The art of Henri Privat-Livemont, 1861–1936

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left: Absinthe Robette (1896); right: Bitter Oriental (1897).

Henri Privat-Livemont, a Belgian artist and one of the best of the post-Mucha Art Nouveau stylists. I’ve featured his Absinthe Robette poster before but am including it again since it’s my favourite of the ones I’ve seen. All of these are from the Art of the Poster 1880–1918 collection at Lawrence University whose copies can be explored in extreme close-up.

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Biscuits & Chocolat Delacre (1896).

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Le Masque Anarchiste (1897).

Previously on { feuilleton }
Absinthe girls

Vision Quest

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Artwork: Accepting Fear Rather Than Trying to Understand It by Jason Leinwand.

Pam at Phantasmaphile follows last year’s Fata Morgana: The New Female Fantasists show by curating a new exhibition, Vision Quest, at Observatory, Brooklyn, NYC later this month:

…each piece in VISION QUEST explores the archetype of the shamanic voyage, using the tools of paint, pencil, or paper in lieu of fire, flower, feather.  Taken together this work represents a full spectrum of what it means to go underground and out of body; to go there and come back again, perhaps just a little bit wiser or, at the very least, more wide awake.

PARTICIPATING ARTISTS
Jesse Bransford • William Crump • Scott Gursky • Juliet Jacobsen • Ashley Lande • Adela Leibowitz • Jason Leinwand • Christopher Mir • Joe Newton • Herbert Pfostl • Christopher Reiger • Christine Shields • Erika Somogyi • Jessie Rose Vala

More details at Phantasmaphile. Meanwhile, a reminder that the similarly-themed Strange Attractor Salon opens this week at Viktor Wynd Fine Art, London. It’s looking like I’ll be too busy to attend the opening as the world crawls back to work after the holiday season but many of the other featured artists should be there on Thursday night if you happen to be in the East End.

Previously on { feuilleton }
Strange Attractor Salon
Fata Morgana: The New Female Fantasists

Sabre-rattling

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Further additions to the Men with swords archive courtesy of The Other Andrew. The model is one Peter Gordon who appeared with his brother, Sandy, in physique sessions photographed by “Spartan” in the 1950s. I don’t know whether these shots came from VMP originally but that site has the same pictures and many more, and is a great source of information about a clandestine era.

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Elsewhere on { feuilleton }
The men with swords archive