Groovy book covers

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top left: Leo & Diane Dillon (1969); top right: Tom Huffman (1968).
bottom left: Gray Morrow & Henry Berkowitz (1967); bottom right: no credit.

Great examples of typically florid Sixties’ cover design at Font of all Wisdom – Unique lettering in design, a Flickr pool. The masterful Leo & Diane Dillon illustrated many of Harlan Ellison’s books, inside and out.

Elsewhere on { feuilleton }
The book covers archive

Previously on { feuilleton }
Harlan Ellison: Dreams with Sharp Teeth

Skull cameras

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Third Eye Camera.

Two camera artworks by Wayne Martin Belger, aka Boy of Blue.

Yama is made from Aluminium, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies (The one at Yama’s third eye was $5000.00), Asian and American Turquoise, Sand, Blood, and 9 Opals inlayed in the Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw.

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Yama (Tibetan Skull Camera).

Previously on { feuilleton }
The skull beneath the skin
Darwin Day
Vanitas paintings
Giant Skeleton and the Chocolate Jesus
Very Hungry God
History of the skull as symbol

Kitchen insects

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Speculative designs for kitchen utensils by artist and designer Sayaka Yamamoto.

Previously on { feuilleton }
Elizabeth Goluch’s precious metal insects
Kelly McCallum’s insect art
Thomas Paul’s sealife
Laura Zindel’s ceramics
The art of Jo Whaley
The art of Philippe Wolfers, 1858–1929
Lalique’s dragonflies
Lucien Gaillard
Insect Lab

Finch

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A new book cover design which I’m posting slightly ahead of time—it still needs a suitable blurb adding—since Jeff VanderMeer was eager to show it to his readers. You can see it bigger size here.

Finch is the third book in Jeff’s cycle of unique fantasy novels and stories about the city of Ambergris. This book shifts emphasis from the previous ones with a tone borrowed from crime/thriller fiction (but still set in the fungus- and squid-infested city) hence the gun outline and blood spatters. I keep being drawn back to Ambergris, having provided designs for the first volume, City of Saints and Madmen, and recently designed a new edition of Shriek: An Afterword.

Publisher: Underland Press, October 31, 2009, trade paper

Description: A noir thriller/visionary fantasy set in the failed state of Ambergris, 100 years after Shriek: An Afterword. The gray caps, mysterious underground inhabitants, have re-conquered Ambergris and put the city under martial law, disbanding House Hoegbotton, and controlling the human inhabitants with strange addictive drugs, internment in camps, and random acts of terror. The rebel resistance is scattered, and the gray caps are using human labor to build two strange towers. Against this backdrop, John Finch, who lives alone with a cat and a lizard, must solve an impossible double murder for his gray cap masters while trying to make contact with the rebels.

Nothing is as it seems as Finch and his disintegrating partner Wyte negotiate their way through a landscape of spies, rebels, and deception. Trapped by his job and the city, Finch is about to come face to face with a series of mysteries that will change him and Ambergris forever.

The cat and the lizard watch intently. Something is about to happen. And they both want to know: who is Finch, really?

Previously on { feuilleton }
Steampunk Horror Shortcuts
A cover for Mr. VanderMeer
Pasticheur’s Addiction
Fungal observations
Shriek: The Movie
Jeff on Bldgblog
An announcement redux
City of Saints and Madmen

Bugger Boy

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I think we’d guess the content even without the illustration. I love the phallic arch; no doubt if this was a Gothic style it would be Perpendickular (ouch!). From a collection of gay pulp novels at Homobilia. In a similar fashion there’s a page of book covers at Miss Magnolia Thunderpussy’s Flickr collection which I see is now discontinued following copyright warnings from the Yahoo! watchdogs. Bugger Flickr, say I. Finally, let’s not forget the splendid Gay on the Range.

Elsewhere on { feuilleton }
The book covers archive

Previously on { feuilleton }
Phallic worship
Gay book covers