Remembering Arthurfest

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The Arthur table. Free mags!

Arthurfest is an as-yet unreleased feature-length documentary by Lance Bangs which captured the two-day music festival of that name in Barnsdall Art Park, Los Angeles. The festival took place ten years ago to the day, and was the first such event organised by the sorely missed Arthur magazine. I was fortunate to witness some of the stunning performances on the park’s tree-bedecked plateau overlooking East Hollywood. Bangs’ cameras were hard to miss at the time—I even photographed one of them—but I’ve never seen any of the footage of the event until the appearance of a teaser which has been posted in advance of a tenth anniversary screening this weekend at Cinefamily, Los Angeles. This is tantalising stuff for the way the cameras bring the bands so much closer than they were when viewed at crowd level. There was also a lot happening each day on three different stages, one of which was indoors in the park’s Gallery Theatre, so it was impossible to see everything. Earth and Sunn O))) played inside the theatre but I missed both their shows as a result of a vampire-like reluctance to queue for a seat in the merciless sunlight. (I did get to drink Jack Daniel’s with the Sunn O))) guys, however…) Fingers crossed that Bangs’ film gets a proper release soon so the rest of us can see it. Meanwhile, here’s a few of my photos of the event…

Update: Arthur‘s Jay Babcock alerts me to footage of the late Jack Rose at the Arthurfest. Also at Lance Bangs’ channel there’s some of the performance by The Juan MacLean. Thanks, Jay!

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The main stage.

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Towers

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The building from street level.

Since returning from Providence I’ve found the imposing bulk of the Industrial Trust Building increasingly occupying my thoughts. It doesn’t take much to get me fixating on a particular building, especially if it’s big and old and sufficiently distinctive in its styling. The Industrial Trust Building fulfils these criteria with the added bonus of being mentioned in HP Lovecraft’s The Haunter of the Dark. Photos of the place as it is today are numerous, but you can also find some older views which show the building as it was before being crowded by more recent structures. There’s also a very detailed photo showing the lantern/beacon design which is covered in bas reliefs, and seems to sport an air-raid siren.

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An ad from a page with a number of views from the building’s earliest days. I was hoping that favourite architectural renderer Hugh Ferriss might have produced a drawing but Ferriss tended to work on more grandiose projects for companies in New York and elsewhere.

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An undated postcard.

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Two prints from a screen print series by Ian Gilpin Cozzens.

Previously on { feuilleton }
The Metropolis of Tomorrow by Hugh Ferriss

Views of Providence

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Presenting the best of the architectural shots from the Providence trip. Regular readers will know how much I enjoy an arcade so it was a thrill that the public headquarters of NecronomiCon—Lovecraft Arts & Sciences— was located in the oldest arcade in the United States.

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Weekend links 272

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No Passing (1954) by Kay Sage.

• More Lovecraftiana: She Walks In Shadows, an illustrated all-woman Lovecraftian anthology, will be published in October. Related: “The octopus genome and the evolution of cephalopod neural and morphological novelties“, a study that’s been filtering through the press as “Do octopuses have alien DNA?”

• “The right to ‘subject each others’ fundamental beliefs to criticism’ is the bedrock of an open, diverse society,” says Kenan Malik in his TB Davie Memorial Lecture.

Sunn O))) with Attila Csihar at the Berlin Heimathafen. Related: Here’s what you missed at Sunn O)))’s sold out Berlin gig.

Caillois is fascinated by these “beveled buildings,” truly abundant in the Fifteenth, along with an unusually high incidence of blind walls, false façades, and merely ornamental windows, each beloved of his phantoms. In the parts of the arrondissement developed during the postwar period, Caillois’s attention is drawn instead to the ventilator shafts and drainage grates that dot the streets. These structures, built to clear away rainwater or aerate underground garages, have a secret function, according to him. Noting their uncanny similarity to some of the settings in the Weird Tales of HP Lovecraft, he speculates that they may have been constructed to provide the entry points for an extraterrestrial invasion of our planet.

Ryan Ruby on Roger Callois and the phantoms of the Fifteenth Arrondissement

• “I’m really into big moments,” says Julia Holter whose new album, Have You In My Wilderness, is released next month.

Adrian Utley talks to Peter Zinovieff, co-inventor of the EMS synthesizer. Related: What the Future Sounded Like.

• “Tarkovsky’s Solaris is the anti-2001: A Space Odyssey,” says Marissa Visci.

• Mix of the week: Gizehcast #17 by Rutger Zuydervelt.

Modernist architecture on film.

Thaumaturgy at Tumblr

The Call of Ktulu (1984) by Metallica | Cthulhu Dawn (2000) by Cradle of Filth | Cthulhu: A Cryo Chamber Collaboration (2014) by Various Artists

A Cabinet of Curiosities

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When I still had a television I used to enjoy Lucinda Lambton’s films for the BBC, and this one—a short history of the British Wunderkammer—was a particular favourite. Lambton’s films cover similar ground to those of Jonathan Meades but with a lighter touch, and free of Meades’ often relentless pontification. This episode of 40 Minutes, first broadcast in 1987, includes some unusual architecture—a Lambton speciality—but concentrates for the most part on seeking out a few surviving examples of the ad hoc museums hidden away in country houses. Among the more notable features there’s Walter Potter’s taxidermy diorama, The Death and Burial of Cock Robin, and the full 40-minute programme showed the incredible Bowes Swan automaton in action. The copy of the film at YouTube is missing the last 10 minutes so the swan is absent although it’s easily seen elsewhere.

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Previously on { feuilleton }
The Thackery T. Lambshead Cabinet of Curiosities
The specimens of Alex CF
Walmor Corrêa’s Memento Mori
The art of Ron Pippin
Custom creatures
Jan Švankmajer: The Complete Short Films
Cryptozoology
The Bowes Swan
The Museum of Fantastic Specimens