Illuminated ice

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The International Ice and Snow Sculpture Festival at Harbin in north-east China excels itself this year with its illuminated ice sculptures. Some of these creations are so elaborate they must spend months planning them. The Boston Globe’s Big Picture has a page of incredible photos and a film report of the event.

Previously on { feuilleton }
Lumiere at Durham
Tetragram for Enlargement
Eno’s Luminous Opera House panorama
The art of Rune Guneriussen
Lightmark
Exotic France in Harbin
Giant Lantern Festival
Maximum Silence by Giancarlo Neri
Volume at the V&A

Joseph Cavalieri’s stained glass

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The Good Ship Ménage À Trois (2008).

New York artist Joseph Cavalieri‘s stained glass work using Simpsons characters received a flurry of blogospheric attention recently. Of more interest for me is his gay-themed panels like the one above which show a different approach to the medium from that taken by Diego Tolomelli.

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Gormenghast (2009).

And since I happen to be re-reading Mervyn Peake’s Gormenghast trilogy at the moment, this panel was especially noteworthy. See the full piece here.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Mervyn Peake at Maison d’Ailleurs
Harry Clarke’s stained glass
IKO stained glass

Snowbound cinema

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A satellite view of snow across Great Britain on January 7, 2010.

Walking the snow-laden streets this week felt like a considerable novelty when we rarely have snowfalls of any depth here and what there is never lasts much longer than a day. The current low temperatures which began just before Christmas may be inducing a national trauma but the genuinely wintery weather makes a change from the dreary weeks of rain and cold which usually prevail until April.

Whilst trudging through the crusted ice I found myself remembering favourite films which make the most of winter landscapes. Here’s a short list to follow the earlier winter-themed posts.

McCabe & Mrs Miller (1971)
Several Westerns before this one had featured winter scenes but I think Robert Altman’s was the first to be set at the height of winter in a snowbound town. Memorable for Vilmos Zsigmond’s photography, Leonard Cohen’s lugubrious songs, Warren Beatty’s doomed businessman stomping around wrapped in furs muttering “Pain, pain, pain!”, and the finale when he’s hunted down by a trio of assassins.

The Shining (1980)
Has anyone not seen this film? Despite the artificial snow, Kubrick’s direction and John Alcott’s photography communicate authentic chills, both meteorological and metaphysical.

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Yes, it’s a genuine Christmas postcard from Oregon’s Timberline Lodge which became the model for Kubrick’s Overlook Hotel. Writer Tom Veitch sent me this some years ago.

The Thing (1982)
John Carpenter’s grisly Antarctic horror is the film I still find to be his best. Like his earlier Assault on Precinct 13, this is another siege situation borrowed from Howard Hawks only this time the enemy is within. Until someone films At the Mountains of Madness, this is the closest you’ll get to Lovecraft’s polar nightmares.

Runaway Train (1985)
Few people know this: escaped convicts Jon Voight and Eric Roberts find themselves on the titular train with rail worker Rebecca De Mornay, and it’s a long ride through frozen landscapes as they try to escape the law and the train itself before it crashes. Andrei Konchalovsky directs a story by Akira Kurosawa rewritten by Edward Bunker (who has a cameo) and others. The result is a strange blend of hardboiled drama and existential symbolism with a great score by Trevor Jones.

Fargo (1996)
One of the Coen Brothers’ best. Watching this again over Christmas along with many of their other films, it was amusing to see Steve Buscemi transform from Fargo‘s vicious and splenetic kidnapper to the mild-mannered character he plays in The Big Lebowski. Despite the statement at the beginning of the film, Fargo isn’t a true story but its existence became tangled with some curious real-life events.?

Update: I was reminded on Twitter about Altman’s bizarre future Ice Age drama, Quintet, which I should have mentioned above. Not as successful as the earlier film but its setting certainly suits the weather.

Previously on { feuilleton }
Bruegel in winter
Winter panoramas
Winter music
Winter light
Kubrick shirts
At the Mountains of Madness
Images by Robert Altman

More science fiction covers

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These science fiction cover galleries are becoming so ubiquitous it hardly seems worth cataloguing a new discovery. However… This pair are from the George Kelley Paperback and Pulp Fiction Collection at the University of Buffalo Libraries:

The UB Libraries’ George Kelley Paperback and Pulp Fiction Collection includes over 30,000 pulp fiction books and magazines. A selection of cover art images, representing more than 500 crime fiction and science fiction volumes found in the Kelley Collection, is featured in UBdigit. Colorful and dynamic, the cover art highlights a variety of artistic themes and imagery, reflecting the social and cultural trends of the period in which these covers were created. (More.)

The documentation is rather scant, unfortunately, but I recognised the Driftglass cover as being by Bob Pepper while the Brian N Ball (who he?) cover is a splendid piece of work by Kelly Freas which can be seen at a larger size and free of type here.

Elsewhere on { feuilleton }
The book covers archive
The illustrators archive

Previously on { feuilleton }
The art of Bob Pepper

The Art of Fontana Modern Masters

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Design by John Constable, painting by Oliver Bevan (1971).

James Pardey was in touch again this week with news of his a book cover site which follows his earlier (and justly praised) Art of Penguin Science Fiction. The new site The Art of Fontana Modern Masters presents the abstract cover designs for Fontana’s collection of pocket-sized introductions to notable writers, philosophers and scientists. My own copy of the Joyce volume from the initial run of the series is shown above. A note on the back cover states that Oliver Bevan’s painting is part of a single work arranged across ten books which “can be rearranged to form a variety of patterns”. In a pitch to some presumed “collect-the-set” mentality among intellectuals, this idea was continued on later books in the series and James’s site gives an idea of how the covers might be arranged. Until I saw all these covers together I hadn’t realised how impressive the series looks. As with the Penguin site there’s copious information about the production and evolution of the designs.

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If that’s not enough, James has a short essay about the series at Eye magazine and HarperCollins (who bought out Fontana) are producing a fine art print of the entire run of covers as shown above. For more details about that, go here.

Elsewhere on { feuilleton }
The book covers archive

Previously on { feuilleton }
Penguin science fiction