Zones on wheels

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Zones (1983).

My thanks to Nigel Day for sending me the following photos of the rear end of a Lambretta scooter that he was recently asked to decorate with art based on my cover for Zones by Hawkwind. He’s done a marvellous job, and even improved a little on the colour gradations behind the hawk’s head which in my painting don’t evolve as smoothly as they should. Nigel trades under the name Harry’s Hotrod Shop; there’s a website here as well as pages under the same name at Facebook, Instagram and TikTok.

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As I’ve no doubt said before, the Zones sleeve is one of the few Hawkwind covers I don’t feel abjectly embarrassed by. The album was released in October 1983, and was my second cover for Hawkwind, following an album released the month before whose terrible artwork was something I sent to Dave Brock that I never intended to have used anywhere. The Zones art was something I’d created on spec the year before, shortly after what would have been my cover for the Church Of Hawkwind album was forced onto the album’s lyric book by an art director at RCA who hated the material he’d been given to work with. This wasn’t the only unpleasant incident from the group’s short tenure at RCA. Zones was released on Flicknife Records, an independent label that proved to be a much better home for the band.

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A rare Japanese vinyl release.

The album itself is a pretty good collection of live recordings from 1980 to 1982, with highlights that include a Michael Moorcock song, Running Through The Backbrain, with Moorcock himself on vocal. This was an exclusive piece until the entire concert (Lewisham, 1980) was released as part of the Levitation box set in 2009. Zones also contains several songs featuring Nik Turner, from the brief period when he returned to the group he’d been expelled from in 1976. And there’s also another live version of Motorway City, a song that first appeared on the Live Seventy Nine album. Having always liked Motorway City I was pleased when the Zones version was released as a single that used another spec piece of mine as the cover art (see this post).

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And a picture-disc.

As I said in the post about the single artwork, I was 18 when I did that drawing. I was only 20 when I painted the Zones cover. Imagine something you’d created when you were 20 years old continually turning up again decades later. It’s gratifying, of course, but it can also be disconcerting. People seem to like it anyway, which is more than can be said for some of my other album covers. The weather here is finally getting warmer; prepare for the summer with a Zones T-shirt!

Previously on { feuilleton }
Space is one trip: the Hawkwind takes off
New Wave Strangeness: Hawkwind’s Calvert years
Twinkle, twinkle little stars
Motorway cities
Reality you can rely on
Silver machines
Notes from the Underground
Hawkwind: Days of the Underground
The Chronicle of the Cursed Sleeve
Rock shirts
The Cosmic Grill
Void City
Hawk things
The Sonic Assassins
Barney Bubbles: artist and designer

Weekend links 819

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Godzilla vs. Mothra (1992), poster art by Noriyoshi Ohrai.

• At Wormwoodiana: Douglas A. Anderson on the first English translation of The Luminous Fairies and Mothra, a multi-author serial that formed the basis for Ishirō Honda’s film about the giant moth.

• At the Library of Congress: “Lost 19th century film by Méliès discovered at the Library“. 45 seconds of Gugusse and the Automaton (1897).

• At Public Domain Review: The Blinkered Flâneur: Walking with Franz Hessel in 1920s Berlin by Paul Sullivan.

• At Juno Daily: Kevin Richard Martin lists ten albums that shaped his Sub Zero album.

• New music: And All The Clocks Ran Dry by Andreas Voelk & Scott Monteith.

• “Behold Belgium’s beauty in these 15 scenic photographs.”

A Spoon and Tamago Guide to Tohoku.

• The Strange World of…Shane Parish.

• At Dennis Cooper’s: Occults.

• RIP Éliane Radigue.

Mothra’s Song (1961) by Yuji Koseki | Mothra (1984) by Frank Chickens | Mothra (2014) by The 5.6.7.8’s

In A Silent Way

In A Silent Way (1969) by Miles Davis

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In A Silent Way (YT)

In a Silent Way was assembled from various takes from a three-hour session on February 18, 1969, at CBS 30th Street Studio’s Studio B in Manhattan. “Shhh / Peaceful” was composed solely by Davis, while the opening and closing section to “In a Silent Way / It’s About That Time” is based on [Joe] Zawinul’s “In a Silent Way”, which he would record in its original form in 1970 for his third solo album, Zawinul (1971). After Zawinul presented the tune to the group, it was rehearsed as it was originally written, but Davis wished for it to sound more rock-oriented and stripped the various chord changes to leave a more basic melody built around a pedal point. [John] McLaughlin had some difficulty playing in the manner Davis wished of him, but found his way after the trumpeter suggested he play the guitar as if he were a novice. Davis believed that Zawinul was never happy with his adaptation of “In a Silent Way”, but felt that the album would have been less successful had its original arrangement been kept. Zawinul had expressed some dislike of Davis’ arrangement, in particular of two chords that he believed that Davis was wrong to remove. Zawinul claimed that he was responsible for the melodic bass line and descending melody of “It’s About That Time” but was not credited; he blamed [Teo] Macero for this, as he “always put things together so that it came out as if Miles had written it.” (more)


Zawinul (1971) by Joe Zawinul

In A Silent Way (YT)


Celebration (1972) by El Chicano

In A Silent Way (YT)


Live At The Montreux Jazz Festival (1972) by Roy Ayers Ubiquity

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In A Silent Way (Should really be titled It’s About That Time since Ayers is playing the second part of the Davis piece) (YT)


Filmore – The Last Days (1972) by Various Artists

In A Silent Way by Santana (YT)


Double Exposure (1975) by Nat Adderley

In A Silent Way (YT)


Concerto Retitled (1976) by Joe Zawinul

In A Silent Way (YT)


Babel (1978) by Max

D’Una Manera Silenciosa (YT)


Continue reading “In A Silent Way”

Weekend links 818

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The Bookworm (no date) by Arthur Paunzen.

• New Cabaret Voltaire: Nag Nag Nag (Live 2025 Single Edit). Good to hear they’ve reinstated the Patrick Moore dialogue sample, something that’s on the studio version but usually missing from live recordings. The single is a trailer for a forthcoming album based on the group’s recent anniversary tour.

The Mysterious Castle in the Carpathians (1981), a wacky Czech comedy, one of many directed by Oldřich Lipský. With a story by Jules Verne, music by Luboš Fišer, and steampunk props by Jan Švankmajer.

• More new music: Butch’s Guns by Sunn O))); Sidings by Craven Faults; Frequencies In The Fog by Rod Modell.

What strikes me most is the difference between people who’ve learned to construct what I call “containers for attention”—bounded spaces and practices where different modes of engagement become possible—and those who haven’t. The distinction isn’t about intelligence or discipline. It’s about environmental architecture. Some people have learned to watch documentaries with a notebook, listen to podcasts during walks when their minds can wander productively, read physical books in deliberately quiet spaces with phones left behind. They’re not rejecting technology. They’re choreographing it.

What we think is a decline in literacy is a design problem, says librarian Carlo Iacono

• At Colossal: “Striking photos by Peter Li capture the soaring majesty of sacred spaces.”

• At Public Domain Review: The Eight Horses of King Mu, Son of Heaven (ca. 1300).

• At the BFI: Brogan Morris selects 10 great political thrillers.

• At Dennis Cooper’s: Roland Topor’s Brain.

• RIP Robert Duvall and Tom Noonan.

The Book Lovers (1997) by Broadcast | Tiny Golden Books (2000) by Coil | Library Of Solomon Book 2 (2011) by Demdike Stare

Weekend links 817

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The Silken World of Michelangelo (1967) by Eduardo Paolozzi.

• “By the late 19th century, representing time as a line was not just widespread—it was natural. Like today, it would have been hard to imagine how else we could represent time. And this affected how people understood the world.” Emily Thomas on the evolution of our thinking about the nature of time.

• At Green Arrow Radio: Bill Laswell and the Cosmic Trip, in which the indefatigable performer/producer talks about his career and Cosmic Trip, a new album by saxophonist Sam Morrison.

• At Public Domain Review: Snail Homes, Bog Bodies, and Mechanical Flies: Robert Testard’s Illustrations for Les secretz de l’histoire naturelle (ca. 1485).

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: Continental Op Stories by Dashiell Hammett.

• The winter catalogue of lots for the After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn, etc.

• New music: The Third Mind. A Sonic Tribute to the Dreamachine by Various Artists.

• Mix of the week: DreamScenes – February 2026 at Ambientblog.

A Conversation with Tarotplane by AJ Kaufmann.

• RIP Bud Cort.

Timewhys (1971) by Tonto’s Expanding Head Band | Time Be Time (1990) by Ginger Baker | Time Scale (2009) by Belbury Poly