Henry Keen’s illustrated Webster

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More gorgeous work from elusive British illustrator Henry Keen (1871–1935). These are some of the ink drawings Keen provided for a 1930 edition of John Webster’s Jacobean tragedies The Duchess of Malfi and The White Devil. In addition to eleven full-page illustrations there are decorative embellishments, and as usual it’s a shame there isn’t anywhere with a complete set of the artwork. I’m tempted to track down some of Keen’s books myself, this one seems especially good. That crowned skull is not only worthy of Carlos Schwabe, it makes me wonder why Webster wasn’t given more attention from earlier artists. Probably because the plays were too strong for 19th century tastes, violent revenge drama wasn’t what anyone wanted on stage at the time. Swinburne admired Webster’s work but then Swinburne wasn’t exactly a typical Victorian.

Thanks to ~Wunderkammer~ for the tip!

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Henry Keen’s Dorian Gray

Carlos Schwabe’s Fleurs du Mal

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La Déstruction.

More Symbolist femmes fatale, this time courtesy of Carlos Schwabe (1866–1926) and his illustrations for Baudelaire’s Fleurs du Mal from 1900. I’d had the site these pictures are from bookmarked for some time but hadn’t noticed that the version of Schwabe’s Spleen et Ideal illustration (below) was different to the one more commonly seen in books of Symbolist art. In fact the more common picture is about the only one of these illustrations that turns up at all in books. (It also appeared on a UK edition of Baudelaire’s poems, as I recall.) Schwabe is more usually represented by his mystically-inspired paintings and drawings, especially those he produced for the Salon de la Rose+Croix; on the strength of some of his Baudelairean pieces I’d say he’s a worthy companion to Félicien Rops.

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