Weekend links 147

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Bestia Apocalypsi (2000) by Konstantin Kalynovych.

A funding page for Better Things: The Life and Choices of Jeffrey Catherine Jones, Maria Paz Cabardo’s documentary film about the late comic artist and illustrator.

• Phantasmaphile’s Pam Grossman has declared 2013 to be the Year of the Witch.

• At WFMU: The Space Ghost Coast To Coast Sonny Sharrock Tribute Episode.

I think that mass culture is idiotic. I always have. Even things that are the sort of trendy new whatevers, it’s always about money and sex and nothing else.

Laurie Anderson on music for dogs and Obama.

• It’s that…thing…again. Clive Hicks-Jenkins on his new Mari Lwyd designs.

• Rick Poynor’s Dictionary of Surrealism and the Graphic Image.

• “Why do gay porn stars kill themselves?” asks Conner Habib.

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If you’re staycationing in Scarfolk this year you’ll be pleased to hear the town now has 20% less rabies. Above: The 1972–73 prospectus for scarecrow and wicker man biology at Scarfolk Technical College. Related: A Day At The Seaside. I guessed the source even without the cryptic comments. Can you?

Laurie Spiegel designed a T-shirt for The Wire magazine.

Julia Holter covers Chiamami Adesso by Paolo Conte.

Strange Attractor has two new Austin Spare prints.

Forgotten Women Designers and Illustrators.

• RIP Alan Sharp, a sharp screenwriter.

• “Can You Pass the Acid Test?

Sonny and Linda Sharrock live at WKCR 03/21/74 | Many Mansions (1991) by Sonny Sharrock | Ghost Planet National Anthem (1993) by Sonny Sharrock

Jeffrey Catherine Jones, 1944–2011

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Yesterday’s Lily (1980), a collection of painting and illustration work published by Dragon’s Dream.

Artist Jeffrey Jones, whose death was announced this week, transitioned to Jeffrey Catherine Jones in the late 1990s so we’ll honour that here and won’t insist on referring to her as “he” as I’ve been seeing on some other websites. Jones’ work was significant for me mainly as a result of her participation in The Studio collective from 1975 to 1979, an affiliation of four artists—Jones, Barry Windsor-Smith, Mike Kaluta and Berni Wrightson—who shared a loft studio in New York City. The fruits of that relationship were recorded in one of my favourite art books, The Studio, in 1979. Of the four it was Barry Smith’s Pre-Raphaelite-inspired work which made the greatest impression at the time (especially Pandora), followed by Berni Wrightson’s Frankenstein illustrations. But Jones was the best painter in the group, with a style that blended influences from (among others) JM Whistler, Gustav Klimt and Frank Frazetta. There are galleries of paintings and drawings at the official website. Still to come is Better Things: Life & Choices of Jeffrey Jones, a documentary film by Maria Cabardo. Clips and trailers can be seen here.

A selection of paintings at Golden Age Comic Book Stories
The Studio Pt.1: Jeff Jones

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Roger Dean: artist and designer
Berni Wrightson’s Frankenstein