Margaret Armstrong book designs

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Millionaire Households and their Domestic Economy (1903).

More Art Nouveau cover designs, this time by celebrated American designer Margaret Armstrong (1867–1944) whose life and work is documented here. The University of Rochester has examples of her work, as does the Atheneum of Philadelphia and the University of Alabama’s Publisher’s Bindings pages, the latter being an incredible resource for 19th and 20th century cover designs.

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The Golden Key (1926).

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Bradley does Beardsley

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Browsing various bookbinding sites this week turned up a gorgeous cover design I hadn’t seen before by the great Will Bradley (1868–1962). The Beardsley influence is unmistakable, of course, and more pronounced than one usually sees in Bradley’s work. Richard Le Gallienne is a familiar name to scholars of the London fin de siècle scene although I can’t testify to the quality of this novel which was published in 1898, the year of Beardsley’s death. If you want to give it a go, the Internet Archive has the entire thing in its Bradley livery.

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Peacocks

Peter Edwards times two

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Sometimes it pays to have an unusual name… Ritual is a 1967 novel by David Pinner which has been claimed on many occasions to be the original source for the story which Anthony Shaffer wrote as The Wicker Man. An illustrator named Peter Edwards was responsible for the cover graphic and possibly the hand-drawn type as well. Searching for more of his work turned up this elegant cover for an Everyman title (at this rather tasty illustration blog) but little else.

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Metatron’s Cube.

There is, however, a younger Peter Edwards who also happens to be an illustrator with a website here and an example of his work above. Are the two related, perhaps? In addition to this pair there’s a third Peter Edwards who paints portraits. Pity the poor artist trying to carve a niche for his or herself among a host of similarly-named contemporaries.

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The music of The Wicker Man