Willy Pogány’s Lohengrin

lohengrin1.jpg

Not sure how I managed to miss this at the Internet Archive, a copy of Pogány’s lavishly illustrated rendition of Wagner’s Lohengrin from 1913. This followed two earlier Wagner adaptations for Tannhaüser (1911) and Parsifal (1912). Golden Age Comic Book Stories has scans of the other two equally stunning volumes.

lohengrin2.jpg

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Willy Pogány’s Parsifal

Polish posters: Freedom on the Fence

ptaki.jpg

Poster for Alfred Hitchcock’s The Birds, designed by Bronislaw Zelek (1965).

Freedom on the Fence is a 40-minute documentary film by Andrea Marks about the history of the Polish poster which includes a look at the many unique cinema and theatre designs produced in the 1960s and ’70s. Marks spent ten years working on this short film, interviewing many of the artists responsible for designs such as the one above. While searching around for links I came across a brief interview with {feuilleton} favourite Franciszek Starowieyski who died in February.

As to the current state of the art form in Poland, Marks has this unsurprising but still dispiriting note:

The Polish government no longer finances most cultural events; theatres cannot afford to publish artistic posters, and the idea of a film as an excuse to make a poster has vanished. Ironically, although the climate of Communism was a good ground for creating posters, the freedom of a free market society has resulted in a more restrictive climate for the creation of powerful posters. The art form is forever changed. A few concerned collectors and publishers, such as Krzysztof Dydo and Edmund Lewandowski, are attempting to keep the art form alive by commissioning and publishing new works, but their efforts alone will not overcome the situation. It is hoped that an outside appreciation of pre-1980s poster design history in Poland will ultimately help to encourage the government and private interests to commission more posters from Polish artists.

Freedom on the Fence is due to be released on DVD later this year.

An interview with the director

Previously on { feuilleton }
The Robing of The Birds
Franciszek Starowieyski, 1930–2009
Czech film posters

Kaleidoscope: the switched-on thriller

kaleidoscope1.jpg

I’ve not seen Jack Smight’s 1966 caper movie for years, and don’t remember much about it beyond Maurice Binder’s kaleidoscopic title sequence. But I like this collage poster, a suitably frenetic piece for one of Hollywood’s many attempts throughout the 1960s to capitalise on modish fashion. I can’t find a credit for the designer so if anyone knows who was responsible, please leave a comment.

kaleidoscope2.jpg

This Polish poster, on the other hand, is the work of Witold Janowski who successfully combines the film’s title with its playing card theme. Too arty and cerebral for Hollywood (No girls!…no guns!) but that’s how it is with all those great Polish poster artists.

Update: the US poster was by the great Bob Peak.

Previously on { feuilleton }
The Robing of The Birds
Franciszek Starowieyski, 1930–2009
Dallamano’s Dorian Gray
Czech film posters
The poster art of Richard Amsel
Bollywood posters
Lussuria, Invidia, Superbia
The poster art of Bob Peak
A premonition of Premonition
Metropolis posters
Film noir posters

The art of Benoit Prévot

prevot1.jpg

The Fountain of Youth.

Another artist I ought to have mentioned earlier. Benoit Prévot is a French illustrator and comic artist with a sideline in stylish homoerotics. He’s witty too, wit being a rare quality in art of this nature, as is the Twenties’ atmosphere he so obviously enjoys. His official site has originals for sale.

prevot2.jpg

Wine-Fuelled Imaginings.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Phallic worship
The art of ejaculation

David Becket’s bookplates

becket.jpg

From David Becket: His Book of Bookplates, a slim volume published in 1906. The wonderfully spare style of these looks advanced for the time but probably owes something to William Nicholson‘s earlier work. Nicholson collaborated with brother-in-law James Pryde (as “The Beggarstaffs”) on poster designs with the same reduced detail, masses of black and hand-drawn type.

For 764 (!) further bookplates, see LUNA Commons.