L’Image was a short-lived French publication dedicated to the art of contemporary wood engraving. Short-lived it may have been but its position at the birth of Art Nouveau means that many of its smaller graphics have been recycled ever since in studies of the period. One of these graphics, a fleuron by Jean-Jacques Drogue, was […]
I thought I’d written about this some time ago but it appears not so the present post can serve as a way to honour the talents of the late Fenella Fielding. The obituaries this week have inevitably emphasised her roles in the Carry On films, a series of alleged comedies that I’ve never liked, and […]
Cover art by Leo & Diane Dillon, 1975. Art is not supposed to be easier! There are a lot of things in life that are supposed to be easier. Ridding the world of heart attacks, making the roads smoother, making old people more comfortable in the winter, but not Art. Art should always be tough. Art should demand […]
This week I’ve been rushing to complete a series of illustrations so there’s been no time to write the post I had in mind. In its place, here’s a preview of another series I was working on in September which I’m told should be published soon. More about that later, and yes, the similarity to […]
Piazzetta San Marco by Moonlight (no date) by Friedrich Paul Nerly. • RIP Heathcote Williams (Guardian obit, NYT obit): poet, playwright, actor, artist, anarchist, stage magician, and no doubt many other things besides. Being a product of the counter-culture, and one of Britain’s foremost anti-establishment writers (his polemics against the Royal Family were unceasing), Williams […]
Cover art by Enki Bilal. Arriving in the post this week was the catalogue for the Shoah et bande dessinée exhibition which is currently running in Paris at Mémorial de la Shoah. I’ve mentioned previously that the exhibition includes some of my pages from my first collaboration with David Britton/Savoy, the death-camp issue of the […]
Savoy Books, 1984. A couple more recent arrivals that feature my work. These are of minority interest but worth noting since academic articles don’t always travel beyond a small audience of subscribers. A recent issue of Foundation (The International Review of Science Fiction), Volume 45.1, number 123, contains an article by Mark P. Williams, Underground […]
From What is a Witch, “an illuminated manifesto on witchcraft” by Pam Grossman and Tin Can Forest. • “The other strand of influence for me from dance music was a production house called Savoy in Manchester, England. They were a super underground publishing house that printed cartoons and comic books, and they also released a […]
At last: something that has no connection with HP Lovecraft… This was one of several design jobs during a very busy summer, a long-delayed DVD release by Savoy of the Cramps playing Manchester’s trendiest club of the 1980s, the Haçienda. The posthumous reputation of the Hac (as it was locally known) has been inflated in […]
I said yesterday that poppies are a common feature of the fin de siècle magazines for the convenient way they combine long-stemmed flowers—ideal for all those Art Nouveau flourishes—with narcotic connotations that signal Decadence. The spiralling fleuron above is one example that readers of Savoy books may recognise, an occasional company logo which has been […]
The Philosophers (Homage to Courbet) by Christopher Ulrich. Another great tip from Full Fathom Five. • “Mushrooms are the only psychedelic drugs that I take, and I don’t take them very often. But I would trust them. Once you’ve done them a few times it’s very easy to feel a sense of entity. You can […]
If you believe in freedom of speech, you believe in freedom of speech for views you don’t like. Goebbels was in favour of freedom of speech for views he liked. So was Stalin. If you’re in favour of freedom of speech, that means you’re in favour of freedom of speech precisely for views you despise. […]
Listening to Joy Division over the weekend prompted another of those idle speculations that are immediately answered these days (so to speak…) by a few seconds of web searching. While Atmosphere was playing I’d remembered a conversation with a friend about the identity of the painting of a cowled figure that appears on the original […]
Savoy • Savoy • Savoy: The first wave of book covers pinned to the Beardsley wallpaper of the Deansgate office. I often feel I’m in a minority in never having been desperate to see my work in a gallery. We are, after all, living in the Age of Mechanical Reproduction (thanks, Walter), and the idea […]
Why Do The Heathen Rage? (2014) by The Soft Pink Truth. Cover art by Mavado Charon. Drew Daniel’s latest release as The Soft Pink Truth is Why Do The Heathen Rage?, a witty electronic riposte to the often reactionary attitudes of black metal music and the people who create it. (The album is dedicated to […]
RIP Steve Moore. We never met, unfortunately, but I was very pleased he asked me to create a cover for his unique occult novel, Somnium, in 2011. Prior to this we’d been connected by shared acquaintances, colleagues, and membership in the informal cabal that was (and maybe still is) The Moon & Serpent Grand Egyptian […]
If it’s a surprise to see Cockney geezer Phil Daniels masquerading as the erudite (and non-Cockney) Thomas De Quincey in The Art of Tripping, it’s even more of a surprise to see Hugh Grant in wig and hippy gear as Richard Neville in this 1991 dramatisation of the obscenity trial against Neville’s Oz magazine. Grant […]
There’s been a resurgence of interest recently in Afrofuturism (see this recent newspaper article, and this site), not before time when the term has been around since 1993. The concept itself goes back a long way, at least as far as the remarkable body of work produced by Sun Ra (1914–1993) whose vast discography dates […]
I was working on this book throughout the autumn, and it could hardly be more different to some of the visual extravagance that came before and after. Eduardo Paolozzi at New Worlds is published by Savoy Books this month. Predominantly an examination by David Brittain (no relation to David Britton) of the connections between artists […]
The Outsider (1956), 1963 edition; The Occult (1971), 1973 edition. The cover of the 1973 UK paperback of Colin Wilson‘s mammoth overview of occultism can still be offered as a pinnacle of hyperbole. The book itself is a very serious and informative study but its success set Wilson on a path as a writer about […]
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