The Metamorphosis of Mr Samsa, a film by Caroline Leaf

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Caroline Leaf’s adaptation of Franz Kafka’s most famous story was made by animating sand on a pane of illuminated glass. Leaf made several films using this technique which gives painterly, if monochromatic, results, and is probably less time-consuming than other techniques that aim for similar effects. This is one story that’s best treated as an animation (or theatre, as Steven Berkoff demonstrated); Kafka’s Ungezeifer is a famously difficult word to translate into English, and an even more difficult concept to bring to life in a film studio.

Previously on { feuilleton }
Kafkaesque
Screening Kafka
Designs on Kafka
Kafka’s porn unveiled
A postcard from Doctor Kafka
Alexandre Alexeieff and Claire Parker
Steven Soderbergh’s Kafka
Kafka and Kupka

Shadowland, a film by Anthony Lucas

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I forget who recommended this to me but the tip was probably a result of my recent work with silhouettes on Ishbelle Bee’s book covers. Shadowland (1988) is a short student film which, for the most part, concerns the conflict between stick-figure humans and an army of giant winged insects. It’s not quite a silhouette work in the manner of Lotte Eisner since the figures and decor all show some solidity. Everything is in shadow, however, hence the title. Watch it here.

Weekend links 266

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Spine and cover art by John Schoenherr for the first American edition of Dune, 1965.

• “[Herbert] had also taken peyote and read Jung. In 1960, a sailing buddy introduced him to the Zen thinker Alan Watts, who was living on a houseboat in Sausalito. Long conversations with Watts, the main conduit by which Zen was permeating the west-coast counterculture, helped turn Herbert’s pacy adventure story into an exploration of temporality, the limits of personal identity and the mind’s relationship to the body.” Hari Kunzru on Frank Herbert and Dune, 50 years on. Related: “To save California, read Dune,” says Andrew Leonard. There’s a lot more Dune cover art at ISFDB.

• “Embedded in Adam’s footage were several dark forms, human-ish in outline, unidentifiable but unmistakable, visible within the leaves or the shadows.” Holloway is a short film by Adam Scovell based on the book by Robert Macfarlane, Dan Richards and Stanley Donwood.

The Library of the Lost: In Search of Forgotten Authors by Roger Dobson; edited and with an introduction by Mark Valentine. Roger and Mark were my first publishers in 1988 when their Caermaen Books imprint produced the large-format edition of The Haunter of the Dark.

• “…over the years he created a series of ‘Pharmacies’: rows of glass bottles filled not with medicines to cure the body…but objects to stimulate the mind.” Clare Walters reviews Joseph Cornell: Wanderlust, an exhibition at the Royal Academy, London.

• “The sound machines we build today are invariably one-offs, made from salvaged parts, with all the precariousness of a prototype.” Sarah Angliss on the art of making music machines.

Mission Desire is a new single by Jane Weaver whose video is “set to scenes from Marie Mathématique – the French 1960s mini-series about Barbarella’s younger sister”.

• Ghost signs, ginnels and hidden details: an alternative guide to Manchester by Hayley Flynn aka Skyliner.

• “I want to be despised,” says John Waters who has a new art exhibition at Sprüth Magers, London.

Sonic Praise, an album of “Krautprogbikermetal” by Ecstatic Vision.

• The Evolution of the Great Gay Novel: an overview by Rebecca Brill.

• At Bibliothèque Gay: more homoerotic drawings by Jean Cocteau.

Wyrd Daze Lvl2 Issue 3 is a free download.

Nicolas Winding Refn: vinyl collector.

Art With Naked Guys In It

Caladan (2011) by Roly Porter | Giedi Prime (2011) by Roly Porter | Arrakis (2011) by Roly Porter

More Brothers Quay scarcities

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Look What the Cat Drug In (Long Way Down) (1992).

More short films by the Brothers Quay that haven’t yet appeared on their DVDs. Look What the Cat Drug In is a music video for Michael Penn that I was unable to find last time I did a YouTube trawl. It’s a good one.

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Dolls (1994).

A 30-second warning about the perils of AIDS, made for the Partnership for a Drug Free America. Watch for the bizarre detail of a puppet snorting coke. The Quays made a lot of commercials and idents during the 1990s but few of them surface.

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Black Soul Choir (1996).

A music video for 16 Horsepower featuring animated nails and pieces of chalk.

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Alice in Not So Wonderland (2008).

Another short warning—climate change this time—made for Live Earth. How much of the message makes it through the surrealism is debatable but it’s good to see the Quays’ take on Lewis Carroll.

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The Metamorphosis (2012).

Mikhaïl Rudy plays a piano piece by Leos Janácek (the subject of an earlier Quays film) while Gregor Samsa deals with his traumatic awakening. The previous scarcities post found a trailer for this piece which apparently runs for 33 minutes. The version linked here is only the first 5 minutes but it gives a better idea of the film as a whole.

Elsewhere on { feuilleton }
The Quay Brothers archive