Abductor (2006).
Two examples from this gallery selection. There’s more at White Cube.
Halo of Flies (2006).
Previously on { feuilleton }
• Yoshitaka Amano in Berlin
• Visions and the art of Nick Hyde
• AVAF at Mao Mag
A journal by artist and designer John Coulthart.
Art
Abductor (2006).
Two examples from this gallery selection. There’s more at White Cube.
Halo of Flies (2006).
Previously on { feuilleton }
• Yoshitaka Amano in Berlin
• Visions and the art of Nick Hyde
• AVAF at Mao Mag
The 1970 screen adaptation of Dorian Gray by Massimo Dallamano is one film version I’ve yet to see. Given that it’s a production of notorious schlock merchants Samuel Z Arkoff and Harry Alan Towers I wouldn’t expect too much although it does have Helmut Berger as the star when he was at the height of his pulchritude. And I really like this Klimt-esque poster, a typical piece of Seventies design with an illustration that resembles many of the trendier European comic strips of the period. I’ve no idea who the artist was despite there being a scrawled signature. If anyone has a clue, please leave a comment.
Update: The artist is Ted Coconis.
• A lengthy review at Cinebeats
Elsewhere on { feuilleton }
• The Oscar Wilde archive
Las Pozas is the unique fantasy/folly/Surrealist paradise which Edward James spent years building (and never quite finished) in the Mexican jungle of Xilitla. When I wrote about the place a couple of years ago decent photos were hard to find. Flickr has now filled the gap with this extensive set of views by Lucy Nieto. Lots of great details and some remarkable shots which show the scale of the structures, as does the picture above (note the people).
Previously on { feuilleton }
• The magic kingdom
• Las Pozas and Edward James
Continuing this occasional series. The above motif is the Golden Dawn’s Wedjat or Eye of Horus emblem as reproduced in the hardback edition of The Confessions of Aleister Crowley, an “autohagiography”. Crowley was under discussion here a few days ago and the eye in a triangle symbol can also be seen on the sleeve of the single featured in that posting, forming a part of the seal of the Ordo Templi Orientis, the occult order which Crowley joined in 1910. Crowley’s use of the eye in a triangle caught the attention of writer Robert Anton Wilson and the first part of his Illuminatus! trilogy (written with Robert Shea) is titled The Eye in the Pyramid. That latter symbol appears on the reverse of the American dollar bill, of course, and some of the conspiracy theories surrounding that usage are explored in the novel. Wilson went on to make the eye in a triangle something of a personal symbol and his obsessive use of the motif caught my attention in turn when I began reading his books.
All of which leads us to Hawkwind and a person whose name keeps turning up on these pages, designer Barney Bubbles.
Hawklog cover (detail) by Barney Bubbles.
The booklet which BB designed for Hawkwind’s second album, In Search of Space (1971), featured a version of the dollar bill symbol on its cover. This is the only eye in a triangle design I’ve seen among Barney Bubbles’ work although he was so prolific there may well be others. When I began producing my own significantly inferior Hawkwind graphics in the late Seventies I incorporated eyes in triangles partly as a way of avoiding having to draw hawks all the time but mainly because of Robert Anton Wilson. BB had already established a precedent and it so happens that the eye in the Golden Dawn/Crowley version is the eye of a hawk-headed Egyptian god.
Dragonfly (Green Darner) sterling silver, 18k & 14k gold, brass, ceramit, moonstone.
Two of Elizabeth Goluch‘s unique—and no doubt expensive—sculptures. She also does a range of jewellery.
Another fabulous find from Fabulon.
Praying Mantis, sterling silver, copper, 14K & 18K gold.
Previously on { feuilleton }
• Kelly McCallum’s insect art
• The art of Jo Whaley
• The art of Philippe Wolfers, 1858–1929
• Lalique’s dragonflies
• Lucien Gaillard
• Insect Lab