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If you believe in freedom of speech, you believe in freedom of speech for views you don’t like. Goebbels was in favour of freedom of speech for views he liked. So was Stalin. If you’re in favour of freedom of speech, that means you’re in favour of freedom of speech precisely for views you despise. […]

Listening to Joy Division over the weekend prompted another of those idle speculations that are immediately answered these days (so to speak…) by a few seconds of web searching. While Atmosphere was playing I’d remembered a conversation with a friend about the identity of the painting of a cowled figure that appears on the original […]

Savoy • Savoy • Savoy: The first wave of book covers pinned to the Beardsley wallpaper of the Deansgate office. I often feel I’m in a minority in never having been desperate to see my work in a gallery. We are, after all, living in the Age of Mechanical Reproduction (thanks, Walter), and the idea […]

Why Do The Heathen Rage? (2014) by The Soft Pink Truth. Cover art by Mavado Charon. Drew Daniel’s latest release as The Soft Pink Truth is Why Do The Heathen Rage?, a witty electronic riposte to the often reactionary attitudes of black metal music and the people who create it. (The album is dedicated to […]

RIP Steve Moore. We never met, unfortunately, but I was very pleased he asked me to create a cover for his unique occult novel, Somnium, in 2011. Prior to this we’d been connected by shared acquaintances, colleagues, and membership in the informal cabal that was (and maybe still is) The Moon & Serpent Grand Egyptian […]

If it’s a surprise to see Cockney geezer Phil Daniels masquerading as the erudite (and non-Cockney) Thomas De Quincey in The Art of Tripping, it’s even more of a surprise to see Hugh Grant in wig and hippy gear as Richard Neville in this 1991 dramatisation of the obscenity trial against Neville’s Oz magazine. Grant […]

There’s been a resurgence of interest recently in Afrofuturism (see this recent newspaper article, and this site), not before time when the term has been around since 1993. The concept itself goes back a long way, at least as far as the remarkable body of work produced by Sun Ra (1914–1993) whose vast discography dates […]

I was working on this book throughout the autumn, and it could hardly be more different to some of the visual extravagance that came before and after. Eduardo Paolozzi at New Worlds is published by Savoy Books this month. Predominantly an examination by David Brittain (no relation to David Britton) of the connections between artists […]

The Outsider (1956), 1963 edition; The Occult (1971), 1973 edition. The cover of the 1973 UK paperback of Colin Wilson‘s mammoth overview of occultism can still be offered as a pinnacle of hyperbole. The book itself is a very serious and informative study but its success set Wilson on a path as a writer about […]

This is a piece of promotional art I’ve done for The Weird: Fugitive Fictions/Hybrid Genres, a two-day event taking place in London next month at the Horse Hospital and the Institute of English Studies, University of London. Organiser Tim Jarvis asked me to contribute an unspecified something; I suggested a poster but that idea proved […]

Cover of Eye no. 86 vol. 22, 2013, a type special. Detail from 1970s Letratone brochure, overprinted by character from the Marsh stencil alphabet. The new edition of Eye magazine includes my essay on the evolution and aesthetics of steampunk. In the same issue Rick Poynor’s feature on the prints of Eduardo Paolozzi mentions a […]

The latest post at Strange Flowers reminded me of some work of mine that appeared earlier this month which I can finally mention. Fenella Fielding reads Colette is another of those long-gestating recordings from Savoy’s audio division which has been released at last after a lengthy hiatus. This is a double-disc CD set of Fenella’s […]

Keith Seward’s Horror Panegyric was a concise examination of David Britton’s multimedia Lord Horror project which Savoy Books published in 2007. I designed the book, the cover of which was my Arcimboldo pastiche of Lord Horror’s profile which appeared on the cover of issue 3 of Reverbstorm. The Supervert site which hosts an online copy […]

At long last, the news that many people have been waiting for: the Reverbstorm book is now on sale at Savoy. From the hyperbolic press release: “Surfin’ bird Bbbbbbbbbbrbrbrbrbrb…awawawawawawawaaaaaah! A-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-ooma-mow-mow Papa-oom-mow-mow!” The Trashmen, Surfin’ Bird Welcome to the nightmare metropolis of Torenbürgen, where New York’s Art Deco architecture has fused with the termination machinery of […]

Thanks to Callum for pointing the way to a beautiful set of playing cards designed by Picart le Doux. • Of cigars and pedants by Houman Barekat, in which Vladimir Nabokov has a problem with Henry James. Tangentially related: Post-Punk’s Nabokov: Howard Devoto and Magazine, live from Berlin, 1980. (Given A Song From Under The […]

A couple of months ago I was starting to wonder whether I’d ever see this book printed, the production process became so tortuously drawn out. But Reverbstorm is finally in print and looking exactly the way I intended with black boards, black endpapers and black ink on the page edges. The latter proved to be […]

Male sexuality receives more than enough attention on these pages so here’s something from the opposite end of the spectrum, albeit with an unusual twist. Hysterical Literature: Session One is a seven-minute video by photographer Clayton Cubitt which shows just how enthralling a film can be when its content is nothing more remarkable than an […]

The Pastel City (New English Library, 1971). Illustration by Bruce Pennington. There are writers’ writers, of course, and M. John Harrison is one of those. He moves elegantly, passionately, from genre to genre, his prose lucent and wise, his stories published as sf or as fantasy, as horror or as mainstream fiction. […] His prose […]

John Calder edition (1979). Design by Brian Paine incorporating a glyph of Ah Pook from the Dresden Codex. It would have been tempting to write “Ah Pook is finally here” but that’s not quite the case. Artist Malcolm McNeill sent Savoy Books the following preview images last week. What was originally going to be the […]

Reverbstorm: 1994–2012. Art, intellectual pursuits, the development of the natural sciences, many branches of scholarship flourished in close spacial, temporal proximity to massacre and the death camps. It is the structure and meaning of that proximity that must be looked at. […] But there is a [...] danger. Not only is the relevant material vast […]