Jan 12, 2013

Macbeth (1971). There are few actors I’ve ever felt sufficiently cultish about who could make me watch films or TV dramas I wouldn’t otherwise be interested in. Orson Welles would be one (up to a point, he was in a lot of crap in later years), Patrick McGoohan another and Jon Finch most definitely a [...]
Dec 19, 2012

The Magic Shop (1964). I discovered this TV adaptation by accident while looking for something else (more about the something else tomorrow). The Magic Shop is a 45-minute drama directed by Robert Stevens in 1964 for The Alfred Hitchcock Hour. Writer John Collier adapted a script by James Parish that’s loosely based on the short [...]
Dec 9, 2012

Heartsick (2011) by Kelly Durette. • Now that Scott Walker’s Bish Bosch album is out and causing the usual consternation, the spotlight-shy singer/composer has been doing a surprising amount of promotional interviews. Simon Hattenstone talked to him for the Guardian at the end of last month; this week it was John Doran’s turn at The [...]
Jul 31, 2012

“A recurrent rumour says that Chris Marker and the cat Guillaume-en-Egypt sank with the Titanic.” Photo credited to Wim Wenders. In our moments of megalomaniacal reverie, we tend to see our memory as a kind of history book: we have won and lost battles, discovered empires and abandoned them. At the very least we are [...]
Jun 3, 2012

The Fox (1968). Design by Bill Gold, art by Leo & Diane Dillon. Mark Rydell’s The Fox may be regarded unfavourably now for its retrograde idea of a lesbian relationship but that’s still a great poster by the Dillons. Equally retrograde (well it was 1957) is Anders als du und ich, a film about wayward [...]
Apr 8, 2012

Robert Fripp photographed by Chris Stein. Video posterization by Michael Schiess. Scans of Synapse, “The electronic music magazine”, are posted here. Issues range from 1976 to 1979, and include interviews with the more notable synthesists of the period, Kraftwerk included. Brian Eno was regularly interviewed by synth mags despite always being reluctant to talk about [...]
Mar 19, 2012

It’s taken me a while to see this but the long search for a genuinely psychedelic feature film is over. That’s genuinely psychedelic not in the debased sense of a handful of garish or trippy visuals, but in the full-spectrum expanded-consciousness sense for which Humphrey Osmond invented the term in 1956: I have tried to [...]
Feb 11, 2012

Phase IV (1974). It’s been a thrill recently poring over the Saul Bass monograph, Saul Bass: A Life in Film & Design by Jennifer Bass & Pat Kirkham, a large volume that weighs a ton and is as revelatory about the career of a great designer (and his wife and frequent collaborator, Elaine Bass) as [...]
Jan 19, 2012

Max Ernst. The posts this week have all followed a Surrealist theme so I feel compelled to draw attention to the DVD-quality copy of Hans Richter’s Dreams That Money Can Buy (1947) at the Internet Archive. As mentioned before, Richter’s film is one of the key works of Surrealist cinema, made at the time when [...]
Jan 15, 2012

Untitled (1978) by GR Santosh at 50 Watts. • Evertype Publishing produces a range of Lewis Carroll special editions including Ailice’s Àventurs in Wunnerland (a translation in Scots), Alicia in Terra Mirabili (a Latin version), and an edition printed in the Nyctographic Square Alphabet devised by Carroll. • This week’s bookshop animations: Type Books, Toronto [...]
Nov 21, 2010

Michael Powell’s Peeping Tom is fifty-years old this year, an occasion celebrated with a limited UK cinema run and a reissue on Blu-ray and regular DVD. This was the film which famously ended Powell’s career as a director in Britain for reasons which have never been quite clear. Was the film’s critical vilification the culmination [...]
Mar 27, 2010

Hitchcock and Borges revisited | Johan Grimonprez’s new film, Double Take.
Jul 23, 2009

Poster for Alfred Hitchcock’s The Birds, designed by Bronis?aw Zelek (1965). Freedom on the Fence is a 40-minute documentary film by Andrea Marks about the history of the Polish poster which includes a look at the many unique cinema and theatre designs produced in the 1960s and ’70s. Marks spent ten years working on this [...]
May 16, 2009

Yet another of those curious Eastern European film posters which, to our Hollywood-colonised eyes, seem to violate all the conventions of cinema marketing. This example is a painting by Josef Vyletal for a 1970 Czech release of Alfred Hitchcock’s The Birds. Surrealist art enthusiasts will immediately identify the floating figures as being cut loose from [...]
Sep 1, 2008

Among recent DVD releases there’s a handful worth noting here. First up is another great collection of rare cinema from the Center for Visual Music, 3 Films by Elias Romero. Elias Romero is considered to be the Grandfather of the Light Show. In San Francisco in 1956 he began developing a performance medium using overhead [...]
Aug 11, 2008

The enigmatic hibiscus: Le Testament d’Orphée (1960). Here’s a conundrum for you: what connects Jean Cocteau, Ravi Shankar, Doctor Who and March of the Penguins? Read on and all will become crystal clear…. This latest { feuilleton } examination of the byways of musical culture isn’t concerned so much with an individual artist, more with [...]
Nov 24, 2007

top left: The Foreign Correspondent; right: Lifeboat. bottom left: To Catch a Thief; right: North by Northwest. Watching Alfred Hitchcock’s remake of his own The Man Who Knew Too Much this evening I realised I’d missed the director’s customary cameo appearance, and furthermore didn’t remember which scene it was supposed to be in. One of [...]
Mar 5, 2007

The riddle of the rocks by Jonathan Jones It was the art movement that shocked the world. It was sexy, weird and dangerous—and it’s still hugely influential today. Jonathan Jones travels to the coast of Spain to explore the landscape that inspired Salvador Dalí, the greatest surrealist of them all. The Guardian, Monday March 5, [...]
Jan 31, 2007

Fantazius Mallare by Wallace Smith (1922). Ben Hecht (1894–1964) is remembered today as a notable Hollywood screenwriter. He won the first screenplay Oscar for Underworld in 1927, wrote the great screwball comedies Nothing Sacred and His Girl Friday (based on his play with Charles MacArthur, The Front Page), and worked with directors such as Howard [...]
Jul 21, 2006

The international committee to choose the winner of the Jack Trevor Story Memorial Cup has at last been selected. The jury consists of Mr John Coulthart (UK), M. Jean-Luc Fromental (France), Mr Michael Moorcock (UK), Mr Martin Stone (France) and Mr Jeff VanderMeer (USA) who will meet to confer in the course of the following [...]