Ballets Russes – Page 3 – { feuilleton }

Diaghilev’s World of Art

Cover by Evgeny Lanceray for Prospectus of the Magazine, 1901.

Previous posts here have concerned fin de siècle art magazines like The Savoy, Pan and Jugend; yesterday we had Sergei Diaghilev so it seems fitting to mention Diaghilev’s own magazine, Mir Iskusstva (World of Art), founded in 1899 with similar intentions to the European magazines which were highlighting developments in art beyond the academic sphere. Mir Iskusstva was also the name of the Russian art group who used the magazine as their forum, and a number of the artists involved in the movement, notably Léon Bakst, Ivan Bilibin and Nicholas Roerich, went on to work for Diaghilev at the Ballets Russes.

Cover by Léon Bakst for Mir iskusstva #8 (1902).

I find this later development especially fascinating since it positions the magazine as a precursor to the groundbreaking works which followed rather than being—as so many periodicals were and still are—a publication which had its moment of glory then faded from view. Of the works shown here, Vrubel’s Symbolist Demon, one of several painted by the artist, was featured in a 1903 edition of the magazine, whilst the Bakst painting, depicting the destruction of Atlantis, shows a Symbolist side to an artist who later became far better known for his Ballets Russes costume designs.

Demon (1902) by Mikhail Vrubel.

Unlike the other magazines mentioned above, I’ve yet to come across a cache of whole editions of Mir Iskusstva (and I’m still waiting for Ver Sacrum to turn up somewhere). This page has an overview of the Russian art movement and its journal, while this page has a selection of works by the artists involved. For more of Vrubel’s work, Wikimedia Commons has the best collection of the artist’s paintings and sculpture.

Terror Antiquus (1908) by Léon Bakst.

Previously on { feuilleton }
• Diaghilev and the Ballets Russes
• Pamela Colman Smith’s Russian Ballet
• The art of Ivan Bilibin, 1876–1942
• Magic carpet ride
• Le Sacre du Printemps
• Images of Nijinsky

Diaghilev and the Ballets Russes

Ida Rubinstein as Zobeide and Vaslav Nijinsky as the Golden Slave in Schéhérazade (1913) by George Barbier.

Another great exhibition at the V&A, London, Diaghilev and the Ballets Russes gathers a wealth of costumes, stage designs, photographs and ephemera—including some of Stravinsky’s manuscripts—to present a history of the legendary ballet company and their visionary impresario. For those who can’t get to London the museum website shows some of the items which will be on display, and there’s also a blog about the installing of the exhibition. The enormous frontcloth from 1924 based on Picasso’s Two Women Running on the Beach received a flurry of attention in the press here but my own attention was caught by the picture of Natalia Goncharova‘s even more enormous backcloth for The Firebird. The exhibition runs to January 9, 2011.

Cover of Le Théatre showing Tamara Karsavina in costume as the Firebird, May 1911.

While we’re on the subject, a new biography of the impresario, Diaghilev: A Life by Sjeng Scheijen, was reviewed last week in the New York Times:

Diaghilev loved beautiful young men, and at a time when the fashion in ballet was to exchange patronage for sex, his company provided a bounty. Scheijen dexterously plays his sources against one another to examine the erotic and professional dynamics between Diaghilev and his stars.

For a fictional (and necessarily heterosexual) account of those erotic and professional dynamics, I recommend Michael Powell & Emeric Pressburger’s The Red Shoes (1948) which not only has a central character based on Diaghilev but includes among the cast of real dancers Léonide Massine, dancer and principal choreographer of the Ballets Russes from 1915 to 1921.

See also:
• Russian Ballet History | An archive and documentary site.

Previously on { feuilleton }
• Pamela Colman Smith’s Russian Ballet
• The art of Ivan Bilibin, 1876–1942
• Jack Cardiff, 1914–2009
• Magic carpet ride
• Le Sacre du Printemps
• Images of Nijinsky

René Bull’s Salomé

An illustration by René Bull (1872–1942) from The Russian Ballet (1913) by AE Johnson. Bull seems to be primarily known as one of the many illustrators of that Golden Age staple, The Arabian Nights, although his interpretation is a little too comical for my taste. You can judge for yourself here.

Other Salomés turning up recently include a George Barbier picture in this BibliOdyssey post, Salomé, la Gran Diva at Bajo el Signo de Libra, and the Guardian’s review of David McVicar’s Pasolini-esque opera production.

Elsewhere on { feuilleton }
• The illustrators archive
• The Salomé archive

Pamela Colman Smith’s Russian Ballet

Another chance find at the Internet Archive. This small book from 1913 is an appraisal of Diaghilev’s Ballets Russes written by noted actress Ellen Terry and with illustrations—which Archive.org doesn’t mention—by Pamela Colman Smith, an artist whose Tarot designs are some of the most successful ever created yet who received little credit for her work while she was alive. It’s a shame that the Internet Archive perpetuates this state of affairs despite her name on the book’s title page. This is a fascinating set of ink sketches all of which are marked by the distinctive monogram familiar from her Tarot cards. One of the drawings in the book is also marked by an obscene doodle; I’ll leave it to the curious to discover which one.

Continue reading “Pamela Colman Smith’s Russian Ballet”

Weekend links #7

The Kosher Guide to Imaginary Animals by Ann and Jeff VanderMeer (and sporting my design inside and out) is now in print. The grotesque creatures on the jacket and inside are from a celebrated set of prints by Arent van Bolten.

• More VanderMeeria: my cover for Jeff’s novel Finch continues to garner attention. Artist John Picacio selected it as part of his contribution to this discussion of genre cover designs (thanks John) and io9 followed up by choosing it from SF Signal’s selection.

• Graphic design: the Ballets Russes at BibliOdyssey; Julian Montague’s “books from an invented intellectual history” at A Journey Round My Skull; Women, Snakes and Stalkers, book covers from the PK (Indo-Iranian languages and literatures) section of the University of Chicago’s Regenstein library (also here); I want this book: Arabesque – Graphic Design from the Arab World and Persia.

• Photography: Richard Davies’ documenting of Russia’s wooden churches; Dave Walsh’s fata morgana mirages in the Arctic.

• Illustration: Jacob Escobedo at Sci-Fi-O-Rama; Mahlon Blaine reprinted.

• The gays: Oliver Frey (aka Zack) has originals of his erotic art for sale; 100 is the third book of erotic portraits from photographer Dylan Rosser.

• Silent Porn Star is back. Related: Susie Bright praises sexual expression.

• The Libel Reform Campaign is trying to reform England’s egregious libel laws. Sign their petition here.

• RIP: Victor Arwas, art collector, writer and scholar; Alex Chilton, musician and record producer.

• The record sleeve that’s also the record player.

• Song of the week: Guess I Was Dreaming by The Fairytale (1967).