New things for July

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In Spaces Between from The Great Old Ones (1999).

Some noteworthy pieces of news as the month draws to a rain-sodden and dismal conclusion.

• Frank Woodward was in touch this week to let me know that his excellent HP Lovecraft documentary, Lovecraft: Fear of the Unknown, will at last be appearing on DVD in October. This is a feature-length appraisal of Lovecraft’s life, work and influence, and includes contributions from Neil Gaiman, John Carpenter, Guillermo Del Toro, Caitlin R Kiernan, Peter Straub, Ramsey Campbell and Lovecraft scholar ST Joshi. A number of my artworks are included throughout and they’ll probably also be featured in a gallery section on the disc. The film was shot in HD so it’s being released on Blu-ray as well as regular DVD.

• Also Lovecraft-related, and also due out shortly, is DM Mitchell’s follow-up to the landmark Starry Wisdom anthology of Lovecraft-inspired texts and graphics. That volume was acclaimed in some quarters and condemned in others; I don’t doubt that this new work, Songs of the Black Wurm Gism, will manage the same. Contributors include David Britton, Grant Morrison and yours truly. The cover is Alan Moore’s splendid portrait of Asmodeus.

• Last but not least, Paul Schütze was also in touch this week with news that two more audio works have been added to his online catalogue. Soundworks 01 is his atmospherics created with with Andrew Hulme from the recent TV drama series Red Riding, while Tokyo/Osaka Live is two pieces of improvisation with Simon Hopkins. Both releases are available through iTunes.

Science fiction and fantasy covers

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Two samples from a great Flickr set of science fiction and fantasy paperback covers. Both these titles were first published in 1976 and, unlike many Flickr postings, this set gives credit to the cover artists where known. The Moorcock book is one of his Elric volumes and while it isn’t a favourite of mine, the painting by Michael Whelan certainly is. Whelan produced several Elric covers in the 1970s of which this is easily the most successful, and one of the few works by any artist after Jim Cawthorn to capture the weird inhumanity of the Melnibonéan.

The Ellison collection, on the other hand is one of his finest, with a wraparound cover by the author’s favourite artists Leo & Diane Dillon. Just last week I completed the interior design for Tachyon’s forthcoming The Very Best of Fantasy & Science Fiction which included among a host of great stories The Deathbird by Harlan Ellison, a remarkable piece of writing and one of the best pieces in the entire book. That’s now gone off to the printer so I’ll be posting samples of the pages here shortly.

Elsewhere on { feuilleton }
The book covers archive
The illustrators archive

Previously on { feuilleton }
Groovy book covers
Jim Cawthorn, 1929–2008
Harlan Ellison: Dreams with Sharp Teeth
Revenant volumes: Bob Haberfield, New Worlds and others

Layered Orders: Crowley’s Thoth Deck and the Tarot

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left: The Magus from the Thoth Tarot by Frieda Harris and Aleister Crowley (1938–1940?); right: The Magus from The Major Arcana by John Coulthart (2006).

Phantasmaphile presents another magickal art event in NYC next week. Layered Orders: Crowley’s Thoth Deck and the Tarot is described as “a personal narrative by Jesse Bransford”, an artist with a very distinctive approach to traditional occult symbolism. Bransford’s talk will focus on the peerless Thoth Tarot deck which Frieda Harris painted over several years under the careful direction of Aleister Crowley. The Thoth deck for me is still the ultimate Tarot deck. Crowley and Harris sought to create a Tarot for the 20th century, throwing out much of its tired and degraded iconography. This they replaced with dramatic interpretations which brought new layers of symbolism to the cards—including references to contemporary science—and also acknowledged the developments of Cubism and Futurism in the visual sphere. Tarot decks have proliferated since the 1960s but the Thoth deck has few (if any) rivals. I made use of Crowley’s controversial reordering and renaming of the cards in 2006 when I produced my set of Major Arcana designs based on international symbol signs.

The Tarot in general and Aleister Crowley’s Thoth Tarot in particular represent a miasmic confluence of image and thought into a single structure that is both liberating and overwhelming in its scope. In creating the deck, Crowley (in collaboration with painter Lady Frieda Harris) sought to integrate the mythological structures of the major mystical systems of both Western and Eastern occult traditions and to bring them into line with contemporary scientific thinking. The symbolism of the cards blends Kabbalah, Alchemy, Astrology, Egyptian mythology, quantum physics and even the I-Ching in ways that are at the same time clear and utterly confounding.

In an image-soaked personal narration Bransford, whose research-based artwork has delved into many of the territories Crowley sought to unify, will discuss some of the basic concepts of Tarot symbolism, returning to Crowley’s deck as among the most total example of the cards’ syncretism and as the most controversial.

Layered Orders: Crowley’s Thoth Deck and the Tarot takes place at Observatory, 543 Union Street, Brooklyn, NYC on Friday, July 17 at 7:30pm. Admission is free and there are further details at the Observatory website and Phantasmaphile.

Previously on { feuilleton }
Fata Morgana: The New Female Fantasists
Aleister Crowley on vinyl
The Man We Want to Hang by Kenneth Anger
The art of Cameron, 1922–1995

Real Unreal: Best American Fantasy 3

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Another work update and another cover for Underland Press, this being the third volume in the Best American Fantasy series. The picture is based on a description from Jeffrey Ford’s story although I don’t know how accurate this may be since I only had a précis to go on, not the story itself; I hope Mr Ford will forgive the necessary artistic licence. The book will be published in January 2010.

Medicine Road by Charles de Lint

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The second of my book designs for Tachyon Publications is published this month and it was good to receive a copy in the same week as getting a load of new CDs. Medicine Road is a contemporary fantasy of shape-shifting and shamanic magic set in the American South West. This job was particularly pleasurable for being illustrated by Charles Vess, celebrated among other things for his many collaborations with Neil Gaiman, including Stardust. I embellished the opening pages with designs based on Native American petroglyphs, a couple of which are from the tribes mentioned in the text.

Laurel and Bess Dillard are charismatic bluegrass musicians enjoying the success of their first Southwestern tour. But the Dillard girls know that magical adventures are always at hand. Upon meeting two mysterious strangers at a gig, the red-headed twins are drawn into a age-old, mystical wager along the Medicine Road.

One day, seeing a red dog chasing a jackalope, Coyote Woman gave them human forms. They became Jim Changing Dog and Alice Corn Hair. In return, both of them must find true love within a hundred years or their “five-fingered” forms will be forfeit. Alice has found her soul mate, but trickster Jim is unwilling to settle down — until he sets eyes upon free-spirited Bess Dillard.

Yet time is running out for the red dog and the jackalope. In just two weeks they will journey to their reckoning at the Medicine Wheel. Meanwhile, a motorcycle-riding seductress and a vengeful rattlesnake woman are eager to meddle, and Bess and Laurel, caught in a web of love and lies, must find their own paths into the spirit world.

Next up from Tachyon will be a book by Kage Baker. More about that later.

Previously on { feuilleton }
The Best of Michael Moorcock