This is a piece of promotional art I’ve done for The Weird: Fugitive Fictions/Hybrid Genres, a two-day event taking place in London next month at the Horse Hospital and the Institute of English Studies, University of London. Organiser Tim Jarvis asked me to contribute an unspecified something; I suggested a poster but that idea proved […]
Cover of Eye no. 86 vol. 22, 2013, a type special. Detail from 1970s Letratone brochure, overprinted by character from the Marsh stencil alphabet. The new edition of Eye magazine includes my essay on the evolution and aesthetics of steampunk. In the same issue Rick Poynor’s feature on the prints of Eduardo Paolozzi mentions a […]
The latest post at Strange Flowers reminded me of some work of mine that appeared earlier this month which I can finally mention. Fenella Fielding reads Colette is another of those long-gestating recordings from Savoy’s audio division which has been released at last after a lengthy hiatus. This is a double-disc CD set of Fenella’s […]
Keith Seward’s Horror Panegyric was a concise examination of David Britton’s multimedia Lord Horror project which Savoy Books published in 2007. I designed the book, the cover of which was my Arcimboldo pastiche of Lord Horror’s profile which appeared on the cover of issue 3 of Reverbstorm. The Supervert site which hosts an online copy […]
At long last, the news that many people have been waiting for: the Reverbstorm book is now on sale at Savoy. From the hyperbolic press release: “Surfin’ bird Bbbbbbbbbbrbrbrbrbrb…awawawawawawawaaaaaah! A-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-ooma-mow-mow Papa-oom-mow-mow!” The Trashmen, Surfin’ Bird Welcome to the nightmare metropolis of Torenbürgen, where New York’s Art Deco architecture has fused with the termination machinery of […]
Thanks to Callum for pointing the way to a beautiful set of playing cards designed by Picart le Doux. • Of cigars and pedants by Houman Barekat, in which Vladimir Nabokov has a problem with Henry James. Tangentially related: Post-Punk’s Nabokov: Howard Devoto and Magazine, live from Berlin, 1980. (Given A Song From Under The […]
A couple of months ago I was starting to wonder whether I’d ever see this book printed, the production process became so tortuously drawn out. But Reverbstorm is finally in print and looking exactly the way I intended with black boards, black endpapers and black ink on the page edges. The latter proved to be […]
Male sexuality receives more than enough attention on these pages so here’s something from the opposite end of the spectrum, albeit with an unusual twist. Hysterical Literature: Session One is a seven-minute video by photographer Clayton Cubitt which shows just how enthralling a film can be when its content is nothing more remarkable than an […]
The Pastel City (New English Library, 1971). Illustration by Bruce Pennington. There are writers’ writers, of course, and M. John Harrison is one of those. He moves elegantly, passionately, from genre to genre, his prose lucent and wise, his stories published as sf or as fantasy, as horror or as mainstream fiction. […] His prose […]
John Calder edition (1979). Design by Brian Paine incorporating a glyph of Ah Pook from the Dresden Codex. It would have been tempting to write “Ah Pook is finally here” but that’s not quite the case. Artist Malcolm McNeill sent Savoy Books the following preview images last week. What was originally going to be the […]
Reverbstorm: 1994–2012. Art, intellectual pursuits, the development of the natural sciences, many branches of scholarship flourished in close spacial, temporal proximity to massacre and the death camps. It is the structure and meaning of that proximity that must be looked at. […] But there is a [...] danger. Not only is the relevant material vast […]
Undertakers. From Punch magazine (undated). I started trying to draw like Ronald Searle when I was about eight. So there was Jabberwocky and Ronald Searle I was turning into by the time I was thirteen. You know, I was determined to be Lewis Carroll (giggles) with a hint of Ronald Searle. John Lennon, 1968 Does […]
The Very Best of Charles de Lint. Art by Charles Vess. Over the weekend I found the time to finally update the book design section of the site, adding new pages for most of the titles I’ve been working on recently. There’s still a couple of things missing but I’ll add those in due course. […]
Arriving in the post this week was Alan Moore: Tisser l’invisible from French imprint Les Moutons Électriques. The book is a substantial collection of appreciative texts and analyses of work by the Northampton Ipsissimus edited by Julien Bétan, and, as the title would imply, is in French throughout. A couple of the pieces are reprints […]
Blue Sky Noise (2010) by Esao Andrews. • Franz Xaver Messerschmidt is the first exhibition in the United States devoted exclusively to the 18th-century sculptor. Related: an earlier post about the artist’s work. • How are the team behind War Horse planning to follow up their smash hit? With a gay love story performed by […]
Here at last is the book I spent a good part of last year designing. Into the Media Web is a huge volume as befits a huge talent, 720 pages of Michael Moorcock’s non-fiction spanning fifty years of his career from his days writing for sf and fantasy fanzines, through to journalism, reviews and articles […]
The beat Engelbrecht had drawn for the early morning rise was a stretch of jet black water between the Jubilee Gasometer and the Municipal Slaughter House. A dank mist lay over the canal. The vampire bats were out in swarms. The bot-fly waltzed in virid clouds. You could hardly have had a better surrealist fishing […]
Psychopathia Sexualis (1967). This, dear friends, is what the art of the fantastic could give us but rarely does, something which combines the metaphysical intensity of the Symbolists with a post-Freudian sensibility to create what Philip José Farmer once called “the pornography of the weird”. Jim Leon was a British artist whose work gained prominence […]
Kieran at Sci-Fi-O-Rama was in touch recently asking me to contribute a paragraph about a favourite Roger Dean picture for this feature about the artist. The following splurge of polemic was the result, something I’d been intending on writing for a while. Since so many words would have overwhelmed the other contributions it’s being presented […]
This battered item is my copy of the V&A guide to the landmark Aubrey Beardsley exhibition held at the museum from May to September 1966. That exhibition introduced Beardsley to a new public and made his work very trendy for a while, helped by the Beardsley-styled sleeve of the Beatles’ Revolver album which was released […]
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