A journal by artist and designer John Coulthart.
Design
Kwaidan: Stories and Studies of Strange Things (1904), a book by Lafcadio Hearn retelling Japanese ghost stories. Later an incredible film by Masaki Kobayashi and a drawing by Vania Zouravliov.
Kwaidan (aka Kaidan; 1964).
Kwaidan by Vania Zouravliov (no date).
• Kwaidan, Stories and Studies of Strange Things by Lafcadio Hearn with an introduction by Oscar Lewis (1932).
Previously on { feuilleton }
• The art of Bertha Lum, 1869–1954
• The Boy Who Drew Cats
• The art of Takato Yamamoto
Salome (1918).
You can’t keep a bad girl down… Attempting to gather all the painted representations of Salomé would be a foolish enterprise, there are far too many especially when you reach the 19th century, an age whose misogyny found an ideal expression in the emasculating temptress. Searching through 20th century adaptations yields some interesting works, however.
Theda Bara’s film pre-dates the more flamboyant Nazimova version by five years, and since I haven’t seen it I’ve no idea how it holds up today. But from the look of the stills and posters it seems far closer to the usual historical fare than the stylised version which followed.
top left: Power by Edward McKnight Kauffer; top right: Speed Underground by Alan Rogers
bottom left: Which? by Maurice Beck; bottom right: St Paul’s Cathedral by Robert Sargent Austin
A small sample of the many great posters commissioned by London Transport during the last century, part of the collection at the London Transport Museum. These are all from the 1930s. The design and iconography of London’s Underground system has occupied much of my attention this year due to a substantial book project; more about that later. Meanwhile, Jonathan Glancey was asking earlier this week whether the expansion of the Underground system means the end of Harry Beck’s classic and much-imitated map design.
Previously on { feuilleton }
• Battersea Power Station
• The Mentor
• The art of Cassandre, 1901–1968
It was the slightly gamy residue of the super-elegant and exotic pictures of Aubrey Beardsley. I have always considered the 1900 period as the psycho-analytical end-product of the Greco-Roman Decadence. I said to myself: Since these people will not hear of aesthetics and are capable of becoming excited only over “vital agitations”, I shall show them how in the tiniest ornamental detail of an object of 1900 there is more mystery, more poetry, more eroticism, more madness, perversity, torment, pathos, grandeur and biological depth than in their innumerable stock of ugly fetishes, possessing bodies and souls of a stupidity that is simply and uniquely savage!
Salvador Dalí, The Secret Life of Salvador Dalí (1942).
More from Paris, whereupon it becomes necessary to ask: how much more groovy could this poster be? And the answer is none. None more groovy. Art Nouveau Revival 1900 • 1933 • 1966 • 1974 is an exhibition running at the Musée d’Orsay, Paris, which traces the echoes of Art Nouveau through Surrealism into the revival of the 1960s.
Poster by Albert Angus Turbayne for Macmillan’s illustrated Standard Novels (1903).
Rejected and scorned in the decades following its brief flowering, Art Nouveau was spectacularly rehabilitated in the 1960s. This re-evaluation offers a particularly interesting interlude in the history of style in that many different areas were affected at the same time by this phenomenon: the history of art, the art market, contemporary creative work, particularly design and graphics.
There’s further detail here, along with photos of some of the exhibits. Verner Panton’s Visiona II makes another appearance and in addition to Dalí and company there’s the magic word “psychedelic”. The exhibition runs until February 4, 2010, and there’s a catalogue co-written by the V&A’s fin de siècle expert Stephen Calloway which I’m going to have to buy. Via.
Previously on { feuilleton }
• Beardsley at the V&A
• Michael English, 1941–2009
• Temples for Future Religions by François Garas
• Antonin Mercié’s David
• Art Nouveau illustration
• Dirty Dalí
• Verner Panton’s Visiona II
• Flowers of Love