Weekend links 1

penguin_red

• Two covers from a new range of Penguin reprints for the AIDS awareness fund (RED), all of which are based around quotes from the books in question. Non-Format‘s stylised extract concerns the blazing red of the Count’s eyes while Coralie Bickford-Smith plays some Tom Phillips games with the text of The Secret Agent. The random circles no doubt relate to those which the doomed Stevie Verloc occupies his time in drawing. More at Caustic Cover Critic.

Artspeak? It’s complicated. Jon Canter at The Guardian makes a blazingly obvious point which few in the art world would ever admit: that the specious pronouncements of many galleries and contemporary artists are the worst kind of bullshit.

• I helped judge the Ballardian/Savoy Microfiction competition whose winners were announced last week.

• Designer Jonathan Barnbrook enjoys Neu! and Wendy Carlos.

Nuit Blanche, a short film by Spy Films.

Elsewhere on { feuilleton }
The book covers archive

Snowbound cinema

uk_snow.jpg

A satellite view of snow across Great Britain on January 7, 2010.

Walking the snow-laden streets this week felt like a considerable novelty when we rarely have snowfalls of any depth here and what there is never lasts much longer than a day. The current low temperatures which began just before Christmas may be inducing a national trauma but the genuinely wintery weather makes a change from the dreary weeks of rain and cold which usually prevail until April.

Whilst trudging through the crusted ice I found myself remembering favourite films which make the most of winter landscapes. Here’s a short list to follow the earlier winter-themed posts.

McCabe & Mrs Miller (1971)
Several Westerns before this one had featured winter scenes but I think Robert Altman’s was the first to be set at the height of winter in a snowbound town. Memorable for Vilmos Zsigmond’s photography, Leonard Cohen’s lugubrious songs, Warren Beatty’s doomed businessman stomping around wrapped in furs muttering “Pain, pain, pain!”, and the finale when he’s hunted down by a trio of assassins.

The Shining (1980)
Has anyone not seen this film? Despite the artificial snow, Kubrick’s direction and John Alcott’s photography communicate authentic chills, both meteorological and metaphysical.

timberline.jpg

Yes, it’s a genuine Christmas postcard from Oregon’s Timberline Lodge which became the model for Kubrick’s Overlook Hotel. Writer Tom Veitch sent me this some years ago.

The Thing (1982)
John Carpenter’s grisly Antarctic horror is the film I still find to be his best. Like his earlier Assault on Precinct 13, this is another siege situation borrowed from Howard Hawks only this time the enemy is within. Until someone films At the Mountains of Madness, this is the closest you’ll get to Lovecraft’s polar nightmares.

Runaway Train (1985)
Few people know this: escaped convicts Jon Voight and Eric Roberts find themselves on the titular train with rail worker Rebecca De Mornay, and it’s a long ride through frozen landscapes as they try to escape the law and the train itself before it crashes. Andrei Konchalovsky directs a story by Akira Kurosawa rewritten by Edward Bunker (who has a cameo) and others. The result is a strange blend of hardboiled drama and existential symbolism with a great score by Trevor Jones.

Fargo (1996)
One of the Coen Brothers’ best. Watching this again over Christmas along with many of their other films, it was amusing to see Steve Buscemi transform from Fargo‘s vicious and splenetic kidnapper to the mild-mannered character he plays in The Big Lebowski. Despite the statement at the beginning of the film, Fargo isn’t a true story but its existence became tangled with some curious real-life events.?

Update: I was reminded on Twitter about Altman’s bizarre future Ice Age drama, Quintet, which I should have mentioned above. Not as successful as the earlier film but its setting certainly suits the weather.

Previously on { feuilleton }
Bruegel in winter
Winter panoramas
Winter music
Winter light
Kubrick shirts
At the Mountains of Madness
Images by Robert Altman

New projects and new interview

kosher.jpg

The final post of an exceptionally productive year arrives with 2010 already shaping up to be just as busy and stimulating work-wise. In 2009 I designed at least 12 books (or was it 13? I’ve lost count…), 8 or 9 book covers, several CDs and many one-off commissions, as well as producing that calendar. If the precise details are vague it’s because the year has passed in something of a blur.

A number of the books I’ve been working on have yet to be published, among them The Kosher Guide to Imaginary Animals by Ann & Jeff VanderMeer which will be appearing soon from Tachyon. This is a small hardback whose humorous nature should be self-explanatory but if you need further details, Jeff can tell you more. And one of the major tasks of next year will be work for another VanderProject, The Thackery T Lambshead Cabinet of Curiosities, a sequel to the acclaimed Thackery T Lambshead Pocket Guide to Eccentric and Discredited Diseases. The new anthology will be a HarperCollins title due for publication in 2011; once again, Jeff has further details.

Finally, the good people at Innsmouth Free Press talked to me recently and their interview is now posted. Given the nature of the site, the discussion mostly concerns matters Lovecraftian but I also talk a little about how I ended up doing all this stuff in the first place. And if you read to the end you’ll discover which Lovecraft character I’d prefer to be. I decided to stick with the human cast; choosing from among the Great Old Ones seems far too presumptuous, even for an inflated ego like mine.