Category: {work}

Work

Finch

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A new book cover design which I’m posting slightly ahead of time—it still needs a suitable blurb adding—since Jeff VanderMeer was eager to show it to his readers. You can see it bigger size here.

Finch is the third book in Jeff’s cycle of unique fantasy novels and stories about the city of Ambergris. This book shifts emphasis from the previous ones with a tone borrowed from crime/thriller fiction (but still set in the fungus- and squid-infested city) hence the gun outline and blood spatters. I keep being drawn back to Ambergris, having provided designs for the first volume, City of Saints and Madmen, and recently designed a new edition of Shriek: An Afterword.

Publisher: Underland Press, October 31, 2009, trade paper

Description: A noir thriller/visionary fantasy set in the failed state of Ambergris, 100 years after Shriek: An Afterword. The gray caps, mysterious underground inhabitants, have re-conquered Ambergris and put the city under martial law, disbanding House Hoegbotton, and controlling the human inhabitants with strange addictive drugs, internment in camps, and random acts of terror. The rebel resistance is scattered, and the gray caps are using human labor to build two strange towers. Against this backdrop, John Finch, who lives alone with a cat and a lizard, must solve an impossible double murder for his gray cap masters while trying to make contact with the rebels.

Nothing is as it seems as Finch and his disintegrating partner Wyte negotiate their way through a landscape of spies, rebels, and deception. Trapped by his job and the city, Finch is about to come face to face with a series of mysteries that will change him and Ambergris forever.

The cat and the lizard watch intently. Something is about to happen. And they both want to know: who is Finch, really?

Previously on { feuilleton }
• Steampunk Horror Shortcuts
• A cover for Mr. VanderMeer
• Pasticheur’s Addiction
• Fungal observations
• Shriek: The Movie
• Jeff on Bldgblog
• An announcement redux
• City of Saints and Madmen

Designs on Doctor Dee

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Some work news. I finished this CD design last year but, as is often the case with these things, it’s taken a while to make its way into the world. This was the final piece of the Mindscape of Alan Moore project and it’s probably the last thing I’ll do which makes use of the famous Sigillum Dei Aemeth of Doctor John Dee (1527–1608), wax versions of which can be seen in the British Museum. Alan Moore is a great Dee aficionado and since the sigil appears in the DeZ Vylenz documentary it made sense to use it for the DVD package and interface. This led in turn to a new poster design for the film (below) and—eventually—the soundtrack CD. The latter should be shipping shortly from Shadowsnake Films.

Lastly, and also design-related, the New York Times this week had a short piece about designer Barney Bubbles based around Paul Gorman’s Reasons to be Cheerful book. My quote about Barney’s Hawkwind work being “cosmic Art Nouveau” was borrowed from the book’s text and the piece features one of those slideshow selections the NYT does so well. Once again it’s great to see how Paul’s book is stimulating new interest and appraisal of work which was neglected for far too long.

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DVD menu.

Continue reading “Designs on Doctor Dee”

New things for December

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Lord Horror (1997).

Time for an end of year news round up.

• As mentioned earlier, issue 11 of US horror magazine Penny Blood features a look at Savoy Books and David Britton’s Lord Horror mythos. The magazine is now on sale and includes comments from Savoy’s Michael Butterworth and myself.

• I was interviewed last month by Creative Review, the UK’s leading design mag, as their January 2009 issue includes a feature on Barney Bubbles. This is also now on sale although I’ve yet to see a copy so I don’t know how much of what I was saying made the cut. I did finish by calling Barney B a “true pop artist” and I see they’ve used those words as their sub-heading so that may be one contribution.

• Back in the USA, book chain Barnes & Noble have licensed my 2004 Cthulhu Rising picture for an HP Lovecraft reprint. Not sure when that’s appearing yet. The same picture (which is also my most popular print) was licensed earlier by a Romanian publisher for (surprise) a Lovecraft collection. I’m told that volume will be published in May 2009.

• Finally, the recent Steampunk design which Modofly are now selling on their laser-etched Moleskin books will be appearing shortly in a surprise location. More about that later. I’ll probably be doing some prints and CafePress stuff with this picture eventually but for now Modofly has the monopoly.

Posting here may be rather sparse over the next couple of weeks since I’m very busy work-wise just now. So don’t be surprised if there’s a long run of picture-only posts. December and early January are often slack and moneyless so it’s good to be busy.

Mixed blessings

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Arthur #32 is now out with a great cover. As usual you can download it from the Arthur site. Unfortunately that’s the only way you’ll be able to get hold of this issue since the paper copy won’t be printing. Arthur still needs your support, however, via subscriptions, donations and/or advertising if you haven’t wasted all your money helping investment bankers hang on to their bonuses.

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On the upside, Jeff VanderMeer notified me that Shriek: An Afterword, the novel of his which I designed earlier this year, has arrived from the printer and should be shipping forthwith. Read more about that (and order a copy) here.

Previously on { feuilleton }
• Fungal observations