Yule

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“A trap for dere Santa”. From How to be Topp by
Geoffrey Willans and Ronald Searle (1954).

That time of year again. Here at { feuilleton } we prefer to acknowledge the solstice-based traditions that pre-date the usurping rituals of Middle Eastern sky gods. The old pagan business of lighting fires and creating artificial light and warmth still makes sense when you’re in the depths of another dreary English winter, with seemingly permanent grey skies and a smear of daylight that vanishes at half past three in the afternoon. Christmas used to agitate me too much and too often until the year the TV finally gave up the ghost. I realised a lot of the prior aggravation had been caused by the deluge of trivia that popular media creates at the end of the year; keep away from TV, avoid the crowds and the collective hysteria become a lot more manageable.

This page will be quiet while I visit the family for a few days but the archive feature will be active should you be seized by a sudden desire to read my words or look at some pictures. If you’re sat in front of a monitor over the coming week—and for some this may be a necessary escape—I’d suggest looking over some of the mp3 blogs that have been coming online in the past year. These are from people (usually anonymous for good reason) posting whole albums for download, many of which still haven’t made it onto CD. Hard to say how long this phenomenon will be allowed to continue in its current form—a lot of these places are using Blogger, so may be shut down by Google eventually—but for now its an encouraging trend. A by-no-means-definitive list follows below. These are only the ones I’ve run across recently, liked and bookmarked; if you know of any other good ones, feel free to leave a tip in the comments.

Fauni Gena Music Webbernet. Mainly ambient or quiet electronic releases.

À bientôt j’espère. Er…hard to describe, you’ll just have to go and look.

Lost-In-Tyme. Obscure psychedelia for the most part.

Swen’s blog – Artists mentioned in The Wire. What it says on the tin. Very useful if you’re a Wire reader.

Improvisie. Improvised music with an emphasis on the jazz spectrum. Not much there yet but may be worth watching and worth a visit solely for the insane Paul Bley synth album. (Thanks to Gav for the tip!)

Grown So Ugly. “A home for musical gems from the past fifty years, decidedly biased in favor of acoustic instrumentation. From the easily accessible to the challenging listen, quality is the sole requirement for our sharity. We encourage community participation.” (Thanks to Jay for pointing me to this one.)

Krautrockteam. Best of the lot where my tastes are concerned. More obscure (that word again…) German music than you can shake an Archangel’s Thunderbird at.

Previously on { feuilleton }
The music of The Wicker Man

Angels 6: Paradise stands in the shadow of swords

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The Guardian of Paradise by Franz Stuck (1889).

We’ll let Coil have the final word on the angel theme, the post title being taken from their Cathedral In Flames. Those words recognise—as does the painting above—that the Christian concept of Heaven is of a gated community guarded by warriors to keep the undesirable at bay.

Symbolist painter Franz Stuck was (as far as we know) robustly heterosexual but his angel isn’t far removed from the work of contemporary photographers like Anthony Gayton who specialise in teasing out the erotic undercurrents in this kind of imagery. Which brings us full circle, seeing as we started with Caravaggio and his distinct brand of religious subversion. The irony is that some of the more vocal elements of Christianity can’t help subverting themselves or their own messages, as John Patterson notes in his Guardian piece today, alluding not only to the Ted Haggard debacle but also to Haggard’s favourite artist, Thomas Blackshear, both of whom were discussed here in November. Patterson writes that the recent brand of bigoted fervour that’s swept America seems to have abated, or at least retreated, after threatening to become a mainstream force. Europe often seems a haven of healthy heathen sanity by comparison, a part of the undesirable world being kept outside the American Paradise. St. Peter now demands retinal scans, fingerprints and a biometric passport. Continual rumbles from Pope Maledict and his closeted cardinals are an increasing irrelevance, the background static of a dying regime. Paradise may be guarded by attractive angels but we can only look and never touch. As Patterson says, the devil has all the best tunes. And the best books and movies and games. And sex and fun. I know which side of the fence I’d rather be on.

Elsewhere on { feuilleton }
The gay artists archive
The men with swords archive

Previously on { feuilleton }
Gay for God

Angels 4: Fallen angels

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The Treasures of Satan by Jean Delville (1894).

Some more favourite paintings today. Jean Delville produced a splendidly strange portrayal of Satan as an undersea monarch lording it over a sprawl of intoxicated, naked figures. When Savoy Books decided to put together the definitive version of David Lindsay’s equally strange fantasy novel, A Voyage to Arcturus, I felt this was the only painting adequate to the task of filling out the cover. That was in 2002; a year later Gollancz used the same painting on the cover of their Fantasy Masterworks paperback edition of the book. Lindsay’s book has been plagued by bad cover art for years so we managed to raise the bar for future editions. Delville was one of the great painters of the Symbolist school, all his work is worth looking at.

There are numerous representations of Lucifer but Franz Stuck’s is especially striking and apparently caused viewers to cross themselves before it when it was first exhibited.

Gustave Doré’s tumbling figure is from his illustrated edition of Paradise Lost, a book full of armour-clad, spiky-winged angels. Some of those wings have even found their way into my work via the miracle of Photoshop.

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Lucifer by Franz Stuck (1890).

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Paradise Lost by Gustave Doré (1866).

Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
The art of Thomas Häfner, 1928–1985

Angels 3: A diversion

On Monday Eroom Nala mentioned my Fallen Angel picture in one of the comments for the first angel posting. Here’s the picture in question (from 2004).

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As I mentioned earlier, this was based on Jeune homme assis au bord de la mer (Young Man Sitting by the Seashore, 1836), the most well-known painting by Jean Hippolyte Flandrin (1809–1864). In a posting back in February I wrote about how this painting has become something of a gay icon over 170 years, with increasing numbers of artists and photographers working their own variations on the pose. As far as I was aware, I was the only person to have tried adding wings to the figure.

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Now today I run across a great gallery of photographs by Jose Manchado who has his rather gorgeous model, Reuben, adopt the same pose then gives him a set of abstract wings.

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Manchado’s other photographs are well worth a look. He also adds more realistic wings to a female model but since we’re concerning ourselves with male angels this week I’ll leave you to look for her.

Elsewhere on { feuilleton }
The gay artists archive
The recurrent pose archive