Léonard Rosenthal – { feuilleton }

Léon Carré’s In the Garden of Gems

Léonard Rosenthal’s follow-up to In the Kingdom of the Pearl was this volume with illustrations by Léon Carré. In the Garden of Gems was published in 1924 in an edition that matches the earlier book for page layout, print quality and decoration. The illustrator, Léon Carré (1878–1942), was more of a painter than a book illustrator, being one of the many Orientalist artists that France produced in the 19th century. Given the quality of his illustrations it’s a shame he didn’t work on more books, although there was a French edition of the Thousand and One Nights that he illustrated a few years later.

Rosenthal’s note to the reader describes his own book as “the study of the passionate, obstinate, cruel, and sometimes tragic struggle waged by humankind to conquer precious stones, the examination of beliefs, allegories, legends, and symbolisms…”. Individual chapters are devoted to the history of the emerald, ruby and sapphire. As with the earlier book, each chapter is embellished with a decorative header and drop cap whose details change according to the subject. This peacock obsessive approves of the profusion of pavonine motifs.

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Edmund Dulac’s In the Kingdom of the Pearl

An unusual commission for Edmund Dulac, being a work of non-fiction published in France in 1920, with a British edition following in the same year. The author, Léonard Rosenthal, was a French diamond merchant who wrote a handful of books intended to celebrate and promote his line of business, of which this was the first. In the Kingdom of the Pearl is a history of the pearl-fishing trade and the use of pearls in jewellery, decoration and storytelling. I can’t vouch for the text but the book itself is a beautiful production, with fine colour printing, and a variety of aquarian embellishments throughout. It’s common in illustrated books for the decorative details to repeat themselves but Dulac has drawn a different fishy capital for the opening page of each chapter. His colour illustrations continue the flattened style he was using in Tanglewood Tales, only here the paintings look as though he may have been aiming at the appearance of Mughal miniatures. This is a period of Dulac’s work that’s often overlooked in favour of the Rackham-like illustrations he was producing earlier in his career.

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Weekend links: Ghosts, Spooks and Spectres edition

Cover design by Philip Gough.

Ghosts, Spooks and Spectres (1972 reprint). Editor Charles Molin collected nineteen ghost stories by writers including Oscar Wilde (The Canterville Ghost), Charles Dickens (The Signal-Man), J. Sheridan Le Fanu (Madame Crowl’s Ghost) and HG Wells (The Inexperienced Ghost). This was one of my favourite books when I was ten-years old. There’s nuffin like a Puffin. Puffin Books’ parent company, Penguin, is 75 this year.

• The good people at the Outer Alliance have posted an interview with me here in which I talk about the subversive sexualities of sf in the 1970s and also admit to writing fiction.

• There’s just time to mention It Came From Pebble Mill, an event which includes another screening of David Rudkin’s Penda’s Fen.

• “In our society, there has tended to be a very strong compartmentalization of different experiences, different cultural forms, different genres. We can talk in a very broad sense and say art is separate from science, for example, or body is separate from mind, or we can talk in a specific sense and say one certain form of dance music is separate from one form of, say, heavy metal. I don’t really buy those compartmentalizations. I understand why they exist, how they’ve come into being and why they’re convenient, but it’s not the way I think, it’s not the way I experience the world, it’s not the way I believe things should be.” From an interview by Colin Marshall with David Toop at 3QD. Toop’s latest book is Sinister Resonance: The Mediumship of the Listener.

• The Kingdom of the Pearl by Léonard Rosenthal, illustrated by Edmund Dulac.

• Ghost Stations by Dollboy, a CD package. And then there’s the Ghostly Bento.

• 7 Inch Cinema are Birmingham-based cultural historians.

• Mark Pilkington’s Mirage Men now has its own site.

• Borges on Pleasure Island: JLB and his love of RLS.

• RIP Arne Nordheim, Norwegian composer.

• Charlie Visnic’s Modular Ghost Synth.

• On the trail of Tutankhamen’s penis.

• Photos by Thom Ayres.

• Ghosts by Japan | Spooky Rhodes by Laika | Purple Dusk by Spectre.