Tag: Kenneth Anger

Weekend links 15

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One of the entries from the Greenpeace competition to rebrand BP.

• What Kenneth Anger was doing inside the Pentagon, October 1967.

• Ghosts Of The Future: Borrowing Architecture From The Zone Of Alienation. Jim Rossignol on Stalker: the film, the game and the reality.

• Electric Eden: Unearthing Britain’s visionary music. A blog and a forthcoming book by Rob Young.

• Lesbian filmmaker Kiana Firouz isn’t wanted in the UK thanks to the iniquitous asylum laws of the previous administration; the Home Office intends to return her to Iran where gay people are flogged and executed. Coilhouse has details including recommendations of how people can help. Related: Britain’s immigration system is guilty of “institutional homophobia”, according to a new report.

• Cameron Carpenter, a prodigiously talented (and sequinned) concert organist.

• No Barcode: Javier Garcia’s graphic design blog.

• Shapeways: 3D printing from your own designs.

• Spintriae: brothel coins from Ancient Rome.

• Winq magazine: “global queer culture”.

• A steam-powered synthesiser.

• Seven days with Brian Eno.

• Among The Trees, Michael Chapman on the Whistle Test in 1975.

Anger in London

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It’s that man again… Following on the heels of the occult-themed Strange Attractor Salon (which is running events throughout this month, it should be noted; tickets here), the Sprüth Magers gallery, London, has a Kenneth Anger exhibition opening on February 19th based around Anger’s delirious short film Invocation of My Demon Brother (1969) and his scurrilous anthology of movie tragedy and gossip, Hollywood Babylon. Anger himself presents a showing of his films on the same day at Tate Modern.

Previously on { feuilleton }
• Arabesque for Kenneth Anger by Marie Menken
• Strange Attractor Salon
• Edmund Teske
• Kenneth Anger on DVD again
• Mouse Heaven by Kenneth Anger
• The Man We Want to Hang by Kenneth Anger
• Relighting the Magick Lantern
• Kenneth Anger on DVD…finally

Arabesque for Kenneth Anger by Marie Menken

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“There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it. In painting I never liked the staid and static, always looked for what would change the source of light and stance, using glitters, glass beads, luminous paint, so the camera was a natural for me to try—but how expensive!” Marie Menken.

Arabesque for Kenneth Anger (1961) is a short film by artist and filmmaker Marie Menken (1909–1970) available for viewing at Ubuweb. This is a fragmented impression of the Alhambra made as a thank you gift to Anger whose shots of a fountain spout catching the sunlight can’t help but seem like a nod to Anger’s Eaux D’Artifice (1953). Menken had the dubious distinction of being the model for Martha in Edward Albee’s Who’s Afraid of Virginia Wolf?, the tempestuous relationship in the play being based on Menken’s equally tempestuous marriage to Willard Maas.

More Marie Menken:
• Visual Variations on Noguchi (1945)
• Glimpse of the Garden (1957)
• Notes on Marie Menken: A film by Martina Kudlá?ek
• The paintings of Marie Menken

Previously on { feuilleton }
• Edmund Teske
• Kenneth Anger on DVD again
• Mouse Heaven by Kenneth Anger
• The Man We Want to Hang by Kenneth Anger
• Relighting the Magick Lantern
• Kenneth Anger on DVD…finally

Edmund Teske

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Kenneth Anger, Topanga Canyon, California, Composite (1954).

This portrait of a dashing Kenneth Anger juxtaposes the filmmaker with an engraving by Gustave Doré for Paradise Lost. Like his contemporary Emil Cadoo, photographer Edmund Teske (1911–1996) often concealed the homoerotic nature of his pictures by rendering them “artistic” through double-exposure. Teske was friends with rock group The Doors, and a number of his studies of Jim Morrison and co. are very familiar from histories of the band.

Via Bajo el Signo de Libra.

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Nude, Davenport, Iowa, Composite with Leaves (1941/46).

Previously on { feuilleton }
• Emil Cadoo
• The art of Robert Flynt