Turn, Turn, Turn, a film by Jud Yalkut

yalkut.jpg

I’m currently reading my way through Rob Chapman’s lysergic doorstop Psychedelia and Other Colours, a comprehensive study of a cultural phenomenon that’s well-represented on these pages. So expect more posts like this one which concerns another gem of abstract/psychedelic cinema. Turn, Turn, Turn (1966) is a collaboration between Jud Yalkut (visuals) and the Us Company aka USCO (sound). The latter receive several mentions in Chapman’s detailing of the early psych scene in San Francisco in the mid-60s; here they put a Byrds song through the mangler while Yalkut’s mechanical and other effects flicker and gyrate. The visuals are reminiscent in places of the film made by László Moholy-Nagy of his Light-Space Modulator, fittingly so when Chapman credits Moholy-Nagy’s machine with being one of the many forerunners of psychedelia in the art movements of the early 20th century.

The YouTube copy linked here has a bonus at the end with a truncated version of a later Yalkut collaboration with Nam June Paik, Beatles Electronique.

Elsewhere on { feuilleton }
The abstract cinema archive

Weekend links 275

wessi.jpg

A painting from the Projekt Babelturm series by Wessi.

• “The first thing I would say is that I have no idea what authentic psych music is, and I have no wish to pursue that either. To me the idea of real psych is a paradox. I can’t see how you can have such a thing as real psychedelia when the whole thing is based on a psychedelic drug that gives you hallucinations and illusions and layers and layers of unreality.” Rob Chapman talking to Ben Graham about his new book, Psychedelia And Other Colours.

Elsewhere in a rather psychedelic week: Rob Young reviewed Chapman’s book for the New Statesman; Dangerous Minds posted “Hypnotic video of how a psychedelic masterpiece is made“; and in Germany a homeopathy conference “ended in chaos in Germany after dozens of delegates took a LSD-like drug and started suffering from hallucinations.”

• Coming soon from Dark Entries (so to speak), another collection of Patrick Cowley‘s music for gay porn films.

Jonathan Barnbrook works some quotes from JG Ballard into the British Road Sign Project.

• “Sorcery is more popular than football in Morocco,” says writer and filmmaker Abdellah Taïa.

• “If you’re going to make something, you should try and be wild,” says Mica Levi.

• Coca-Cola Milanese: Patrick Ellis considers the state of the world’s fair in 2015.

• Hear two pieces from Collapse, the forthcoming album by Drew McDowall.

• Mix of the week: Secret Thirteen Mix 162 by Ketev (Yair Elazar Glotman).

Emptyset’s Signal transforms Earth’s ionosphere into sound art.

Paul Laffoley: The Force Structure of the Mystical Experience.

• Fuck off, Star Wars, Ben Wheatley’s High Rise is on its way.

Ideologic Organ

Psychedelic Ride (1967) by The Ides | Psychedelic Warlords (Disappear In Smoke) (1974) by Hawkwind | Psychedelic Sewing Room (1989) by Bongwater

Listen to the Colour of Your Dreams: Part Three

it69.jpg

Continuing the psychedelic mega-mix based on Jon Savage’s list of “100 mind-expanding masterpieces” (see this post). The third of the six mixes is the final visit to the UK, with songs from the years 1967 to 1969. As before, the selections from the Savage 100 are in bold, and I’ve added a few notes about my additions or amendments.

By late 1968 different musical trends were becoming apparent in pop music, all of which would develop into distinct movements of their own in the 1970s. Some of the strands are evident here, notably heavy rock, progressive rock, and the first stirrings of electronic music. Savage didn’t include any electronic songs in his UK listing but I had to have something from White Noise, an obscure group at the time whose first album, An Electric Storm, has since proved very influential. That album is infused with the psychedelic spirit, especially on Your Hidden Dreams, one of the many songs of the period that conflates dreams with drug experiences. An earlier version of this mix did include Your Hidden Dreams but I’ve ended up going with Love Without Sound, the first piece the group recorded.

The most surprising entry in all six mixes is probably the song by Cilla Black, an artist whose name seldom (if ever) appears in discussions of psychedelia. This was a discovery via another list for Mojo magazine compiled by Rob Chapman, a collection of novelty hits, comedy songs (Dick Shawn’s Love Power from The Producers), and various obscurities. Cilla’s song was included for featuring yet more lyrics that may or may not be about drugs. The faux-Arabian arrangement is by George Martin. If I ever track down all of Chapman’s songs I may upload them as well.

UK Psychedelia, Part Three by Feuilleton on Mixcloud

The Rolling Stones — 2000 Light Years From Home (The Stones at their most cosmic.)
The Nice — Flower King Of Flies (The Savage 100 has Diamond Hard Blue Apples Of The Moon, a B-side that’s also very badly recorded, hence this substitute.)
Status Quo — Pictures Of Matchstick Men
Big Boy Pete — Cold Turkey
The Pretty Things — Talkin’ About The Good Times (Another marvellous single from a group at the peak of their powers.)
Julie Driscoll with Brian Auger and The Trinity — This Wheel’s On Fire (Julie Driscoll also did a great cover of Donovan’s Season Of The Witch. This gets included for the modish phasing and for being the theme song for Absolutely Fabulous on which Driscoll also sings.)
Nirvana (UK) — Rainbow Chaser
The Rokes — When The Wind Arises (An English band recording for the Italian market.)
Boeing Duveen & The Beautiful Soup — Which Dreamed It? (Hank Wangford in an earlier guise. A Lewis Carroll poem set to music, this was the dreamy B-side of the group’s Jabberwocky single.)
The Mirror — Faster Than Light
Fairport Convention — It’s Alright Ma, It’s Only Witchcraft
The Crazy World Of Arthur Brown — Fire
Pink Floyd — Jugband Blues
Cilla Black — Abyssinian Secret
The Jimi Hendrix Experience — 1983 (A Merman I Should Turn to Be)
White Noise — Love Without Sound
The Apple — The Other Side
Kaleidoscope (UK) — Faintly Blowing
Jason Crest — Black Mass (A Satanic obscurity that pre-empts Black Sabbath by several months.)
The Open Mind — Magic Potion (By late 1969 it was much too late to still be writing drug songs but that’s what you have here. The heavy riff points to the future.)
Blind Faith — Can’t Find My Way Home

Previously on { feuilleton }
Listen to the Colour of Your Dreams: Part Two
Listen to the Colour of Your Dreams: Part One
What Is A Happening?
My White Bicycle
Ogdens’ Nut Gone Flake
Tomorrow Never Knows
The Dukes declare it’s 25 O’Clock!
A splendid time is guaranteed for all