The art of Angelo Filomeno

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Venom (2003).

The work of Angelo Filomeno, an Italian artist based in New York, is just the kind of thing I like to see: insects, skulls and bones in a luscious presentation. The sculpture below is made of glass while the flat works are silk embroidery with crystals as part of the decoration. There’s a selection of the latter works here.

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Cold (detail) (2007).

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Incendiary Lovers (2005).

Previously on { feuilleton }
The skull beneath the skin
Vanitas paintings
Giant Skeleton and the Chocolate Jesus
Very Hungry God
History of the skull as symbol

Paul Newman, 1925–2008

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Paul Newman often said that his best films began with the letter H, among them The Hustler (1961) and Hud (1963). Two of the H films were directed by Martin Ritt, including my favourite, Hombre (1967), a tough and unsentimental western based on a novel by the tough and unsentimental Elmore Leonard. Hombre is one of the few decent American westerns of the Sixties, with a great script and a first class cast. Newman plays John Russell, a white man raised by Apaches who has to save a group of stagecoach passengers from Richard Boone’s murderous bandits. His performance is a study in emotionless determination, the polar opposite of his far more popular roles as Butch Cassidy and Cool Hand Luke. One of many memorable lines of dialogue comes when Diane Cilento’s character asks Russell why they should trust him to lead them to safety. “’Cause I can cut it, lady,” he says. Paul Newman could always cut it.

The Mindscape of Alan Moore: US edition

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Yes, it’s that film again. The feature-length documentary by DeZ Vylenz about the Northampton Magus receives its official US release through Disinformation on September 30th. I designed the packaging (the original EU inlay is shown above) and the DVD menus.

As I’ve said before, this is a great film—shot on film, not video—a revealing insight into Alan’s life and work. The set includes a bonus disc of interviews with Alan’s artist collaborators: his wife, Melinda Gebbie (Lost Girls), Dave Gibbons (Watchmen), David Lloyd (V for Vendetta), Kevin O’Neill (The League of Extraordinary Gentlemen) and José Villarubia (Promethea, The Mirror of Love); also an interview with comics historian Paul Gravett.

Big Shiny Robot interviewed director DeZ this week and there’s a trailer at the Shadowsnake Films site. The Mindscape of Alan Moore should be available from all the usual DVD retail outlets.

Previously on { feuilleton }
The Demon Regent Asmodeus
New things for June
Alan Moore in Arthur magazine
Watchmen
Alan Moore interview, 1988

Secret Lives of the Samurai

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Kiss of Death (2007).

From a series of marvellous homoerotic ink drawings by Kenya Shimizu. The artist seems to have no web presence at all, unfortunately, aside from three pages of work for sale at London’s Adonis Art Gallery. Most of the pictures there are hardcore images so if you don’t want to see any of that, don’t look. His paintings are as good as his drawings but I typically prefer the black and white work, especially since there’s a slight Beardsleyesque feel to some of them—or is it merely the Japanese line which Beardsley borrowed? Nice to see a variety of cum shots as well; the first drawing in the Samurai series, Release, is even a bukkake scene, something you rarely see in gay art.

Kenya Shimizu was born in Fukui Prefecture in Japan, 1976. Kenya Shimizu devoted himself early on to mastering the techniques of his art.  His homo-erotic fantasies (pen and ink) – very much in the Japanese erotic tradition – are brilliant compositions executed with panache and great skill.  His paintings on gold and silver leaf, are masterpieces of watercolour workmanship;  His watercolours of modern Japan – reveal and portray the present-day homo-erotic fantasies of the ‘salarymen’ and students of today’s Japan.

Within recent years, one of the leading Japanese practitioners of homo-erotic painting – Sadao Hasegawa – sadly died.  Now a worthy successor has come onto the scene.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
The art of Sadao Hasegawa, 1945–1999
The art of Takato Yamamoto
The art of ejaculation

Lovecraft in Los Angeles

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Frank H Woodward’s excellent documentary about the life and work of HP Lovecraft receives a screening in Los Angeles at Shriekfest 2008 on October 4th. As mentioned earlier, this is easily the best film to date about HPL and features several illustrations of mine.

Wyrd is proud to announce the
L.A. Premiere of the documentary
Lovecraft: Fear Of The Unknown

Presented by Shriekfest 2008

DATE:  Saturday, October 4th, 2008
TIME:  1:45 PM
PLACE:  Raleigh Studios, The Chaplin Theater
5300 Melrose Ave. Los Angeles, CA 90038

Producer William Janczewski will be in attendance!

Admission is $8. To purchase tickets, you can visit the Shriekfest 2008 site.

H.P. Lovecraft was the forefather of modern horror having created the Cthulhu mythos. LOVECRAFT is a chronicle of the life, work and mind behind these weird tales.

• narrated by Robin Atkin Downes
• music by Mars of Dead House Music
• associate producer Andrew Migliore
• produced by William Janczewski, James B. Myers & Frank H. Woodward
• written & directed by Frank H. Woodward

Previously on { feuilleton }
New things for July
The monstrous tome
New things for October