Illustrating Poe #3: Harry Clarke

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And so to the master. Harry Clarke’s illustrated edition of Tales of Mystery and Imagination was published by Harrap in 1919, with a new edition following in 1923 that featured an additional series of colour plates. I can’t imagine anyone ever producing a better illustrated version of Poe than Clarke managed, the morbid quality which some complain about in his work is perfectly suited to that most morbid of writers. So too are Clarke’s haunted and neurasthenic figures, and the many decorative details which provide an analogue to the author’s distinctive prose style. The first four drawings which follow repeat the earlier order of the Beardsley illustrations; an unfair comparison, perhaps, since the subject matter didn’t suit Aubrey’s temperament, but a comparison shows how differently the same stories might be illustrated, and how much Clarke brings the macabre elements to the fore.

There’s no need to post a large selection this time when quality scans have already appeared at A Journey Round My Skull and Golden Age Comic Book Stories. These drawings really do need to be seen showing all their fine detail.

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The Black Cat: “I had walled the monster up within the tomb!”

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The Murders in the Rue Morgue: “Gnashing its teeth, and flashing fire from its eyes, it flew upon the body of the girl.”

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Alan Moore: Tisser l’invisible

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Arriving in the post this week was Alan Moore: Tisser l’invisible from French imprint Les Moutons Électriques. The book is a substantial collection of appreciative texts and analyses of work by the Northampton Ipsissimus edited by Julien Bétan, and, as the title would imply, is in French throughout. A couple of the pieces are reprints which I presume are receiving their first translation here. Michael Moorcock’s Homage to Cornucopia first appeared in Alan Moore: Portrait of an Extraordinary Gentleman and is also reprinted in Moorcock’s Into the Media Web which I designed and Savoy Books published earlier this year.

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Best thing for me about the French collection is seeing some of my Moore-related work printed in colour as a mini gallery at the front of the book. There are two of the poster designs for the Moon & Serpent CDs, The Highbury Working (above) and Angel Passage, and also my 1999 portrait of Promethea and the Kabbalistic Underground map which I created as a design of my own and Alan subsequently incorporated into the Promethea comic series.

And speaking of Mister Moore, issue 6 of Dodgem Logic is now on sale sporting a cover which can either be interpreted as a gloomy Halloween design or a faithful depiction of the nation’s slough of despond; you decide.

Previously on { feuilleton }
Into the Media Web by Michael Moorcock
Watchmen
Alan Moore interview, 1988

Weekend links 34

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Halloween in Austin, Texas this year will look and sound like this.

• “Blade Runner will prove invincible“: Philip K Dick’s letter of praise to the film’s producers. Related: one of the Blade Runner designers, Syd Mead, has recently styled New York’s Bar Basque and Foodparc.

• “I decided to go into fields where mathematicians would never go because the problems were badly stated…I have played a strange role that none of my students dare to take.” RIP Benoît Mandelbrot.

Science and poetry: “a richly vexed topic badly in need of rethinking”. Related: Why the Singularity isn’t going to happen.

• In case you missed this week’s earlier announcement, a reminder that I was interviewed at Coilhouse. My vanity: it knows no bounds.

• Franklin Booth’s illustrations for The Flying Islands of the Night (1913) by James Whitcomb Riley.

On the Verge (1950) by Maurice Sandoz, illustrated by Salvador Dalí. Also this and this.

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Bowie Sphinx, 1969. Photo by Brian Ward.

The Laughing Gnostic: David Bowie and the Occult.

• “Moonlighting as a Conjurer of Chemicals“: Isaac Newton’s alchemical interests.

• “A sense of otherness that goes right back“: Alan Garner at Alderley Edge.

Jimmy’s End—Alan Moore’s new feature film and spin-off TV series.

A Guide to the New Ruins of Great Britain by Owen Hatherley.

• The It Gets Better Project now has a dedicated website.

Quicksand (1971) by David Bowie.

Pavomania

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Colour me Mr Popular as I’m interviewed once again, the venue on this occasion being Coilhouse which is a fine place to be featured. My thanks to S. Elizabeth for the indulgence. In the course of our discussion I mentioned The Peacock Obsession, and by coincidence these pages have been receiving links recently from Peacock’s Garden, a site devoted to that ubiquitous fowl. These two pieces can be found there with the Vogue cover being a new one to me. The artist is the great J. Allen St John, better known for his Edgar Rice Burroughs illustrations and distinctive title designs; Golden Age Comic Book Stories has many examples of his work.

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This splendid Art Nouveau poster is by Gisbert Combaz (1869–1941) and those who’ve seen my Dodgem Logic cover may recognise the peacock whose outline I rather shamelessly swiped. Combaz’s poster turns up regularly in Art Nouveau histories but his other work is less visible which is a shame, he has a very bold graphic style and I’d love to see more. Lastly, I’ve linked to this before but it’s worth mentioning again, Seasons of the Peacock at Animalarium which also has Combaz’s poster.

Previously on { feuilleton }
The Art Nouveau dance goes on forever
Dodgem Logic #4

Circadian by Jack Sparrow

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I’m still (still!) playing catch-up posting all the things I’ve been working on this year. Here’s one of the more high-profile releases in the music sphere, Jack Sparrow‘s debut album, Circadian, which is unleashed this week on the Tectonic label. This is another dubstep production and I don’t have to try and describe the music this time when you can hear a stream of it at FACT.

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Vinyl sleeve.

Design-wise, this is another release in CD and vinyl editions, and like all the work I’ve done for Tectonic it comes wrapped in Liz Eve’s wonderful photos. The pictures this time are some kind of industrial detritus which she’s turned into abstract landscapes. The vinyl was a three-disc set and the way the labels have turned out is probably my favourite part of this particular job.

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Vinyl labels.

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
New work: Two forms of darkness
The Thorns of Love by Antoni Maiovvi
New music and design
Plates: Volume 2
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