Passage 11

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Ed Jansen writes to let me know that the latest edition of his web magazine, Passage, is now online. Once again, most of the features listed below are in Dutch but that doesn’t exclude all visitors here. David Britton has been recommending Jonathan Littell’s The Kindly Ones to me so I guess I’ll be reading that soon.

• Sylvia Plath, a biography.
• Ingrid Jonker, poet from South-Africa, essay on her life and work.
• Jack Kerouac & William Burroughs, a review of And The Hippos Were Boiled In Their Tanks.
• William Burroughs in Texas, a review of Rob Johnson’s, The Lost Years of William S. Burroughs.
• Aleister Crowley, an article about Crowley’s possible involvement with the Secret Service.
• Rudolf Hess, double agent? A view on his flight to Britain.
• Jonathan Littell, an in-depth review of his work The Kindly Ones. War as hallucination.
• Enrique Marty & Maurizio Cattelan, a review of the work from two conceptual artists.

Previously on { feuilleton }
Passage 10

The art of Ralf Paschke

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left: Safe n Sane; right: Larky.

A pair of paintings by German artist Ralf Paschke whose speciality—if it wasn’t already obvious—is male bondage. I’m fascinated by the single-mindedness at work here, some of the leather close-ups verge on the abstract. Vigorous and unsentimental stuff.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Bad Behaviour

Tunnel 228

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Lightning & Kinglyface’s paper forest; photo by Jeff Moore.

Tunnel 228 is a collaboration between Kevin Spacey in his position as artistic director of the Old Vic Theatre, and experimental theatre company Punchdrunk staging an art installation/performance work in tunnels beneath Waterloo, London. Mention of the magic word “Metropolis” (in its Fritz Lang context) caught my attention, the network of tunnels being filled in part by the sounds of clanking machinery. Visitors get to explore the paper forest shown above and may also see:

…tiny models of people in hidden nooks…a gilded statue of two fighting angels…spooky dummies of masked workers by artist Mark Jenkins, and bizarre still scenes, including a woman slumped over a melting table, by Polly Morgan.

The show runs from May 8th for fifteen days and is free but already seems to be fully booked going by the frustrated comments on this page. The rest of us will have to be intrigued by photos and hope that events such as this inspire artists and theatre groups elsewhere.

Tunnel vision of underground art | Guardian feature.

Previously on { feuilleton }
Polly Morgan, fine art taxidermist
Metropolis posters