{gay} – Page 187 – { feuilleton }

The recurrent pose 12

It wouldn’t surprise me if there are more examples of the fashion world borrowing the Flandrin pose but this is the only one I’ve seen so far, part of a 1998 art-inspired photo series by Mario Sorrenti for Yves Saint-Laurent. There don’t seem to be any larger copies available, unfortunately.

Elsewhere on { feuilleton }
• The recurrent pose archive

Previously on { feuilleton }
• Last Suppers and last straws
• The last circle of the Inferno

Joe Orton Online

Joe Orton by John Haynes.

Last April I wrote that pioneering gay playwright Joe Orton was poorly represented on the web, unaware at the time that an official Orton site was being planned. Now web designer Alison Forsythe has written to say that the site was launched yesterday on what would have been Orton’s 75th birthday.

Joe Orton Online is exactly the resource I’d been looking for, with detailed information about the writer and a wealth of biographical material, reminiscences from collaborators and enthusiasts and a collection of ephemera. It’s especially good to be able to see the library books which Orton and his partner Kenneth Halliwell defaced (I’d say improved) for their own amusement, and which led to them receiving short prison sentences for vandalism.

Two of the defaced library books.

Also present are a number of manuscript extracts, including samples of his very early works, and some of the “Edna Welthorpe” letters, another Joe and Ken wheeze which adopted the persona of a priggish middle-aged woman to poke fun at the Welthorpes of the world by agreeing with their petty outrages.

For those impatient with the written word, there’s a fair amount of Orton-related material on YouTube, including what appears to be all of Prick Up Your Ears. (Buy the DVD you cheapskates!) Most fascinating and valuable for Ortonites is a section of a documentary about Kenneth Williams which discusses the actor’s association with Orton and features a rare TV appearance by the man himself.

Previously on { feuilleton }
• The lost boys: Brian Epstein, Joe Orton and Joe Meek
• Joe Orton

The art of Sadao Hasegawa, 1945–1999

(No title) from Sadao Hasegawa 01 (1990).

It’s good to be able to finish the year with another artistic discovery. I’d not come across Sadao Hasegawa’s work before but this page has an extensive (complete?) selection of his paintings and drawings. This is gay erotica with a twist, being Japanese in origin yet incorporating figures and symbolism derived from Indian or Thai mythology, detailed psychotropic invention and the kind of angular motifs common in much illustration and design of the 1980s. A heady brew, in other words, and quite unique as a result, which makes it all the more tragic that he committed suicide in 1999. At least one of his books, Paradise Visions, is still available in Japan but a decent collection of his work for a western audience is obviously long overdue.