paradise Visions (1996).

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Hugh Ferriss and The Metropolis of Tomorrow

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Philosophy from The Metropolis of Tomorrow (1929).

I’ve procrastinated for an entire year over the idea of writing something about Hugh Ferriss and now this marvellous Flickr set has forced my hand. Ferriss (1889–1962) was a highly-regarded architectural renderer in the Twenties and Thirties, chiefly employed creating large drawings to show the clients of architects how their buildings would look when completed. But he was also an architectural theorist and his 1929 book, The Metropolis of Tomorrow, which lays out his ideas for cities of the future, was a major influence on the work I produced for the Lord Horror comics during the 1990s. Ferriss’s book appeared two years after Fritz Lang’s Metropolis but bears little resemblance to Lang’s simplistic tale, despite superficial similarities. Rather than a science fiction warning, The Metropolis of Tomorrow was a serious proposal for the creation of Art Deco-styled megacities.

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Lord Horror: Hard Core Horror #5 (1990).

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James Bond postage stamps

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Proving once again the centrality of James Bond to contemporary British identity, the Royal Mail releases these stamps on January 8th, 2008, the 100th anniversary of Ian Fleming’s birth. If a sexist state assassin seems an awkward choice of cultural ambassador, Alan Moore and Kevin O’Neill present a more iconoclastic view of the super spy in the Black Dossier, the latest volume in their unfolding history of the League of Extraordinary Gentlemen.

Good to see that the stamp designs above include the Pan paperback covers from 1963. (The other examples are the first editions from Jonathan Cape, the 2006 Penguin reprints and what appear to be a set of Seventies reissues.) A friend of mine at school had a collection of the Pan books and they remain my favourite Bond book designs, not least because they were some of the first book covers to strike me as being well-designed rather than well-illustrated. What the Flickr link doesn’t show is the die-cut holes in the Thunderball jacket which made the cover seem as though it was pierced by bullets, the kind of expensive production detail you rarely see on anything other than a bestseller.

And while we’re on the subject of Bond design, Daniel Kleinman’s superb Casino Royale title sequence is on YouTube.

Elsewhere on { feuilleton }
• The book covers archive

Previously on { feuilleton }
• Please Mr. Postman