Weekend links 53

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Ancient Egyptian capitals from The Grammar of Ornament (1856) by Owen Jones at Egyptian Revival.

• Golden Age Comic Book Stories has been pulling out all the stops recently with entries for Will Bradley, Alphonse Mucha’s Documents Decoratifs (a companion volume to Combinaisons Ornementales), and pages from My Name is Paris (1987) illustrated by Michael Kaluta, an Art Nouveau-styled confection which features scenes from the Exposition Universelle of 1900. Related: Alphonse Mucha in high-resolution at Flickr.

The Sinking Of The Titanic by Gavin Bryars at Ubuweb, the first release on Brian Eno’s Obscure label in 1975. Bryars’ Titanic is an open composition which has subsequently been reworked and re-recorded as more information about the disaster has come to light. The accompanying piece on that album, Jesus’ Blood Never Failed Me Yet, is the only version you need unless you want Tom Waits ruining the whole thing in the later recording.

• Hayley Campbell claims to have the worst CV in the world but she has a better way with words than most people with bad CVs. She’ll be giving a talk with Tim Pilcher entitled Sex, Death, Hell & Superheroes at The Last Tuesday Society, 11 Mare Street, Bethnal Green, London, on April 8th. Just don’t shout “Xena!” if you attend.

Monolake live at the Dis-Patch Festival Belgrade, Serbia, 2007; 75 minutes of thumping grooves. Related: A video by Richard De Suza using Monolake’s Watching Clouds as the soundtrack.

• “I preached against homosexuality, but I was wrong.” Related: Gay Cliques, a chart, and Sashay shantay épée at Strange Flowers, the last (?) duel with swords fought in France.

• Mixtapes of the week: Electronica from John Foxx and Benge at The Quietus, and Ben Frost mashing up early Metallica, Krzysztof Penderecki, and late Talk Talk for FACT.

• A 40 gigpixel panorama of the Strahov Philosophical Library, Prague, described by 360 Cities as the world’s largest indoor photo.

How Hollywood Butchered Its Best Movie Posters; Steven Heller on Saul Bass.

• Back issues of Coilhouse magazine are now available to buy in PDF form.

Absinthe minded: The ruin of bohemians is back in all the best bars.

Fade Into You (1993) by Mazzy Star.

L’Hôtel, Paris

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The London broadsheets have been in a ferment for the past few days over a forthcoming exhibition at the V&A, The Cult of Beauty: The Aesthetic Movement 1860–1900 which opens on April 2nd. The Guardian‘s Jonathan Jones wrote a piece pointing out the French associations of the British Aesthetes in which he mentions the Hôtel d’Alsace at 13 Rue des Beaux-Arts, Paris, the place where Oscar Wilde spent his last few months in 1900 prior to expiring in room no. 16. By coincidence I’d been looking at my own photos of the hotel only the day before so here they are, little more than snapshots but they give an idea of the building at least.

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The hotel is now merely L’Hôtel, and I had a couple of surprises when I went to find the place the last time I was in Paris. The first is that the Rue des Beaux-Arts is some distance away from any main thoroughfares, although this perhaps isn’t so surprising given Wilde’s straitened circumstances. The second was seeing a plaque to Jorge Luis Borges (see below) on the wall opposite the one for Oscar Wilde with its incorrect year of birth. Borges had a lifelong fascination with Wilde, the first piece he had published was a translation into Spanish of The Happy Prince (and The Modern Word has a short essay by Borges about Wilde). I knew that Borges had stayed in the hotel (there’s a famous photo of him standing in the atrium) but didn’t expect his patronage to be commemorated in this way; once again, Paris has a respect for writers that puts many other cities to shame. Wilde is celebrated with two plaques—there’s another beside the door which can be seen here—but what these pictures don’t show is the atrium itself, a small space in the centre of the building which gives the hotel a distinction Wilde might have appreciated even if he would have preferred to spend his final hours in one of the more luxurious establishments.

There are more views of the narrow Rue des Beaux-Arts at Google Maps while the hotel has a website here.

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The Cliff House revisited

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Adolph Sutro’s Cliff House restaurant, San Francisco, has appeared here before but these are some additional photos of the improbable structure from the Library of Congress archives, including a picture of the fire that destroyed the building in 1907. As noted in the earlier post, Blue Öyster Cult aficionados may recognise the house from the cover of the group’s 1988 album, Imaginos.

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Previously on { feuilleton }
Adolph Sutro’s Gingerbread Palace

Gothic details

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Gargoyles, Notre Dame de Paris.

These aren’t all as old as they look, the gargoyles are part of Viollet-le-Duc’s 19th century restoration of Notre Dame, but the sepia tone makes them seem complementary. There’s a lot more at the Andrew White Architectural Photographs Collection at Luna Commons.

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Wrought iron torch holder or horse tether from the Strozzi Palace by Benedetto da Maiano.

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Flying buttresses, Reims Cathedral.

Previously on { feuilleton }
Schloss Falkenstein
Pite’s West End folly
Viollet-le-Duc

The Ursulines’ winter garden

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Another winter garden, this addition to the Institute of the Ursulines, a Catholic school in Onze-Lieve-Vrouw-Waver, Belgium, is a lot smaller than previous examples but is celebrated for its beautiful Art Nouveau-styled stained glass canopy. The winter garden was added to the main building in 1900 and—surprisingly—no one seems to know who the architect was. The photo above is by Eddy Van 3000 from Wikimedia Commons, while the one below is from the same photographer’s Flickr set showing many other views of a building which is only open to the public one day a year.

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Previously on { feuilleton }
Hothouse panoramas
Ludwig’s Winter Garden
The Schönbrunn Palm House
The Royal Greenhouses of Laeken