Passage 11

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Ed Jansen writes to let me know that the latest edition of his web magazine, Passage, is now online. Once again, most of the features listed below are in Dutch but that doesn’t exclude all visitors here. David Britton has been recommending Jonathan Littell’s The Kindly Ones to me so I guess I’ll be reading that soon.

• Sylvia Plath, a biography.
• Ingrid Jonker, poet from South-Africa, essay on her life and work.
• Jack Kerouac & William Burroughs, a review of And The Hippos Were Boiled In Their Tanks.
• William Burroughs in Texas, a review of Rob Johnson’s, The Lost Years of William S. Burroughs.
• Aleister Crowley, an article about Crowley’s possible involvement with the Secret Service.
• Rudolf Hess, double agent? A view on his flight to Britain.
• Jonathan Littell, an in-depth review of his work The Kindly Ones. War as hallucination.
• Enrique Marty & Maurizio Cattelan, a review of the work from two conceptual artists.

Previously on { feuilleton }
Passage 10

#Amazonfail

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I haven’t been using Twitter for very long and until today hadn’t seen the way it can spur people to action with incredible speed. Among my circle of people it was Neil Gaiman who set things rolling with a link to this post by author Mark R Probst which describes how Amazon.com have been quietly removing the sales rankings from books with gay content. Writer Craig Seymour notes it happening to a book of his back in February. They claim this is done as part of their policy of removing sales ranking from anything deemed “adult” and is intended to help (ie: protect by blanking) customers who don’t want to see “adult” material turn up in their searches:

In consideration of our entire customer base, we exclude “adult” material from appearing in some searches and best seller lists. Since these lists are generated using sales ranks, adult materials must also be excluded from that feature.

It quickly became apparent that gay and lesbian titles are being penalised in a very scattershot manner. As Jezebel.com noted:

Queer theory books, books on coming out, and feminism books lose their rankings, but A Parent’s Guide To Preventing Homosexuality gets to keep its rank? WTF?!?

Other people noted that Mein Kampf gets to keep its sales rank. There’s a growing list of affected titles here. Examples of inconsistency can be found all over; an early title by William Burroughs, Queer, has no sales ranking while Cities of the Red Night does. The latter contains a lot more hardcore gay sex than the former but I guess it was the title which damned Queer rather than the content. I could go on listing and comparing but you can do that yourself, it’s a curious diversion wondering what gets hit and what doesn’t. I had a quick look through Amazon.co.uk and that seems affected in an equally haphazard manner with gay-themed academic titles being stripped of their rankings while other books with erotic scenes (Alan Hollinghurst’s novels, for example) are left alone. Plenty of non-gay erotic books have also been left alone.

As a consequence of this the obvious thing to do is to boycott Amazon until there’s a clear change of policy, and I say this as someone who has a book of his own on sale there. Buy it elsewhere, people. I’m changing the Amazon Associates links on this site so they point to publishers’ pages or other booksellers. I’ve never made much from the Associates scheme but in the two years I’ve been a part of it the various clicks and orders from visitors have generated Amazon nearly £1000 ($1800). Given their present policy towards gay and lesbian books—accidental or otherwise—I don’t see why I should be assisting them any further.

Update: A theory that this was caused by some clever trolling. Um, I think not. As noted above, it’s been going on for some time.

Update 2: Amazon says: “We recently discovered a glitch to our Amazon sales rank feature that is in the process of being fixed. We’re working to correct the problem as quickly as possible.” Gay news blogs remain unconvinced. A pertinent quote from Andy Towle at Towleroad:

It … brings up a wider issue. This kind of double-standard happens not only across the internet but across media. Towleroad, for example, although we carry no pornographic content, is widely blocked as “adult” by many corporate filters simply because we write about gay issues. It’s the same reason magazines like OUT and The Advocate are often placed among porn titles on newsstands when they clearly don’t belong there.

Update 3: Patrick Nielsen Hayden’s appraisal of the farrago. Best theory I’ve seen so far (Amazon’s “glitch” excuse isn’t enough for most people, hence the ongoing theorising). Note that he doesn’t rule out the trolling theory either.

Update 4: Finally…a more detailed admission of culpability from someone at Amazon.

Update 5: NYT “Amazon Says Error Removed Listings“.

Update 6: Last word on the whole business (maybe).

Previously on { feuilleton }
The art of Shinro Ohtake

Design as virus 8: Keep Calm and Carry On

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Continuing an occasional series.

The poster at the top left is the unused Ministry of Information design created to maintain Britain’s resolve after war had been declared in September 1939. This simple slogan struck a chord recently among Britons sick of the climate of fear, security theatre and authoritarian coercion which, deliberately or not, appears to benefit politicians and the agents of the State more than the populace who pay their wages. The BBC asked whether this was the greatest motivational poster ever. The Guardian noted the popularity of the slogan and its inevitable commercial exploitation:

…one day in 2000, Stuart Manley, co-owner with his wife Mary of Barter Books in Alnwick, Northumberland, was sifting through a box of hardbacks he had bought at auction when he saw “A big piece of paper folded up at the bottom. I opened it out, and I thought, wow. That’s quite something. I showed it to Mary, and she agreed. So we framed it and put it up on the bookshop wall. And that’s where it all started.”

The reworked version at the top right is one of the opening pages from The Black Dossier (2007) by Alan Moore and Kevin O’Neill. The crown is replaced by a portcullis and Gill Sans is dropped in favour of Edward Johnston’s sans serif typeface which has been used throughout the London Underground system since the 1930s.

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The original poster has been undergoing numerous redesigns, from the jokey to the serious. The green design is one of the better variants by designer Matt Jones.

The blue design is part of an advertising campaign by the British Home Office intended to promote their new “Policing Pledge”, “a set of promises to local residents that not only gives more information about who their local neighbourhood policing team is, but also ensures that communities will have a stronger voice in telling the police what they think is most important and what they are most worried about.”

Laudable as this intention may be, I was very surprised when I saw this poster on a bus shelter earlier in the week. While the Home Office and its advertising people are fully entitled to reclaim a design which originated with the State in the first place, one of the reasons the original poster strikes a chord is because it runs counter to anti-terrorist nonsense like this. It speaks, among other things, to people sick of being lied to by politicians and spied on by police and security services. To see a forgotten design experience a swelling of grassroots popularity then be co-opted by the State itself is as depressing as it would have been had Richard Nixon used psychedelic posters to campaign for his re-election. To see a campaign use slogans which treat the rights of defendants as flippantly as the poster remixers when this present government has spent the past ten years undermining the rights of its citizens is simply a disgrace.

Update: A Flickr pool catalogues the variations.

Previously on { feuilleton }
Design as virus 7: eyes and triangles
Design as virus 6: Cassandre
Design as virus 5: Gideon Glaser
Design as virus 4: Metamorphoses
Design as virus 3: the sincerest form of flattery
Design as virus 2: album covers
Design as virus 1: Victorian borders