Light in the west
| The return of Portishead.
Guido Reni’s Saint Sebastian
Saint Sebastian by Guido Reni (c. 1616).
The Agony and the Ecstasy is an exhibition at the Dulwich Picture Gallery, London, based around Guido Reni’s paintings of the martyr, six of which are on display.
This will be a once-in-a-lifetime opportunity to compare directly the six masterpieces which are coming from all over the world to join the St Sebastian owned by Dulwich Picture Gallery. The paintings are coming from New Zealand, South America, Madrid, Genoa and Rome.
The claim for masterpieces is stretching the truth when art experts apparently believe that only two of the martyr paintings credited to Reni are original—the Genoa picture above and the Dulwich’s own version—the rest being later copies. The Genoa version became a favourite of Oscar Wilde and it was a Sebastian by Guido Reni that also excited the illicit passion of the 12 year-old protagonist in Yukio Mishima’s novel Confessions of a Mask. Wilde used the name Sebastian when he went into exile in Paris but he never took his identification with the saint as far as Mishima who adopted the typical pose in the famous photo taken shortly before the writer’s suicide. Wilde had no need of borrowed martyrdoms, his own was more than enough.
Yukio Mishima (1970).
The Agony and the Ecstasy runs until 11 May 2008. For further images of Saint Sebastian, this site is as comprehensive as it gets.
Elsewhere on { feuilleton }
• The gay artists archive
Previously on { feuilleton }
• Dorian Gray revisited
• Beardsley’s Salomé
• The art of Takato Yamamoto
• Alla Nazimova’s Salomé
• Fred Holland Day
• The Poet and the Pope
• The Picture of Dorian Gray I & II
Arthur #28
It’s always a red letter day when a new issue of Arthur Magazine appears and this one is especially good, featuring a substantial history of the creation and influence of pulp villain Fantômas (for which I helped source some photos) and an interview with extraordinary singer and musician Diamanda Galás. Lots more besides and as always it’s FREE in the US & Canada. If your local record store or coffee house isn’t carrying it (or you’re outside North America) you can subscribe or download the PDFs.
Previously on { feuilleton }
• Another playlist for Halloween
• Judex, from Feuillade to Franju
• Fantômas
• A playlist for Halloween
William Heath Robinson’s illustrated Poe
Another gem from the Internet Archive collection of scans from North American libraries. This edition of the poems of Edgar Allan Poe from 1900 was illustrated by William Heath Robinson (1872–1944), an artist whose later drawings of quirky inventions have completely overshadowed his earlier books, as well as the work of his equally talented older brother, Charles. I’m probably in the minority in preferring Heath Robinson’s book illustration to his later works, and this edition of Poe is a superb example of his mastery of line and space. It can’t compete with Harry Clarke’s Poe, of course, but then neither can anything else. WHR wasn’t really suited to the darker side of literature but he acquits himself here far better than Arthur Rackham did when he attempted his own Poe collection in 1935.
• Bud Plant’s W Heath Robinson page
• W. Heath Robinson’s fairy tale illustrations
The Conqueror Worm.
Elsewhere on { feuilleton }
• The illustrators archive
Against the tide
Against the tide
| Jon Savage remembers Derek Jarman.