{sculpture} – Page 69 – { feuilleton }

Three today

Three Spheres II (1946) by MC Escher.

Celebrating the third { feuilleton } anniversary and post number 1,438. It’s become customary now to list the most popular posts of the past year so here we go again:

• The Underwater Sculpture Gallery. This has been surprisingly popular for several months now, despite pictures of the artworks in question having been featured on very popular sites such as Boing Boing. Typing “underwater” into Google’s image search provides the answer, revealing that one of the pictures from the post is on the first results page.

• The gay artists archive. This section has also leapt in popularity after the page was linked recently on StumbleUpon. It’s not a definitive archive by any means, plenty of other sites are attempting that already. These archive pages are only a convenience so that people following some of the lengthier visual categories can see at a glance what else is there. At its best this section may introduce people to more recent work which the historical sites omit.

• Barney Bubbles: artist and designer. No surprise that this is still popular two years on.

• Bare blade. Part of the new semi-serious Men with swords obsession. I think people like this guy’s bum more than anything. Can you blame them?

• Two guys kissing. Yes, Googlers, when you search for “Two guys kissing” you get this wonderfully sexy photo by Jack Slomovits. He’s great, buy his book.

Thanks for reading!

John x

Less money to spend…less second-rate art

Less money to spend…less second-rate art | And not a moment too soon.

Junkopia

A curious short film over at Ubuweb by Chris Marker, John Chapman and Frank Simeone, depicting driftwood sculptures at the shore of San Francisco Bay which resemble the remnants of some Ballardian cargo cult. The film was made in 1981 and the sculptures look weathered and dated enough (rainbow stripes; what appears to be a lunar lander) to be products of the early 1970s. The atmospheric soundtrack is reminiscent of Max Eastley’s recordings, some of which use the force of sea-borne winds to generate their sounds.

And while we’re on the subject of Mr Marker, I hadn’t noticed this Marker-related blog before.

Previously on { feuilleton }
• Max Eastley’s musical sculptures
• Penguin Labyrinths and the Thief’s Journal
• Short films by Walerian Borowczyk
• Monsieur Chat
• Sans Soleil

The Kelpies

Maquettes from which the final works will be produced.

Given the choice between Thomas Heatherwick’s B of the Bang sculpture—a vast bundle of metal spikes situated near the City of Manchester Stadium—and Andy Scott’s proposal for The Kelpies, a pair of giant horse heads due to be erected in Falkirk, Scotland, I’d probably prefer the latter as a piece of colossal public art. Horse heads, from the Selene horse of the Parthenon onwards, are especially suited to statuesque representation and the horse has a venerable history as a symbol in the British countryside. It should be noted that between the two works, Andy Scott has the better location, Heatherwick’s giant piece is stuck in a redeveloped area near busy roads which makes its rusted spikes seem like leftovers from the stadium’s construction. He’s also been unfortunate in having created a work which began falling apart as soon as it was finished, with falling spikes causing a public hazard and a lengthy row with Manchester City Council which was only resolved this week.

Scott’s enormous horse heads will be standing alone and monumental in newly-created parkland, symbolically representing a gateway to Scotland as they flank and help operate a canal lock. Kelpies is the name for the “water-horses” of Scottish myth and Scott’s Kelpies will stand 35 metres high, taller than the Angel of the North. Unlike Anthony Gormley’s static monument they’ll move back and forth as the level of the locks rises and falls. Scott’s website has more pictures of the maquettes as well as photos of his other public works.

Update: ‘Bang’ sculpture to be taken down

• The Kelpies at Falkirkonline
• Meet the Kelpies, Scotland’s giant addition to the UK sculptural skyline

Previously on { feuilleton }
• Dark horses
• Planet by Marc Quinn

Al Farrow’s Reliquaries

Trigger Finger and two Ribs of Santo Guerro (detail).

Amazing sculpture from Al Farrow’s Reliquaries series. Gun parts, bullets and bones, about which the artist says this:

I am not a gun person. My fascination with guns is with their function and use. It is the ubiquitous presence, seeming necessity and actual accessibility of guns in our culture that inspires my investigation. I am interested in their impact on society and cultures: Past, Present (and Future).

I do not personally use guns (Except as a medium for making art), so I was amazed at the availability of gun related paraphernalia when I started to accumulate supplies for this body of work.

I am also perpetually surprised by the historical and continuing partnership of war and religion. The atrocities committed in acts of war absolutely violate every tenet of religion, yet rarely do religious institutions speak against the violations committed in the name of God. Historically, Popes have even offered eternal salvation to those who fought on their behalf (The crusades, etc.).

In my constructed reliquaries, I am playfully employing symbols of war, religion and death in a facade of architectural beauty and harmony. I have allowed my interests in art history, archeology and anthropology to influence the work. The sculptures are an ironic play on the medieval cult of the relic, tomb art, and the seductive nature of objects commissioned and historically employed by those seeking position of power.

And when you’ve looked through the small pieces, there’s the cathedral…

Previously on { feuilleton }
• Guillaume Bijl’s buried church