Steampunk overloaded!

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Yes, it’s the “S” word again, and if there was any doubt that this has been the Year of Steampunk here at Coulthart Towers, look at these recent works. And this is by no means everything I’ve been doing in this area, there’ll be further announcements later on.

The covers for KW Jeter’s novels are a pair of reprintings from UK publisher Angry Robot whose books will shortly be available in the US and Canada. Jeter is now famous—infamous, perhaps—for having given the word “steampunk” to the world in the early 1980s. This was intended as a jest after he and a couple of other writers (including a favourite of mine, Tim Powers) had written a number of science fiction novels set in the 19th century; like many light-hearted neologisms, it gained a life of its own. Angry Robot are reissuing two of these early works as a result of the ongoing steampunk explosion.

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Morlock Night (1979) is a pulpy affair which sees the Morlocks from HG Wells’ The Time Machine using the Time Traveller’s vehicle to return to Victorian London and wreak no end of havoc. Infernal Devices (1987) is a rather more substantial confection involving a great deal of clockwork mechanisms (for once the clock parts are justified!), automata, fish people, and a device capable of destroying the earth. I’ve been producing a lot of engraving collage à la Ernst and Sätty recently but the technique seemed especially appropriate here as a means of illustrating works which themselves are collages of Victorian motifs.

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Meanwhile, over at Tachyon Publications, there’s this cover for another Victorian adventure, two in fact, from master beserker Joe R Lansdale. Flaming Zeppelins combines a pair of comic adventures, Zeppelins West (2001) and Flaming London (2006), which feature a host of notable figures including Mark Twain, Annie Oakley, Buffalo Bill Cody…and a talking seal. Publication date is November 1st.

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Then from Tachyon in mid-November there’ll be Steampunk II: Steampunk Reloaded, a 430-page anthology edited by Ann & Jeff VanderMeer which includes fiction and non-fiction from William Gibson, Caitlín R Kiernan, Jeffrey Ford, Cherie Priest, and many others. Also a comic strip, copious illustrations and a very full-on interior design from yours truly of which I’ll only show you the above page for the time being. Yes, that’s a mechanical ostrich but if you want to know what it’s doing there you’ll have to read the book. More about this later. And more later about The Steampunk Bible to which I’m also a contributor, a glossy, full-colour guide to the entire sub-culture which will be published next year by Abrams. By the time that appears I’ll probably be sick of the sight of clockwork parts, dirigibles, florid typefaces and Victorian decoration; I’ll be needing a good dose of Helvetica and Josef Müller-Brockmann minimalism to calm down.

Previously on { feuilleton }
Skeleton clocks
Vickers Airship Catalogue
The Air Ship
Dirigibles
More Steampunk and the Crawling Chaos
La route d’Armilia by Schuiten & Peeters
The art of François Schuiten
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts
The Airship Destroyer
Zeppelin vs. Pterodactyls

New things for April

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I drew attention yesterday to the abraded look of the Taking Woodstock poster and mentioned a recent book design of mine which used a similar effect. This is that cover, created for a collection of Joe R Lansdale’s horror novels coming soon from Underland Press. Lansdale is known mainly for being the writer of the story which Don Coscarelli adapted for Bubba Ho-tep in 2002 (a great film, incidentally) but he’s done a lot more besides. Find out more at his website.

While on the subject of self-promotion, the invent-your-own-band website Figment posted an interview with me as a complement to their cover art competition which I’ve been judging. Results of that will be announced at the end of the week.

And speaking of interviews, I’ll mention again Jay Babcock’s exclusive interview/feature with comic artist Rick Veitch over at Arthur. Rick’s an artist I’ve always had a lot of time for and this piece includes a special intro/appreciation by collaborator Alan Moore. The interview examines the serious business of dreaming, with Rick’s advice on using your dreams for artistic breakthroughs, personal growth, problem solving, and time/space travel.

Previously on { feuilleton }
Sleeve craft
Finch