A journal by artist and designer John Coulthart.
Design
More dirigibles. Posters from the Library of Congress Performing Arts Poster Collection for The Air Ship (1898), a musical comedy by JM Gaites.
I’ve had some longer posts planned but I’m chasing a deadline this week, hence the resort to brief picture posts.
Previously on { feuilleton }
• Dirigibles
• La route d’Armilia by Schuiten & Peeters
• The Airship Destroyer
• Zeppelin vs. Pterodactyls
Millionaire Households and their Domestic Economy (1903).
More Art Nouveau cover designs, this time by celebrated American designer Margaret Armstrong (1867–1944) whose life and work is documented here. The University of Rochester has examples of her work, as does the Atheneum of Philadelphia and the University of Alabama’s Publisher’s Bindings pages, the latter being an incredible resource for 19th and 20th century cover designs.
The Golden Key (1926).
Elsewhere on { feuilleton }
• The book covers archive
Browsing various bookbinding sites this week turned up a gorgeous cover design I hadn’t seen before by the great Will Bradley (1868–1962). The Beardsley influence is unmistakable, of course, and more pronounced than one usually sees in Bradley’s work. Richard Le Gallienne is a familiar name to scholars of the London fin de siècle scene although I can’t testify to the quality of this novel which was published in 1898, the year of Beardsley’s death. If you want to give it a go, the Internet Archive has the entire thing in its Bradley livery.
Elsewhere on { feuilleton }
• The book covers archive
Previously on { feuilleton }
• Peacocks
Giant Squid of the Newfoundland Banks. From a painting by Herbert B Judy.
Today’s Giant Squid comes to you courtesy of the University of Washington’s Digital Collection and their Freshwater and Marine Image Bank. This book plate is from Sea-shore Life; The Invertebrates of the New York Coast and the Adjacent Coast Region (1905) by Alfred Goldsborough Mayor, and the Internet Archive happens to have copies of the entire book.
Which facts have nothing whatsoever to do with Ken Hollings’ photos of the Strange Attractor Salon which is in its final week at Viktor Wynd Fine Art, London. I was pleased to see the picture above which shows my pieces on the same wall as work by Julian House whose covers for the Ghost Box CDs I’ve enthused over in the past. Strange Attractor curator Mark Pilkington has posted further photos on his Flickr pages as has artist Ali Hutchinson whose beautiful work is also featured there.
Previously on { feuilleton }
• Strange Attractor Salon
• Readouts
• Welcome to Mars
• The Séance at Hobs Lane
• SAJ again
• Strange Attractor Journal Three
• Ghost Box
• The Major Arcana
The previous post in this series showed Flandrin’s Jeune Homme Assis au Bord de la Mer (1836) being used as a book cover illustration and here it is again, confirming once again how easily the painting fits the world of homoerotica whatever the original intention of the artist. I hadn’t come across this book before but it looks like it may be worth buying despite the mixed reviews.
And a recent posting from this Flickr user is another deliberate imitation of Flandrin’s pose.
Elsewhere on { feuilleton }
• The recurrent pose archive