Three Heads Six Arms by Zhang Huan

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A new sculpture by Chinese artist Zhang Huan which was officially dedicated in San Francisco’s City Hall Plaza last week. The photo is by Flickr user David Dasinger and similar views can be found in this Flickr pool. Huan’s copper figures may be intended to evoke Buddhist serenity but I can never see that plaza without remembering the horrible ending of Philip Kaufman’s Invasion of the Body Snatchers.

Three Heads Six Arms is part of a series of monumental works depicting the fragmented extremities of Buddhist statues. The series was inspired by Zhang’s discovery of religious sculptures that had been destroyed during the Cultural Revolution for sale in a Tibetan market. (More.)

Via Erik Davis.

Previously on { feuilleton }
The art of Arnaldo Pomodoro
Sculptural collage: Eduardo Paolozzi
Dead monuments
The art of Igor Mitoraj

Eduardo Paolozzi’s Jet Age Compendium

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Detail from the cover of Ambit # 40, 1969.

A teenage enthusiasm for Pop Art meant I was familiar with the paintings and collages of Eduardo Paolozzi (1924–2005) long before I became aware of his association with sf magazine New Worlds, and his friendship with JG Ballard. Paolozzi was famously credited on the masthead of New Worlds as “Aeronautics Advisor”, a listing which impressed the relevant authorities when Brian Aldiss petitioned for an Arts Council grant and saved the magazine from collapse. Paolozzi’s work was featured in New Worlds now and then, and he provided a cover for issue 174, but it was to Ambit magazine one had to turn to see regular work by the artist.

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New Worlds #174, Aug 1967.

My favouritism towards New Worlds has always led me to see Ambit as NW-lite; frequent NW contributor JG Ballard was Ambit‘s fiction editor, and both stood to the side of the British literary scene, although Ambit editor Martin Bax didn’t share Michael Moorcock’s preference for pursuing generic or experimental means to Romantic or visionary ends. Quibbles aside, it’s good to see Paolozzi’s work for the magazine is now the subject of an exhibition, The Jet Age Compendium, at Raven Row, London, and also a book, The Jet Age Compendium: Paolozzi at Ambit from Four Corners Books. If you can’t see the former, the latter is priced £12.95 which strikes me as very reasonable.

The Jet Age Compendium runs until 1 November 2009. For an insight into the artist’s interests and attitudes, there’s a great Studio International interview here from 1971 with Paolozzi and Ballard talking to art critic Frank Whitford.

Previously on { feuilleton }
Sculptural collage: Eduardo Paolozzi
Revenant volumes: Bob Haberfield, New Worlds and others

The art of Peter Randall-Page

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Seed (2007).

It was my intention to post something about Peter Randall-Page’s sculptures earlier this year but never got round to it, so the opening of an exhibition of his work at the Yorkshire Sculpture Park this month provides the perfect opportunity. The park’s website has details of the works on view while the artist’s own site has a detailed catalogue of his career. I hadn’t realised until I looked at his list of works that he was responsible for my favourite of Manchester’s small collection of public fountains, the St Ann’s Fountain in St Ann’s Square.

Update: A photo gallery of the works on display.

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Rocks in my Bed (2005).

Previously on { feuilleton }
The art of Arnaldo Pomodoro
Sculptural collage: Eduardo Paolozzi
The art of Igor Mitoraj

The art of Maleonn Ma

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Portrait of Mephisto #1 (2006).

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Portrait of Mephisto #5 (2006).

The carefully-constructed and coloured tableaux of Shanghai-based art Maleonn Ma remind me of Joel-Peter Witkin‘s grainier and nastier works only without the body parts or dead babies. The repeated use of Michelangelo’s Creation of Adam in contemporary culture is a whole subject in itself.

Via Phantasmaphile.

Previously on { feuilleton }
Behold the (naked) man
Sculptural collage: Eduardo Paolozzi
Michelangelo revisited