Raymond Bertrand’s science fiction covers

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Work by the elusive French artist Raymond Bertrand has appeared here before although the art continues to be more visible (if obscure) than the man himself. Bertrand’s most famous drawings are the naked women that appeared on the cover of issue 28 of Oz magazine, the notorious School Kids Issue, but I don’t think he was credited for the usage and his name is never mentioned when the magazine is discussed. Looking for information about the Chute Libre books at French SF site Noosfere led me to an entry for Bertrand’s work. The list doesn’t include any of the book collections of his drawings but does have these magazine covers which feature some pieces I hadn’t seen before.

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Fiction was the leading French SF magazine, and sported a fascinating range of cover art especially from the mid-60s on. Artists at that time included Philippe Druillet and Philippe Caza, both of whom would become big names in the comics world a few years later. Galaxie was the French edition of American magazine Galaxy, and featured unique material among its translations of Anglophone works. Being French, there’s a greater amount of flesh on display than you’d find on magazine covers in the US and UK; some of this is as salacious as anything else from the period although at least one of the artists drawing naked females was a woman, Sophie Busson. Naked females emerging from—or being absorbed by—strange vegetation, polyps or aquatic organisms were Bertrand’s métier so that’s mostly what one finds here. Few of the covers seem to relate to the magazine’s contents, the artists appear to have been free to draw what they liked; in the case of Druillet that means his usual Lovecraftian architecture. An exception is issue 198 of Fiction which has an article about Bertrand’s work by Jacques Chambon: Raymond Bertrand ou de l’amour de l’art à l’art de l’amour. I’m hoping now that someone might be good enough to translate that piece for us lazy Anglophones.

And speaking of former Oz artists, Renaud Leon left a message recently with news that YouTube now has a channel featuring many examples of Jim Leon’s remarkable paintings.

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Return of the Triumphant Phallus

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The Triumph of the Phallus (1700–1750).

More phallic culture. I posted the above engraving a couple of years ago, an unattributed copy of a drawing by Francesco Salviati (1510–1563) which shows in three panels a giant phallus being driven by a festive crowd towards an equally prodigious vaginal opening. (See the three panels in full here.) A few months after that post I wrote something about British underground artist Jim Leon and failed at the time to notice that Leon had reworked the Salviati procession for a painting used in issue 36 of Oz magazine (July 1971).

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As is evident, here, the magazine editors carefully cropped Leon’s art to avoid stretching the patience of distributors and vendors. The complete work was printed over two pages inside but in a two-colour version which is less than satisfactory. This issue of the magazine also featured Leon’s far more incendiary Necrophilia piece which was the one I selected for my earlier post. What finally made me recognise the link between Leon and Salviati was a posting of Leon’s original painting on the Maggs Counterculture Tumblr (below).

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Leon shortened the procession but follows the rest of the picture very closely. Given the reversal of Leon’s version it’s possible he may have traced an outline as a guide before starting work, some of the details are a precise match. Oz magazine, it should be noted, was aimed at a general readership yet frequently published erotic art by Leon and others in this kind of matter-of-fact manner, something that’s difficult to imagine anyone doing today outside the porn world. Think about that next time someone asserts that we’re living in an unprecedentedly over-sexed era. You can see the whole of Oz #36 here.

Previously on { feuilleton }
The Choise of Valentines, Or the Merie Ballad of Nash His Dildo
The art of Jim Leon, 1938–2002
The fascinating phallus
The Triumph of the Phallus
Le Phallus phénoménal
Phallic bibelots
The New Love Poetry
Phallic worship
The art of ejaculation

Weekend links 55

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From the Ornamental Age series (2009) by Seher Shah.

Seher Shah has recently updated her website giving us a better view of her extraordinary art.

The Demon Regent Asmodeus, my short film of Alan Moore’s reading from the first Moon & Serpent CD, has been posted to YouTube. In other self-promotion news, Mahakala, a drawing of mine from 1984, finds an audience on Tumblr.

• Yet more Moore: Alan Moore & Iain Sinclair “explore psychogeography” at the Cheltenham Festival in June. Alan will also be discussing science and fiction with Robin Ince. Then in July he’s performing with fine fellow Stephen O’Malley at Alexandra Palace as part of Portishead’s I’ll Be Your Mirror festival. They’ll be providing text and music for Harry Smith’s Heaven and Earth Magic.

In most countries, parents can tell their kids that if they work hard and do everything right, they could grow up to be the head of state and symbol of their nation. Not us. Our head of state is decided by one factor, and one factor alone: did he pass through the womb of one aristocratic Windsor woman living in a golden palace? The US head of state grew up with a mother on food stamps. The British head of state grew up with a mother on postage stamps. Is that a contrast that fills you with pride? (…) Earlier this month, David Cameron lamented that too many people in Britain get ahead because of who their parents are. A few minutes later, without missing a beat, he praised the monarchy as the best of British. Nobody laughed.

Johann Hari kicks the royals.

• Related to the above: Lydia Leith’s royal wedding sick bag.

Beautiful Century relates a dispiriting (and very common) encounter with Google’s blog prudery. The new Beautiful Century is now at Tumblr.

• In the future, everything will be on Tumblr for fifteen minutes. Among this week’s discoveries there’s Writers and Kitties, attractive men and vintage photos at Stuff Doer, and all manner of things at Maggs Counterculture including a picture by Jim Leon I hadn’t seen before.

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From the Ornamental Age series (2009) by Seher Shah.

“Sidewalk cafés, free from conservative business attire…” Film of groovy Greenwich Village in the late 1960s. Related: groovier fashions in Art Nouveau Barcelona.

Ai Weiwei’s Blog: Writings, Interviews, and Digital Rants, 2006-2009, a book from MIT Press.

The Delian Mode, a film about electronic musician Delia Derbyshire by Kara Blake.

Austin Osman Spare, a biography of the artist and occultist by Phil Baker.

• Lando Jones is giving away three limited edition prints of his artwork.

Plano Creativo, a blog (in Spanish) by Alejandro Jodorowsky.

B Magazine is a new publication for gay Americans.

Diaghilev gets his due at Coilhouse.

Baby’s On Fire (1973) by Brian Eno | Baby’s On Fire (1976) by 801 | Baby’s On Fire (from Velvet Goldmine) (1998) by The Venus In Furs.

Gilles Rimbault revisited

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I posted a few examples of work by French artist Gilles Rimbault last year, and was hoping at the time that further drawings might come to light. We have D.R. Tenge to thank for posting these and other scans from Plexus magazine on the same LJ page where I found some of the earlier works, together with text that accompanied the pictures. “He pursues an endless search in the ‘erotisme fantastique'” Plexus tells us, and that’s a great description of this curious sub-genre which I’ve previously referred to (following Philip José Farmer) as “the pornography of the weird”. From what I know about Plexus it specialised in this typically late 60s/early 70s blend of science fiction, fantasy and erotic exploration, being a spin-off from Pauwels & Bergier’s magazine of “fantastic realism”, Planète; it also wasn’t the only magazine doing so which makes me wish that Taschen (or somebody) would delve into this sorely neglected area.

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Elsewhere on { feuilleton }
The fantastic art archive

Previously on { feuilleton }
The art of Ran Akiyoshi, 1922–1982
The art of Gilles Rimbault
The art of Jim Leon, 1938–2002
The art of Sibylle Ruppert
The art of Bertrand

The art of Ran Akiyoshi, 1922–1982

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In a similar vein to the work of Gilles Rimbault and other erotic fantasists is Ran Akiyoshi, a Japanese artist and illustrator. Akiyoshi’s work manages to be even more obscure than the Europeans, being virtually undocumented outside Japanese websites, hence the absence of titles and dates for these examples. This is surprising given the quasi-Surrealist nature of his paintings which place buxom goddess types in phantasmagoric settings with subtle or not-so-subtle erotic qualities. Akiyoshi follows the pattern of much of this kind of personal fantasy whereby most of the women share similar features. The book cover immediately below is from a recent Japan-only collection of his work. The Illusion cover at the end is another book collection some of whose fascinating pages can be seen here. As always, if anyone turns up a gallery of further pictures, please leave a comment.

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