Nyarlathotep: the Crawling Chaos

nyarlathotep.jpg

Unveiling another new piece of work, this is a T-shirt design for metal band Cyaegha whose Steps of Descent album I illustrated and designed last year. They asked for something based on HP Lovecraft’s god Nyarlathotep so I thought I’d take the opportunity to rework from scratch the version of this I created in 1999 for the first edition of The Haunter of the Dark. I always felt the earlier piece was going in the right direction but lacked somewhat in execution; this makes up for that. Lovecraft’s Nyarlathotep is one of his most curious creations, in part because the conception of the character changed over many years. In various stories, letters and dream fragments the god/entity is variously described as an Egyptian pharaoh, an itinerant showman with electrical apparatus, the “black man” of European witch cults and the more typically Lovecraftian squamous alien monstrosity. The challenge, then, is to try and represent a little of each of these elements without overly favouring one or the other.

This is one of two illustrations I’ve produced in recent months which use Photoshop to imitate the engraving collage style of Wilfried Sätty, an artist whose work I discussed in an essay for Strange Attractor #2 in 2005. Sätty’s style was derived from Max Ernst’s famous collage “novels” of the 1930s and Photoshop is the ideal tool for this, far better than the old method of scissors, paper and glue. Sätty expanded Ernst’s technique by using reverse printing and the duplication of images; Photoshop extends the technique even further, making it possible to scale images up or down instead of being limited to the size of the original reproduction. The other illustration I’ve done in this style is for a short story and I’ll reveal that closer to publication. In the meantime I should be making a slightly different version of the new Nyarlathotep suitable for the usual range of CafePress products. More about those when they’re done.

Previously on { feuilleton }
The Haunted Palace
The art of Stephen Aldrich

New things for April II

coc.jpg

Another work-related update. This HP Lovecraft collection is published by Barnes & Noble next month and features my colour rendering of the rising monstrosity on its cover. Nice to have something decorating an actual Lovecraft book, the second time this has happened (first time was for a French volume). B&N also sell my own book, of course (with, er…the same cover pic).

And another shout-out, for a preview of Arik Roper‘s new book, Mushroom Magick: A Visionary Field Guide, at Abrams. Read an extract from Erik Davis’s introduction here.

Via Further.

Previously on { feuilleton }
The art of Arik Roper

Le Sacre du Printemps

roerich.jpg

Backdrop for the League of Composers’ production, Philadelphia, 1930.

Something for the vernal equinox. The painting is a stage design by artist, writer and theatre designer Nicholas Roerich (1874–1947) for an American production of Stravinsky’s Rite of Spring. Roerich designed the costumes and decor for the riotous Paris performance of 1913 and the Roerich Museum has a selection of designs for this and subsequent performances. Stravinsky’s fiercely primitive ballet has long been a favourite musical work of mine so it’s especially satisfying when one enthusiasm bleeds into another. I’ve noted before HP Lovecraft’s praise for Roerich’s paintings of whom he wrote in 1937:

There is something in his handling of perspective and atmosphere which to me suggests other dimensions and alien orders of being—or at least, the gateways leading to such. Those fantastic carven stones in lonely upland deserts—those ominous, almost sentient, lines of jagged pinnacles—and above all, those curious cubical edifices clinging to precipitous slopes and edging upward to forbidden needle-like peaks!

Roerich is also mentioned in At the Mountains of Madness and some of his designs for the Rite—which are, after all, backdrops for a ritual sacrifice—might easily serve as a scene of Cthulhoid invocation. Writer Mike Jay has a fascinating piece about the artist which proposes that he should perhaps be given more credit for the origin of the Rite of Spring. He’s not the first to note that it was the stage designer who nurtured a lifelong passion for mysticism and esoteric ritual, not the composer.

Finally, some slightly more contemporary music: Can performing Vernal Equinox for the BBC in 1975.

Previously on { feuilleton }
HP Lovecraft’s favourite artists

Readouts

hal9000.jpg

The HAL Project.

January flew by in a blizzard of work so posting here tended to rely more on pictures than words. As usual the things I’ve been designing will be unveiled when they’re closer to being published or released but for now here’s some new or not-so-new items worthy of note.

The HAL Project screensaver. I’ve never had much time for gaudy screensavers, I prefer something which doesn’t get annoying when I’m otherwise engaged. For a while now I’ve been using the Mac-only Lotsawater which turns your monitor into a vertical water tank with slow motion ripples. I replaced that this week with Joe Mackenzie’s HAL Project screensaver (for Mac and Windows) which throws up random samplings of the HAL 9000 monitor animations from 2001: A Space Odyssey. Sounds a bit dull until you see it in action, very crisp and detailed graphics, many of which mimic the animations of those in the film. I’ve belatedly realised how similar these fields of colour and their lines of white type are to the opening titles of A Clockwork Orange, yet another connection between the two films. Now I can sit trying to figure out some of the less obvious 3-letter codes for the spacecraft’s systems; Stanley Kubrick was so thorough you just know they all mean something.

Via the Kubrick obsessives at Coudal.

A pair of new blogs. Designer Barney Bubbles should need little introduction here but if you require one then read this. Paul Gorman has been in touch to inform me of a new online companion to his BB book, Reasons To Be Cheerful, which already looks like a treat with displays of Bubbles creations that didn’t make the book.

Writer Russ Kick was also in touch this week with news of his books and book culture blog, Books Are People, Too. Russ is the author of several books for Disinformation and his Memory Hole website notoriously caused a headache for the Bush regime when he forced photos of flag-draped coffins returning from Iraq onto the front pages of American newspapers.

Songs of the Black Würm Gism. And speaking of books, the much delayed sequel to DM Mitchell’s landmark Lovecraft anthology, The Starry Wisdom comes shambling into the light of day at last. The Creation Oneiros website describes it thus:

The Black Würm Gism Cult – oceanic insect porn – a vortex of cosmic mayhem stalked by ravening lysergic entities – a post-human psychedelic seizure of Lovecraftian text, art and fragments. SONGS OF THE BLACK WÜRM GISM picks up where the acclaimed anthology THE STARRY WISDOM left off and goes beyond – way beyond! – what H.P. Lovecraft dared to show. Editor D.M. Mitchell presents an illustrated brainstorm of visceral deep-sea dream currents, aberrant trans-species sex visions, and frenzied ophidian entropy.

Contributors include: alan moore (cover illustration), john coulthart (introduction), grant morrison, david britton, ian miller, john beal, david conway, kenji siratori, herzan chimera, james havoc, reza negarestani, & many others

Yes, the rather pompous introduction for this volume is mine and the cover is Alan Moore’s psychedelic arachnoid rendering of the demon Asmodeus, the same picture I used to create my little hidden film on the Mindscape of Alan Moore DVD. The Starry Wisdom roused a vaporous fury among the more staid Lovecraft readers so I look forward to seeing what squeaks of outrage this new book inspires. Publication is set for September 2009 but you can order it now from Amazon and other outlets.

ghost_box.jpg

Ghost Box haunts again. And if anything was going to provide a suitable soundtrack to “aberrant trans-species sex visions, and frenzied ophidian entropy” you could do worse than some of the works of the Ghost Box collective, especially the spooky and abrasive Ouroborindra by Eric Zann. Ritual and Education is a new download-only sampler of Ghost Box tracks and probably an ideal place to start if your curiosity is piqued by my recurrent raves about these releases. From An Ancient Star is the latest CD from Belbury Poly which swaps the Pelican Books graphics of earlier works for a convincing piece of crank lit. cover art which wouldn’t look out of place in the RT Gault archives.

Previously on { feuilleton }
The Demon Regent Asmodeus
The Séance at Hobs Lane
Ghost Box
2001: A Space Odyssey program